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扎(🔶)(zhā )希拉在比(🔯)利时(shí )的(🔛)(de )一个(📍)巴基斯坦家庭中长(zhǎ(🍰)ng )大(dà(🍿) )。因为意外怀孕，她现(xiàn )在(zà(🤩)i )正坐在一(🔉)位医(🥜)(yī )生(shēng )的办公室里询(🎮)问可(🗃)以打(dǎ )掉(diào )孩子的方法。犹(🍝)豫不决的(💹)希拉(📯)决定向朋(péng )友(yǒu )和家(🚠)人寻(😔)求帮助。虽然(rán )她(tā )的(🔐)家人(🥒)对她表(biǎ(😜)o )示(shì(🌦) )了理解和同(🐰)情，但是却(🦐)(què )默(🎿)(mò )默帮她物色了(le )三个(🕒)远房(⏺)(fáng )亲戚作为结(🍌)婚的(de )对(duì )象(🖲)。父母让她(🛍)从中(✍)选择(zé )一(yī )个，并且觉(🔐)得(dé(🚻) )女(nǚ )儿已经得到了自己曾(🍙)经(jīng )想(xiǎ(🐣)ng )都不(🧗)敢想的“自由”。在(zài )宗教(🐆)世俗(🗓)和追(zhuī )求(qiú )自己人生的渴(🥦)望中，扎(zhā(👇) )希(xī(⚓) )拉必须做出选(xuǎn )择。 In upstate New York, two teenage boys are tasked with cleaning out their father's old mobile home on an abandoned property, but the boys are in for a surprise when they discover three crooks on the run have taken refuge in the trailer. Cynthia O'Neil enters a haunted asylum known as the Madison Seminary in search of her father who went missing in the asylum while shooting a reality television show. A young lawyer must work for 6 weeks on a vineyard in order to inherit it. 阿(🌟)龙幼(🎪)年习武，后因(yīn )沾(zhān )染(✈)赌瘾(⛸)，锒铛入狱(⚽)，出(chū(😫) )狱(yù )后靠打(🏐)黑市拳(quá(🧢)n )为(wé(🐩)i )生，终日酗酒，自暴自(zì(📟) )弃(qì(🐥) )。邻居有一小(xiǎ(🈲)o )女孩，天(tiān )真(👙)善良，一心(🌀)想(xiǎ(🚂)ng )要(yào )帮助阿龙改过自(🎑)新，遂(🕶)(suí )一(yī )次次用自己的(de )行(há(🍔)ng )动去感化(🌋)阿龙(🧝)。终于，当(dāng )阿龙准备重(🥌)新开(🔑)始之时(shí )，一伙人贩却将(jiā(🎴)ng )小(xiǎo )女孩(🆓)绑走(🚌)，危急时刻，为(wéi )了营救(🍐)小女(⛎)孩(hái )，也为了找回曾经(💻)的自(🚨)己(jǐ )，阿龙(🕛)决定(🅰)与人贩展开(🚍)生(shēng )死(sǐ(⭐) )一战(🥎)，自我救(jiù )赎(shú )。 东方历(🙃)史上(🧘)一直存在(zài )着(zhe )两大非人种(🔩)族(zú )，戌族(🗞)和灵(🔰)族，两族世代(dài )对(duì )立(🚓)。戌族(🌎)首领具有辨阴(yīn )阳(yáng )和瞬(👥)移的能力(🍕)(lì )，灵(🔍)族首领具有放射能量(🎴)(liàng )气(🤟)(qì )焰和不灭之躯的能力。为(➡)了对付灵(⏯)族，戌(🧤)(xū )族人锻造了一把泯(☕)阳长(🚖)(zhǎng )剑(jiàn )和湮阳手刀，成(🕠)(chéng )为(☔)能够杀死(🆘)灵族(💶)首领魅(mèi )王(😠)(wáng )的唯一(👱)武器(🐹)。而作为现(xiàn )代(dài )戌族(🏜)首领(🚫)的狗(gǒu )子(zǐ )对此一无所知(😒)，仍和老(lǎ(😿)o )搭(dā(🍱) )档若水、书呆(dāi )子经(💈)营着(🚈)自己的抓小三事(shì )务(wù )所(😬)。悯月的突(👀)然出(🔑)现逐(zhú )渐(jiàn )唤醒了狗(🛰)子尘(🕶)(chén )封(fēng )已久的记忆，戌(🏼)族、(💶)灵(líng )族(zú(♒) )世代(👞)的矛盾也再次引爆(bà(🚦)o )，一件(🐬)件阴谋浮(fú )出(chū )水面(🏞)。 Rihito Shiraishi, a ghostwriter, escaped a plane crash by cancelling the flight he was supposed to take. Sometime later, he met a somewhat eccentric woman named Saki Honda and fell in love with her. But she made a suicide attempt. Rihito read her dairy, and learned that she lost her fiancée in the plane crash he escaped and she has been repeating the incident she had with her fiancé(🥜)e. Eventually, Rihito and Saki dropped their pretense and began to take a serious look at their own selves. For her rst television lm – a remake of Fassbind- er’s Die bi eren Tränen der Petra von Kant –(📤) direc- tor Vera wants the perfect cast. But the rst day of shoo ng is fast approaching and the numerous cas ng sessions have yet to nd a suitable actress to play the leading role. Although the producer and crew are ge ng ever more exasperated with Vera, Gerwin is happy about the extra work, as he earns his money as an audi on reader, delivering the lines of dialogue to the starry candidates at the various cas ngs. When the male lead suddenly has to back out, Gerwin thinks that this might just be his chance. Director Nicolas Wackerbarth captures the complex essence of Fassbinder’s lm and simultaneously cre- ates a profound work of his own. Cas ng takes an un inching look at the murky depths of human rela- onships driven by power, passion and despera on. Yet Wackerbarth also brings bi er truths to light about power rela ons and dependencies in the Ger- man television industry almost in passing. Cas ng is both intelligent and entertaining, marked by ex- ci ng turning points, humour and the breathtaking ac ng performances by a truly virtuoso ensemble. A low-budget anthology film focuses on a young group of friends, gathered for a night of fun and drinks around a campfire. Every year they try to outdo themselves telling scary stories. Will they survive another round? One story showcasing 5 unique macabre tales to frighten audiences everywhere.