乡村爱情3

Sergio Martino's 1973 poliziotteschi The Violent Professionals aka Milano Trema – La Polizia Vuole Giustizia doesn't exactly reinvent the wheel, but it's one of the better examples of an overpopulated genre, with Luc Merenda playing the typical shoot-first-so-you-don't-have-to-ask-questions-later maverick cop after the gang that killed his boss and several innocent bystanders. Like I said, it doesn't exactly reinvent the wheel, but it does make sure it keeps turning fairly efficiently for 104 minutes. It's not as good as its enthusiastic cult reputation implies, not least because the big twist about the motive behind a series of gratuitously violent bank robberies isn't exactly surprising (like the Red Brigades of the day, the robbers are more interested in spreading chaos than getting rich), but it does get extra points for being one of the few films where, when a car crashes over a hill, it doesn't explode in a ball of fire on the way down. There's also a great spin on the omnipresent car-driving-through-stacks-of-empty-crates shot in one chase scene by having Merenda's car drive through stacks of burning crates that was so popular the footage was reused in at least two other movies (Milano Odia: La Polizia Non Può Sparare and Roma a Mano Armata). Richard Conte is the contractually obligatory American co-star, acquitting himself well despite some hilariously obvious doubling in a fight scene, Tinto Brass regular Martine Brochard makes an attractive junkie and there's a catchy De Angelis brothers score. 晓(♎)杰因(yīn )母(mǔ )亲在(🦂)香(🐡)港工作而从内地(🗂)(dì )来到(👊)那(⛓)儿上(shàng )学。放暑假(🛏)(jiǎ )期(qī )间(👈)与同学阿(😫)(ā )辉、(🤴)大胖快(kuài )乐地玩耍(😠)。在(zài )海边，他们认识了家境(⛺)(jìng )贫(pín )寒的女孩(🚣)小(🕰)玉。小玉(🍉)妈(mā )妈有(👙)病，全(quá(🌐)n )靠(😜)(kào )爸爸和小(xiǎo )玉(🚜)(yù(🐮) )拾废物(🔱)补贴(tiē )家用。三人(👿)十分同情，经(jīng )常帮(🐐)助小玉(👜)。小玉因保(bǎo )护(hù )发(✌)病的妈妈(mā )，突遭不(🐀)测(cè )被(❓)汽车撞倒(dǎo )。于是(🙊)三(⬛)人全(quán )力帮助小(🏗)玉(yù )，晓(🐫)杰(🆔)让妈妈帮小玉结(🚅)清(qīng )了所(⛳)有的住(zhù(🛫) )院费用(🔈)，大(dà )胖(pàng )更是努力(🎇)的(de )学会了炒面(miàn )，照顾小玉(👫)(yù )的(de )妈妈，还和阿(👘)辉(🚉)一起帮(💭)(bāng )小(xiǎo )玉(😧)爸爸干(💡)活(🔎)。晓杰妈妈(mā )在小(🛏)玉(🚂)的家(jiā(🧜) )里(lǐ )偶然看见(jià(🍽)n )了(le )小玉的日记(jì )，字(♒)里行间(🍬)透露出了这(zhè )个(gè(🚉) )才上小学的女孩(🔃)对(🔇)生活(huó(⏬) )的(de )信心，感人肺腑(👭)。于(🥇)是(shì )在她的帮助(🧠)(zhù )下(xià(🙀) )，小(👓)玉的日(rì )记上了(🚿)报纸(zhǐ )，还(⛑)被结集出(🧘)版，引起(🐩)了(le )很大的反响。小玉(🥨)病愈(yù )了(le )，快乐的暑(shǔ )假也(📚)结束了(le )。孩子们结(🅿)(jié(🌑) )下(xià )了(🕧)深厚的友(🤖)谊，也从(🌄)心(🧢)(xīn )里(lǐ )感到自己(🛑)又(🐔)长大了(🚘)。 上(shàng )海电影制片(😜)(piàn )厂1958年摄制，著(zhe )名导(🆒)演孙瑜(✅)(yú )执导，魏鹤龄主演(💇)；其(qí )主(zhǔ )要剧(🗞)情(😤)为：影(🙂)片选择了(le )造(zào )桥(🙇)、(⭐)建庙、角楼三个(😳)故(gù )事(🎵)贯(🏙)串而成(chéng )，着重表(🌭)现了(le )春秋(💱)战国时(shí(🗼) )代(dài )的(🥂)巧匠鲁班是劳动人(🍆)民(mín )勤劳智慧的化身，证明(🚼)(míng )了(le )不平凡的奇(🍅)(qí(⏬) )迹都是(🈁)从平(píng )凡(🥋)的劳动(🥌)中(🎒)(zhōng )创(chuàng )造出来的(🎦)。 真(♈)木栗勉(㊗)，作(zuò )家，住在一座(🖕)破旧的大(dà )厦里，生(🧞)活(huó )窘(🥜)迫，这次(cì )终(zhōng )于接(🈶)下了一(yī )个比较(📇)大(🧀)的活-写(📃)一部情(qíng )色(sè )小(⌚)说(🙌)。指望着这个翻身(👒)(shēn )的(de )他(📮)不(📴)断的在思索着题(🎺)材(cái )，在屋(⬇)中不(bú )断(👆)(duàn )的踱(➡)步时，他发现了墙(qiá(🔧)ng )上(shàng )有一个小洞，可以看(kà(🦂)n )到(dào )隔壁空着的(🎷)屋(🔳)子，于是(🕺)(shì )他(tā )每(🗓)天都期(👁)待(🙏)(dài )着能有年轻(qī(🥙)ng )女(😺)孩搬来(🍬)这(zhè )里(lǐ )，可以提(🍷)供他写作的题(tí )材(🥊)(cái )。一天(😾)，终于有一个女(nǚ )孩(🏋)搬来这间(jiān )屋子(😎)，于(💦)是(shì )他(🤕)(tā )…… 托马斯(sī(🍜) )的(🤖)妹妹在一次事故(🧟)中神(shé(📲)n )秘(🌊)(mì )死去，而妹妹的(💜)死亡很(hě(🕉)n )可(kě )能与(👏)他们过(🚒)世父亲参加(jiā )的一(💧)项秘密(mì )军(jun1 )事研究有关(guā(🔍)n )。托马斯随(suí )即(jí(🌜) )展(🚁)开了调(🍟)查，不料却(🤨)(què )让(rà(⬜)ng )自(🚜)己和家人都陷入(🏈)了(⛪)极(jí )大(⬜)(dà )的危险之中(zhō(🖨)ng )。一伙不明(míng )身份的(🐵)人开(kā(🐺)i )始(shǐ )对他们展开了(🛰)天罗地网(wǎng )式(shì(🚑) )的(🏒)监察。 杨(🦈)醒波（邓一(yī )君(💣) 饰(🚝)）终于(yú )考入港(😜)大，而(é(🔮)r )女(🗡)友阿Ling却即(jí )将出(🕊)国留学，两(⤵)人就此(cǐ(🕤) )分(fèn )手(🛌)，但波仔并未因此难(🏫)(nán )过(guò )反而更期待自由的(🥧)大学(xué )生活。波仔(🦊)(zǎ(😽)i )一(yī )次(📥)街头访问(⛴)(wèn )，偶遇(😄)了(🏑)中(zhōng )大(dà )新闻系(⌚)二(🕒)年级学(🎋)生阿(ā )Jean，阿Jean的成熟(♓)和不羁对波仔(zǎi )来(🏻)(lái )说神秘又吸(xī )引。多次接(🐙)(jiē )触下来，波(bō )仔(🏃)(zǎ(♍)i )发现阿(🏮)Jean还是个善良而有(😲)(yǒ(🍍)u )理(lǐ )想的独立女(😏)性。不料，阿(📰)Jean竟突然消(xiāo )失，波(🤞)仔终(zhōng )日(rì )思念。直(🕷)至(zhì )一(♿)次抗日游行中，波仔(〰)(zǎi )和(hé )阿Jean再次相遇，却带来(👗)另(lìng )一(yī )个让波(📥)仔(➡)始料不及的消(xiā(👲)o )息——(📉)阿(🕥)Jean即(jí )将(jiāng )赴北京(🚧)交(🛀)流(liú )学(🔓)习。面对(duì )又一次(🎩)的分别，波仔终(zhōng )于(🥝)(yú )鼓起勇气对阿Jean表白，并(bì(🌴)ng )表(biǎo )示愿意在香(👙)(xiā(📵)ng )港等待(✉)她。时间一天天(tiā(🌵)n )过(🚭)(guò )去，阿Jean的归期依(🤐)旧未定(dì(🏠)ng )，两人能冲破空间(🛶)的距离(lí )最终在一(🏡)起(qǐ )吗(🚰)？品尝尽(jìn )爱(ài )情(🛣)苦头的波(bō )仔是否能得到(💟)爱的甜蜜(mì )呢(ne )？(🔁) 洛(🙈)杉矶警察克莱因(👎)（乔(qiá(🚯)o )什(🐉)•哈奈特 Josh Hartnett 饰）在(⛸)办案(àn )中(🔛)惨遭羞辱(rǔ )，罪犯(🛍)嗜血如(rú )命，喜欢肢(🌯)(zhī )解活人。克莱因身受重(chó(👙)ng )伤(shāng )，仍侥幸活命(🎅)，但(🐋)心底(dǐ(💨) )留(liú )下阴影，被(bè(👖)i )迫(🔄)革职。3年(nián )后，一位(🛌)中(zhōng )国(guó(〰) )富商委托克莱因(🥜)帮忙寻(xún )找(zhǎo )失踪(👜)儿子师(📭)涛（木村拓(tuò )哉 Takuya Kimura 饰(⛴)），他(tā )来到香港，接(jiē )待他(👊)的是好(hǎo )友孟子(🕌)（(❤)余文乐 Shawn Yue 饰），后(hò(📳)u )者亦是(🥈)警(👡)察。在警局，克(kè )莱(🍬)因与师涛(😚)擦肩而过。随后，发(👭)生(shēng )荒(huāng )野命案，孟(🤯)(mèng )子怀疑此事(shì )为流浪汉(🧗)（李灿森 饰）所(🙄)(suǒ(🍸) )为，两人(🧔)急忙赶到现场(chǎ(👊)ng )。与(☔)此同时，黑帮头目(🔅)苏(sū )东坡(🍤)（李秉(bǐng )宪(xiàn ) Byung-hun Lee 饰(🧀)）的情人莉莉（陈(👵)女(nǚ )燕(🥤)(yàn )溪 Tran Nu Yên-Khê 饰）被狂(🌒)徒掳走(zǒu )，后者开车(chē )逃逸(💳)，也来(lái )到(dào )了荒(⏹)野(⏪)处，但被击毙。调查(🍎)中，克(kè(😋) )莱(🌀)(lái )因逐渐发现了(👎)莉莉、李(🌔)(lǐ )秉(bǐng )宪、师涛(😱)之间的微妙关(guān )系(😚)…… Sergio Martino's 1973 poliziotteschi The Violent Professionals aka Milano Trema – La Polizia Vuole Giustizia doesn't exactly reinvent the wheel, but it's one of the better examples of an overpopulated genre, with Luc Merenda playing the typical shoot-first-so-you-don't-have-to-ask-questions-later maverick cop after the gang that killed his boss and several innocent bystanders. Like I said, it doesn't exactly reinvent the wheel, but it does make sure it keeps turning fairly efficiently for 104 minutes. It's not as good as its enthusiastic cult reputation implies, not least because the big twist about the motive behind a series of gratuitously violent bank robberies isn't exactly surprising (like the Red Brigades of the day, the robbers are more interested in spreading chaos than getting rich), but it does get extra points for being one of the few films where, when a car crashes over a hill, it doesn't explode in a ball of fire on the way down. There's also a great spin on the omnipresent car-driving-through-stacks-of-empty-crates shot in one chase scene by having Merenda's car drive through stacks of burning crates that was so popular the footage was reused in at least two other movies (Milano Odia: La Polizia Non Può Sparare and Roma a Mano Armata). Richard Conte is the contractually obligatory American co-star, acquitting himself well despite some hilariously obvious doubling in a fight scene, Tinto Brass regular Martine Brochard makes an attractive junkie and there's a catchy De Angelis brothers score. 来(lái )自宾西法尼(🔝)(ní )亚州的青年(niá(🦃)n )麦(🖲)克（迈(🔽)特•朗 Matt Long 饰）是(shì(🔲) )西(⏰)(xī )北大学的明星(⛩)球员，他(tā(👶) )的(de )生活以橄榄(lǎ(🍲)n )球为中心，阳光向上(🌂)。在(zài )一(🔚)个圣诞夜的前夕，麦(🛣)(mài )克(kè )带着美丽的女友伊(🐌)丽莎(shā )白（杰茜(🧗)卡(🌂)(kǎ )•斯特普 Jessica Stroup 饰(shì(👰) )）回到(🕌)家(💢)乡。他们受到家乡(〽)朋友的热(🎩)(rè )情(qíng )欢迎，也许(😤)只有一个人(rén )例(lì(👪) )外，那就是麦克的前女(nǚ )友(🔫)——前高(gāo )中(zhō(🔕)ng )橄(📔)榄球拉(🐣)拉(lā )队皇后希尔(♐)(ě(🎉)r )比（米莎•巴顿(👄) Mischa Barton 饰）。高(gā(🏷)o )中毕业后两人选(🐙)择分手(shǒu )，而希尔比(🏿)多(duō )年(🍝)来仍深爱(ài )着麦克(🍭)，渴(kě )望(wàng )与之复合。