母与子 电影

Dave Jennings is a successful, self-made man in the business world, but he can't control his son, Gus, who is primarily a brat fond of throwing temper-tantrums and misbehaving. Dan enrolls Gus in a school where Lydia Marble is a teacher. Lydia's influence works wonders on Gus, and also Dan, who falls in love with her. When Dan's long-departed wife, Joyce. shows up to shake him down for money, Dan gladly pays her a fortune to divorce him and leave him and Gus in peace and, eventually, Lydia. 意大利(🉑)新(xīn )现实主义(yì(💻) )的代(🌟)表作(zuò(⛑) )，但因其(qí )反应(🎃)现实(shí(🎑) )的力度致(zhì )使当(🏃)时的(🌼)(de )意(yì(🐷) )大利政(zhèng )府(fǔ )采(🌗)取了(le )全(🍧)(quán )面封杀(shā )的(de )态(🍥)度，结(📬)(jié )果使这(zhè )部(bù(🥨) )片子(👤)的(de )知(zhī(🏫) )名度大(dà )幅度(🎱)降低(dī(🆎) )，但本片(piàn )无论从(🍔)表(biǎ(🏿)o )现手法，还是演员表演(😓)，到对社(🧛)会，人性的刻画揭(👇)露，无(🌖)不表现出深厚的功力(📕)和艺术(🛁)水准，其成就足以使它(🀄)超越《偷自行车的(⛰)人》成(😶)为(wéi )新(🎷)现实主(zhǔ )义的(🥜)巅峰(fē(⚫)ng )之作 片名(míng )：爱(☝)本无(😚)(wú )罪 L'amour n'est pas un pêché 阿(ā )玉（高(🦊)峰(fēng )秀(🆓)子饰）与(yǔ )卖糖(⚽)为(wé(👩)i )生(shēng )的父亲(qīn )相(🎪)(xiàng )依(🧒)为命(mì(🍣)ng )，过着十(shí )分(fè(😹)n )贫苦的(🐀)(de )生(shēng )活。她(tā )因曾(🤬)被有(🦔)(yǒu )妇之夫骗(piàn )去贞洁(🥨)，被人认(🍙)为(wéi )是“残次品”，难(🏩)以寻(🚕)得好姻缘。某个媒(🎗)婆告(✈)诉她，有(🥄)位叫末造的和服店店(🌁)主十分中意于她(🙉)，他的(🚣)妻子早已去世，因为害(🚌)怕世(shì(♉) )人议论，所以只能(✴)(néng )让(⛩)阿玉当(dāng )情妇。阿(ā )玉(👊)误以为(🔥)(wéi )真，于是(shì )成为了被(🦖)(bèi )末(mò )造包养(yǎ(🏣)ng )的(de )情(🗓)人，但(dà(🦊)n )很快发(fā )现(xià(🗞)n )，对方(fā(🦑)ng )并(bìng )不是和(hé )服(🖱)(fú )店(⭐)店主(zhǔ )，而是一(yī )个声(🌏)名狼(lá(🍈)ng )藉的放贷(dài )人，同(🌝)时(shí(🐱) )，他的妻子也并未(🤕)去世(🎙)。正当阿(🔎)玉感到十分痛苦之际(😜)，她遇到了医学院(💩)的大(⚫)学生冈田（芥川比呂(👁)志饰）(💀)，虽与对方只有短(🤖)短几(🤕)(jǐ )面之缘，但阿玉已(yǐ(🌦) )对其芳(💵)心(xīn )暗许，就(jiù )当阿玉(🤰)想(xiǎng )要邀请对(duì(🧟) )方与(🌙)自己(jǐ(🥔) )共(gòng )进晚餐(cā(🕎)n )之(zhī )时(🔇)，事(shì )情(qíng )却被末(👛)(mò )造(📩)(zào )发现。末(mò )造并未(wè(🅿)i )发(fā )火(🈵)，而(ér )是(shì )幸灾乐(👱)(lè )祸(🔼)地告诉(sù )她，冈田(⬇)(tián )即(🌺)将远赴(🍖)(fù )德国 制作/发行公司(🌾)：红星影片公司(🚀)/华南(🕦)影业公司 关于神圣罗(🤪)马帝国(👹)将军、勒班陀海(👵)战的(🌀)获胜者奥地利的约翰(📵)（1547～1578）(🐁)的早期生活(huó ) Carl Martin is a morose and deranged Los Angeles gardener, who,in retribution for the infidelity of his unfaithful wife, sets about to kill as many blonde's as he can. From the time the film opens, to the sound of a radio turned up full-blast over the still-warm corpse of a blonde, the audience knows the identity of the killer. The film depicts, with documentary realism as it was shot on location in and around Los Angeles, how the police, using laboratory techniques against the few clues they have, track down Martin. Their key clue is a spring from a pair of garden shears. The police move in just as Martin is about to add Jane Saunders, the daughter of a greenhouse owner, to his long list of victims.