边桥谜案

获柏林电影节评审团大(🍛)奖。影片取材于意大利文(wén )艺(👸)复(🐇)(fù )兴(xìng )时(shí )期(qī )薄(báo )伽(gā )丘(📰)的(de )著名小(xiǎo )说集《十日谈》，帕索(🏷)里尼从中挑选了8个（亦有说(🥠)10个(🕧)）发生在(zài )那不勒(lè )斯等(dě(⏰)ng )意(yì )大(dà )利(lì )南(nán )部(bù )地区(🐆)(qū )的故事进行拍摄（原著中(🥛)以佛罗伦萨地区故事为主）(🚃)，这(⛲)些故事大多(duō )以揭露(lù )教会(🈺)(huì )虚(xū )伪(wěi )丑(chǒu )恶(è )本质为(🤶)(wéi )宗旨，并鲜明地表现了作者(💌)对(🗳)人性解放的肯定态度。 With the passing away of Rajesh's parents, Jagatram undertakes to look after him. He hopes that some day Rajesh will marry his daughter Rekha. He arranges Rajesh's employment with a local hostel, which Rajesh accepts. After being employed, Rajesh finds that his male students are distracted and unable to concentrate on their studies. He decides to investigate further, and finds out that they visit a prostitute named Chandni regularly. He puts a stop to this. And then Jagatram finds out that Rajesh has been frequenting Chandni's place almost every night, under the unbelievable pretext of teaching her to read and write. 巴西新(🕎)浪潮电影(yǐng )经典(diǎn )，Paulo Porto的(de )代(dài )表(😤)(biǎo )作(zuò )，由(yóu )著名女(nǚ )星Odete Lara主演(🌡)，莫(🐃)斯科国际电影节最佳导演奖(🤧)，最佳影片提名。 青青(qīng )（胡燕(🔺)(yàn )妮 饰(shì )）是(shì )一(yī )名(míng )歌(🌪)(gē )女，一次偶然中，她同年轻的(⚪)建(🎴)筑师汤鹏南（凌云 饰）相遇(🗾)了，彼此一见(jiàn )钟情的(de )两(liǎng )人(📲)(rén )很(hěn )快(kuài )就走(zǒu )到了一(yī(🌔) )起(🏚)，结为了感情十分深厚的情侣(🐏)，两人生活在幸福之中。不幸的(⚫)是，厄运(yùn )降(jiàng )临(lín )在(zài )了(le )汤(🎥)(tā(😼)ng )鹏南(nán )的家庭里，他的父亲中(💿)风倒下，需要一笔可观的经费(🔈)才能治疗，为了(le )帮助男(nán )友，青(🦅)(qīng )青(qīng )决(jué )定(dìng )背着汤(tāng )鹏(🦐)南(👤)出卖自己的身体。 Carla (Carla Aulaulu), Mascha (Mascha Elm-Rabben), and Magdalena Munn (Magdalena Montezuma).[40] They perform as second-rate cabaret singers during the Nazi era, forced to disband when Carla takes a job with a Viennese theatre and Mascha has a nervous breakdown. Pilot haphazardly (and without much clarity) follows their individual activities; instead of depicting Carla's "show," for instance, we see her singing its main song while apparently working in a Viennese pastry shop. Magdalena attempts to find work for Mascha by posing as her aunt and appealing to a Nazi official; later Mascha rescues Magdalena from drowning herself. The two eventually find jobs as secretaries, after brief stints as "creative artists." Magdalena's voice-over then informs us that all three women meet again after the war at a Bruckner concert. They begin discussions about regrouping to go to the United States, this time as reformers rather than performers, to preach integration (apparently we are now in the late 1960s, the time of the film's production). Carla, nostalgic for their earlier Nazi stage career, is hard to persuade, but eventually they leave for the United States. Their rapid downfall as teachers there results from the publication of a Nazi-era photo of them; added to this is the controversy of Mascha's undepicted liaison with an American bomber pilot. We are told there is a trial (also undepicted), and the three go back to Germany where they perform for American troops. Carla has a miscarriage from the bomber pilot and suffers badly. The final image shows Magdalena supporting Carla as she walks around weakly in front of the same building we saw in the film's opening shot. Carla (Carla Aulaulu), Mascha (Mascha Elm-Rabben), and Magdalena Munn (Magdalena Montezuma).[40] They perform as second-rate cabaret singers during the Nazi era, forced to disband when Carla takes a job with a Viennese theatre and Mascha has a nervous breakdown. Pilot haphazardly (and without much clarity) follows their individual activities; instead of depicting Carla's "show," for instance, we see her singing its main song while apparently working in a Viennese pastry shop. Magdalena attempts to find work for Mascha by posing as her aunt and appealing to a Nazi official; later Mascha rescues Magdalena from drowning herself. The two eventually find jobs as secretaries, after brief stints as "creative artists." Magdalena's voice-over then informs us that all three women meet again after the war at a Bruckner concert. They begin discussions about regrouping to go to the United States, this time as reformers rather than performers, to preach integration (apparently we are now in the late 1960s, the time of the film's production). Carla, nostalgic for their earlier Nazi stage career, is hard to persuade, but eventually they leave for the United States. Their rapid downfall as teachers there results from the publication of a Nazi-era photo of them; added to this is the controversy of Mascha's undepicted liaison with an American bomber pilot. We are told there is a trial (also undepicted), and the three go back to Germany where they perform for American troops. Carla has a miscarriage from the bomber pilot and suffers badly. The final image shows Magdalena supporting Carla as she walks around weakly in front of the same building we saw in the film's opening shot. 摄影师工藤(♎)太郎在坐飞机的途中发现一(🖋)架太空(kōng )囊坠入(rù )大(dà )海(hǎ(😺)i )，那(⚓)(nà )正是(shì )4个月前(qián )离奇失踪(📽)的无人木星探测器赫利俄斯(🏜)7号。回国后的工藤接到陪同开(🚑)发(🚓)(fā )公司(sī )调(diào )查(chá )队(duì )前(qiá(🛅)n )往(wǎng )塞吉(jí )欧岛的工作，而塞(👔)吉欧岛正位于赫利俄斯7号坠(🛡)落地点的附近…… 1970年1月(yuè )占(💙)士(😞)美(měi )臣(James Mason) 來(lái )香(xiāng )港(gǎng )取(qǔ )景(🌎)(jǐng )拍攝電(diàn )影 《雙面人顧先生(🐭)》 The Yin and the Yang of Mr. Go (aka The Third Eye) ，邀請導演胡金銓客串飾演日(🎤)本(💗)商人一角，片酬(chóu )高達十(shí )六(🏥)(liù )萬(wàn )港(gǎng )元(yuán )，打(dǎ )破港台(♉)(tái )兩地演員片酬紀錄，無人可(🤒)望(🍰)其项背。 35岁的中年外交家杰罗(📰)姆（让-克(kè )劳德(dé )·布(bù )里(😫)(lǐ )亚(yà )利(lì ) Jean-Claude Brialy饰）是一个具有(😙)深刻洞察力和幽默感的男人(🔝)。即(🌅)将结婚的杰罗姆，以单身(shēn )汉(🍻)的身(shēn )份参(cān )加(jiā )了(le )老(lǎo )朋(🈳)(péng )友奥罗(luó )拉（奥罗拉·科(🛃)努(😲) Aurora Cornu饰）邀请的度假之旅。在美丽(🌱)而宁静的乡村庄园，奥罗拉(lā(🏳) )介(jiè )绍(shào )了(le )两(liǎng )位花(huā )季少(😟)女(🌴)(nǚ )劳拉（碧翠丝·罗曼德 Bé(🔩)atrice Romand饰）和克莱尔（劳伦斯·莫(🍜)纳亨 Laurence de Monaghan饰）与他认(rèn )识。年(nián )轻(📧)(qīng )美(měi )丽(lì )的(de )克莱(lái )尔让杰罗(💩)姆不能自拔地心生欲望。当他(🏘)看到克莱尔的男友抚摸她膝(😺)盖(gài )的动作(zuò )，产(chǎn )生(shēng )了(le )也(🛩)(yě(🏯) )要(yào )摸一摸(mō )克莱尔膝盖的(🐆)念头。