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On the tropical island of Manioca, during a MardiGras-like festival, the child of the former president is kidnapped by the thugs of a communistic dictator. A large corporation in Miami finances an expedition to recover the child, and thus hopes to put the democratic nominee back in power. To this end, they send four mercenaries into the jungle, all of whom are masters of warfare. However, while the four mercenaries are fighting their way through the green inferno, new developments are occurring back in Miami. It seems that the corporation has changed its stance, and is now trying to work out a deal with the communistic dictator. This is sadly one of Umberto Lenzi's most neglected films--and for no good reason at all. Perhaps the lack of distribution has contributed to the obscurity of this gem; but, for all serious fans, it remains to be rediscovered. This film is not remarkable insofar as it is extraordinary, but that it so keenly represents the ending of an era. Never again will we see the likes of Antonio Sabato, Ivan Rassimov, Werner Pochath, and Franco Fantasia, all teaming up together in one great film such as this. Besides being well-directed, this movie is augmented by a very nice soundtrack by Stelvio Cipriani, as well as a surpise appearance by Andrea Aureli. Of course, it has its drawbacks as well. For instance, Ivan Rassimov's character is killed off much too soon (the same fate he suffered in Ruggero Deodato's "Atlantis Interceptors"). However, this movie contains some genuinely wonderful scenes that recall all the glory of Lenzi's earlier films. Highly recommended! 有(yǒ(🍭)u )天赋的(✅)音乐家(🧜)准备踹掉(diào )自己(jǐ )的团(tuán )队一人单飞，可是在(🚓)他的告(🐱)别演出(🛶)(chū )中却(🌫)(què )意外(🎶)(wài )中毒(🚏)(dú )身亡(😝)。警察在(🍛)检查了他(tā )的(🍾)所(suǒ )有饮(yǐn )食之(zhī )后还是无从(💧)下手。坏脾气的(🗯)(de )他到底(👆)(dǐ )是被(🔙)(bèi )何人(🌟)记恨，又(⛴)是如何被(bèi )害(💁)呢(ne )？ 影(yǐng )片通(tōng )過舞(wǔ )女林(lí(🙉)n )若青的人生經歷，影射(📦)(shè )出舊(🌃)(jiù )中國(⏩)人(rén )民(😨)的悲慘(🍤)遭遇以(♓)及社會(⏪)的黑(hēi )暗無(wú )情。 本片(piàn )于1985年(nián )获第二十二届(💓)金马奖(🈴)最(zuì )佳(🎍)男(nán )配(🌋)角(jiǎo )奖(🕞)（陈博(🌺)正）、(🏡)最佳录(🈵)音奖（杜笃(dǔ(🕔) )之）、最(zuì )佳电(diàn )影插曲 奖（(🐤)李寿全、张(zhā(🍈)ng )大春(chū(🏳)n )）。 故事(🤾)(shì )发生(🔫)在1982年。退(🎍)休建筑工人葛(🐝)(gě )全德师(shī )傅倡(chàng )议组建了街(🔫)道知青建筑(zhù )队，又带(😇)(dài )领青(🏠)(qīng )年们(♓)(men )承包(bā(🍘)o )了一座(🕧)居民住(🐻)宅楼的(🐷)修(xiū )建任(rèn )务。市(shì )公安局局长的二儿子高振(🐡)武(wǔ )和(😄)他(tā )的(🙁)铁(tiě )哥(🙋)们(men )儿小(🔪)(xiǎo )胡子(🐱)等人也(🐀)在这个(🔬)建筑(zhù )队工(gō(👹)ng )作。这些人流氓成性，整天惹事生(💤)非，经常(cháng )不上(🚄)(shàng )班，发(🙅)工资的(👲)时候倒(🎨)一个都(🔭)(dōu )不少(shǎo )来。因(🔉)没(méi )完成承包定额，队里决定每(👐)(měi )人少发(fā )五元(yuán )，高(💙)振武一(💀)伙又大(🏙)闹起(qǐ(🎼) )来。葛师(🍰)(shī )傅实(💳)(shí )在气(🎊)(qì )急了(le )，仗着自己有一身好武(wǔ )艺，他狠狠(hěn )地(🍓)把这些(💵)家伙教(🕙)训了一(🍦)顿。葛全(🛩)(quán )德一(🐞)(yī )家四(📳)(sì )口，老(🐊)伴儿善良、贤(🌤)慧。儿(ér )子玉(yù )龙诚(chéng )实、耿直(🏄)，在酱油厂当工(🥚)人。"文革(🏐)(gé )"中，原(🏿)商(shāng )业(♉)局(jú )局(🦎)长许维昌下放(🥖)到他们(men )厂"改(gǎi )造"，因干(gàn )重活，病(🛏)倒在地，玉龙不避(bì )嫌(⚫)疑将(jiā(🦈)ng )他送(sò(🙏)ng )到医院(🛁)抢救。于(🈸)是，玉(yù(🗾) )龙与(yǔ(🤺) )许局(jú )长的(de )女儿(ér )许晶(jīng )晶相识，他们成了挚(🦋)友(yǒu )。后(👯)(hòu )来许(🦍)维(wéi )昌(🥐)父女去(🎲)了干校(🌯)，玉龙与(🈷)晶(jīng )晶(🐋)分(fèn )别多(duō )年(🕕)。如今(jīn )，许维昌官复原职，父(fù )女(📙)又(yòu )回到(dào )这(➕)个城市(📭)，玉龙和(🌲)晶晶确(💺)定了爱(🐟)情(qíng )关系(xì )。好(🚐)(hǎo )景不(bú )长，玉龙的朋友看见晶(👇)(jīng )晶最(zuì )近经(jīng )常和(🦇)(hé )一个(⛹)"小白脸(🗡)"男人进(⛴)出高级(🎗)宾(bīn )馆(🕉)，立(lì )即(😼)报(bào )知玉龙。玉龙追到宾馆(guǎn )，看(kàn )见晶(jīng )晶和(🎢)(hé )那男(😳)(nán )人竟(💆)(jìng )然同(🐬)住一室(💐)，气得差(🏮)点(diǎn )儿(🈴)昏(hūn )过(🔢)去。他痛苦地离(😷)开宾馆，来到海(hǎi )边徘(pái )徊。原来(😈)(lái )，许(xǔ )晶晶随(😪)父亲回(🌭)城后，当(👖)(dāng )上了(🔯)(le )市歌舞(🌃)团的报幕员。由(🔯)于爱慕虚荣，想(xiǎng )当电(diàn )影演(yǎ(😙)n )员，上了那个"小(🗜)白脸"的(🍵)圈套(tà(🛢)o )。那(nà )人(🚼)叫(jiào )戴(🤤)征，是本(💖)市戴市(🚐)长的二(🍽)儿子，他玩弄(nòng )女人(rén )，投机倒把，无所不为(wéi )。他(⚾)(tā )冒充(👄)(chōng )电影(📆)(yǐng )导演(🐼)(yǎn )，诱奸(🥜)了晶晶(🔮)。晶晶有(🛹)苦难(ná(👥)n )言，无奈只(zhī )得(♌)中断了与玉龙的爱情，委(wěi )身于(📡)(yú )戴征(zhēng )。婚(hū(🤮)n )后没(mé(💮)i )多久，戴(🚡)征又勾(🍾)引上另(🉑)(lìng )一个(gè )女人(🔮)，同时还纠集团伙大搞走私等违(🎴)法(fǎ )勾当(dāng )。晶(❕)(jīng )晶和(📎)(hé )他离(🚭)了婚，又(🙄)回到父(🎲)亲(qīn )身(🐊)边(biān )。许(👫)(xǔ )局长(💬)理解女儿的痛苦，知道他仍然爱着(zhe )玉龙(lóng )，真心(🏓)希望他(🏯)们重新(🏚)和(hé )好(😃)。玉龙(ló(💈)ng )的妹(mè(🏭)i )妹葛(gě(🚏) )秀娟待(🤟)业一年多，刚刚(🤖)分配(pèi )到商业局托(tuō )儿所工作(🏍)。过去，高振武曾(🦏)(céng )拦路(🥚)(lù )调戏(✖)(xì )过她(🐐)(tā )。这(zhè(🦔) )一天，高和小胡(🍂)子到托(tuō )儿所(suǒ )偷东西，在院子(🚕)里又和她相遇(🔰)。高振武(🍘)(wǔ )对秀(🎓)(xiù )娟污(🌦)(wū )言秽(🌿)(huì )语，欲(🔵)施无礼(🐎)。托儿所(🍞)(suǒ )所长(zhǎng )和老(lǎo )师们闻声出来，所长一面阻拦(🍸)，一面训(🏺)(xùn )斥，小(㊗)胡子用(⛽)匕首将(🤰)老所长(🧘)(zhǎng )刺成(🕵)(chéng )重伤(shāng )，一(yī )秋人(ré(🛡)n )趁乱而逃。戴市长的大儿子(zǐ )戴(💴)寻是个诚(chéng )实(⛽)、正派(🥪)的中年(🔷)知识分(🆕)子。妻子(🤖)(zǐ )是公(gōng )安局(🚉)(jú )长的(de )女儿是个仗义执言，敢(gǎ(🛎)n )于抵(dǐ )制不正(💑)之风的(🧡)记者，后(🔮)因车祸(🚶)死去。戴(👆)(dài )寻的(💺)(de )小女(nǚ(🤣) )儿得(dé(🈹) )到托儿所葛秀娟阿姨无(wú )微不(bú )至的(de )关怀，戴(🐇)寻也逐(🐁)渐地和(❤)秀娟产(🍗)生了爱(🏠)慕(mù )之(🏒)情(qíng )。戴(🤠)(dài )市长和高局长都是(🌴)秉公(gōng )无私(sī )的好(hǎo )干部(bù )，当(🥝)他们得知自己(🐹)的儿子(📞)背(bèi )着(🤵)他们干(🏕)了(le )许多(👏)坏事时，果断地(🧠)下令逮(dǎi )捕了(le )戴征(zhēng )和高(gāo )振(🕧)武(wǔ )这两个败(🚢)类，平了(📑)民愤(fè(📽)n )。 80年(nián )代(🈷)赣北某(🚶)农村。少(♿)妇周凉(🐱)姑一连(🖇)数日带(dài )着四(sì )岁的(de )小女(nǚ )儿莲莲在村口女(🧐)儿桥上(🤴)(shàng )，等(dě(👅)ng )着从(có(🛂)ng )城里回(🍗)来的丈(🥦)夫李鸣(💓)。一天，李鸣终于(yú )回来(🤴)(lái )了，但却没有回家，而是在(zài )他(🎆)的(de )老同(tóng )学陈(🔩)(chén )祖安(🧚)那里借(👋)宿。他告(🐓)诉陈祖(🌄)(zǔ )安，现在他(tā(💚) )可以回城顶职，结束这早已(yǐ )厌(🔷)倦(juàn )的农(nóng )村(🍳)生(shēng )活(⭕)。他不回(😱)家是因(🗾)为他无(🙄)法(fǎ )再(🧚)和(hé )凉(🕳)姑生活(🚚)下去了。陈祖安既难过又愤懑(mèn )，他(tā )深深(shēn )地(🔘)为(wéi )凉(🤔)姑的命(🖖)运担忧(🏑)。但是(shì(📭) )，出(chū )人(🚍)意(yì )料(❔)的是凉姑竟然同意。她(🌻)说李鸣如果从(cóng )此能(néng )有一(yī(🔎) )个好的前途和(🏀)生活，她(📛)(tā )愿意(➗)(yì )承受(⛺)(shòu )痛苦(🙍)(kǔ )，作出牺牲。陈(👝)祖安是一个(gè )有知识、有(yǒu )理(🏵)想、纯朴、正(🔩)直的青(👡)年教(jiā(👫)o )师，他同(🏨)(tóng )情和(📄)(hé )关心(👴)(xīn )着凉(🏬)姑，怕她(🔢)寻短见，连续(xù )几个夜晚守候在女儿桥上。被丈(🛤)夫抛弃(🔽)(qì )了凉(🚯)(liáng )姑，忍(🦁)受(shòu )着(🔄)内心的(🏌)痛苦，辛(👇)勤地(dì )劳动(dòng )着。凉姑(🍑)种的棉花增产了，她为乡亲们设(🚷)计(jì )的沼(zhǎo )气(🔆)灶(zào )也(🚻)成功了(🔏)。乡亲们(🚳)称赞(zà(🎅)n )她，感谢(xiè )她，凉(🈸)姑感到了生活的温暖与欢(huān )乐(🗂)。在凉姑(gū )追求(📃)新生活(🐞)的道路(🔙)上，陈祖(🐝)(zǔ )安给(🎪)(gěi )了她(🍎)(tā )许多(🐙)(duō )鼓励(⛸)(lì )和帮助。他还教莲莲识(shí )字，给莲莲抓小鸟玩(🗄)，莲莲觉(😕)得生活(🦉)中少不(🍥)(bú )了这(🚪)(zhè )位叔(🌡)(shū )叔。自(🆑)然，在凉姑的心灵深(shē(⬆)n )处也(yě )泛起(qǐ )了层层爱的涟漪(🚲)……凉姑的父(🔽)亲周道(💤)山(shān )整(🏠)日(rì )闷(🌝)头(tóu )干(🕋)活，他想攒钱买(📂)点贵(guì )重的(de )东西(xī )补偿(cháng )自己(🚖)对女儿的过失(♑)。他不赞(🖐)(zàn )成凉(🏇)姑和陈(⚡)(chén )祖安(🍜)相好，为(🛰)此父女(🐭)之间难(🤲)(nán )免有(yǒu )些争(zhēng )吵。凉姑(gū )去找陈祖安，想向他(🍜)诉(sù )说(💞)内(nèi )心(🎶)的一切(🏜)，但当也(🥫)看见学(⌛)校那位(😮)梅老师(shī )和陈(chén )祖安(🔳)(ān )在一(yī )起的情景时，她的心又(🎡)(yòu )凉了(le )。凉(liáng )姑(🔁)经受住(⛽)了生活(🏕)的考验(🎎)，克制了(🤵)内心的(de )感情(qí(🥥)ng )，在(zài )科学生产中做出了更大(dà(🧢) )的成(chéng )绩。当她(🏒)(tā )接到(⛑)劳模大(🌲)会通知(🚜)书时，这(🏿)(zhè )个在(🐼)厄运面(miàn )前从(🍘)不低头的农村妇女，竟(jìng )失声(shēng )痛哭(kū )起来(lá(🕎)i )。要(yào )进(🌼)城了，痴(🎒)情、善(🔛)良的(de )凉(✈)姑(gū )又想起了(🖨)李鸣。她为李鸣带去亲手采摘(zhāi )的治(zhì )脚病(bìng )的草(cǎ(🎪)o )药，但李鸣对他(🚗)只是淡(🐺)(dàn )淡的(🐀)(de )问候(hò(🌭)u )，全无留(📮)恋她们母女之意。凉姑对李鸣(míng )的最(zuì )后一(yī(📂) )点希望破灭了(🤮)。凉姑从(🎗)(cóng )家乡(📱)(xiāng )弯弯(🕐)(wān )的小(🗂)(xiǎo )桥来(💄)到宽阔平坦的(🏰)长江大桥(qiáo )上，面对浩(hào )荡的波涛，联想自己生(⛵)活的(de )道(🏺)路(lù )，她(🧡)(tā )悟出(😕)(chū )了一(🐙)(yī )个人生的哲(⏺)理：只要想(xiǎng )见到(dào )大海就一定能见到，只要想做的(😝)事就一(yī )定能(🎽)(néng )做成(🦐)(chéng )！ On the tropical island of Manioca, during a MardiGras-like festival, the child of the former president is kidnapped by the thugs of a communistic dictator. A large corporation in Miami finances an expedition to recover the child, and thus hopes to put the democratic nominee back in power. To this end, they send four mercenaries into the jungle, all of whom are masters of warfare. However, while the four mercenaries are fighting their way through the green inferno, new developments are occurring back in Miami. It seems that the corporation has changed its stance, and is now trying to work out a deal with the communistic dictator. This is sadly one of Umberto Lenzi's most neglected films--and for no good reason at all. Perhaps the lack of distribution has contributed to the obscurity of this gem; but, for all serious fans, it remains to be rediscovered. This film is not remarkable insofar as it is extraordinary, but that it so keenly represents the ending of an era. Never again will we see the likes of Antonio Sabato, Ivan Rassimov, Werner Pochath, and Franco Fantasia, all teaming up together in one great film such as this. Besides being well-directed, this movie is augmented by a very nice soundtrack by Stelvio Cipriani, as well as a surpise appearance by Andrea Aureli. Of course, it has its drawbacks as well. For instance, Ivan Rassimov's character is killed off much too soon (the same fate he suffered in Ruggero Deodato's "Atlantis Interceptors"). However, this movie contains some genuinely wonderful scenes that recall all the glory of Lenzi's earlier films. Highly recommended!