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妖怪信箱中(zhōng )新(🅰)到了一封(fēng )来自女(🛍)孩风(fēng )祭华(huá )的求救信。最近，她的(de )周遭连续发(😴)(fā )生奇怪事件(jiàn )。在(🤾)鬼太郎一行(háng )赶到(🌧)前，华(huá )被妖怪镜爷(🌗)(yé )拖进(🍙)了镜子(zǐ )里(⛪)。接着镜(⛳)(jìng )爷(🚩)又把鬼(⛳)太(tài )郎(😱)的同(🍗)伴分(fè(🥧)n )散吹到(🏭)了全(🛠)国各(gè(📉) )处，并将(🧒)鬼(guǐ(📳) )太郎关(🕟)进了(le )镜(🍷)中世(🍺)界。鬼太(♑)郎历尽(jìn )艰(🍤)辛(xīn )才(➰)从镜中世(shì )界里逃(🏢)了出(chū )来。 A young boy, Jack, is battling and undergoing treatment for cancer. A young girl helps Jack find his own unique, Yankee-filled fantasy. Jack travels through Yankee history from the past to the present with Henry as his guide. 寝たきり(🚣)な上に不(bú )能の夫(🍯)に代(dài )わって印刷(shuā )工場を切り盛りする富(📷)子は、欲求不満(mǎ(🐧)n )を夫のリハビリに(🍥)通う病院の看護婦(😭)・杏子(💒)とのレズ行(💉)為で発(🐈)(fā )散(🙊)してい(✏)た。だが(🐌)ある(🖋)日、雇(💢)ったば(💟)かり(🏝)の隆(ló(🤨)ng )三にレ(🦆)イプ(🦎)され、(🐹)激しく(🔺)燃(rá(🤓)n )え上が(🕖)ってしまう(🐢)。やがて(📲)、体を重ねるうち(⚡)に富(fù )子は隆三と(😣)どこか遠くで人生(👶)をやり直したいと考え始め、夫の殺害(hài )を(📒)計(jì )画するが…。 FEARLESS (as the US video of this is known) is an exciting Italian police film, largely shot in Austria (which looks beautiful!), with Merli as a low-rent private investigator and former cop who is sent to Austria on a job, and while there sees a number of seemingly unrelated coincidences that lead him into a strange web of corruption and decadence. But at the forty-minute point, the film enters a new sphere with the arrival of JOAN COLLINS, looking incredibly sexy, doing a striptease in a club, and giving the film a wonderful shot in the arm. This film was made right before her "comeback" with the films THE STUD and THE BITCH, based on literary works by her sister Jackie. I've always admired Ms. Collins and the way she took charge of her career and showed the world how sexy an over-35 lady can be. The crime elements of the film work well, Merli is exciting and witty (as he usually was), and Joan Collins is a seductive femme-fat ale in a role that her fans simply must see. I've watched this film a number of times over the years, and I can't recommend it highly enough...an exciting 70's Italian crime film with the added attraction of Joan Collins at the height of her powers is a dream come true for this viewer! 豪(🤳)华的五(wǔ )星级宾馆(💵)海(hǎi )湾宾馆在改(gǎ(🌔)i )革开放(🏚)中驰名海(hǎ(♏)i )内外，总(🕝)经(jīng )理程海(⚪)清也(yě(🌧) )因此(🧖)成为全(⏰)(quán )国知(🥍)名的(🏻)改(gǎi )革(🔳)家。然而(🏁)(ér )，群(😄)众纷纷(🚰)(fēn )投书(🌈)向各(⬇)级纪检(❗)(jiǎn )委举报，揭(🗂)(jiē )发他(👦)与外商(shāng )勾结、骗(🌁)取(qǔ )国家资财、索(🤸)贿(huì )受贿、生活(huó(💦) )糜烂。市纪(jì )委两次派调(diào )查组调查此(cǐ )事，但毫无(wú )结果，省纪(jì(🍅) )委检察室主(zhǔ )任石(👢)(shí )磊率中央、省、(♓)市联合(⏮)(hé )调查组进(💢)驻(zhù )宾(🥠)馆再次展(zhǎ(💥)n )开调查(🧤)。程海(💉)清(qīng )是(🕜)一个精(♟)明(mí(✈)ng )过人、(📯)善于(yú(🥗) )钻营(🚝)、左右(🎶)(yòu )逢源(📵)的能(👺)人(rén )，石(📋)磊刚进(jìn )宾(🍇)馆即遭(🆚)遇(yù )重重阻力··(🥝)···· Go Gorilla Go is probably most notable for its strange title, and this carries over into the film; as while it takes obvious inspiration from some big genre classics; the film features some strange plotting and a storyline that is a bit unusual on genre terms. Director Tonino Valerii previously directed the excellent but complicated Giallo My Dear Killer and clearly has a talent for delivering convoluted story lines as Go Gorilla Go features one too! The film focuses on Marco; an undercover police officer who is also working as a body guard for a shady underworld figure. He's also got a brother who is not exactly squeaky clean and has contacts with a few other 'Gorillas' who are in the same line as he is. It's not long before our hero gets involved in a kidnap plot along with his brother and his underworld boss and this plot is ran parallel with a load of others and the whole thing gets rather complicated. Luckily, however, it's all spun together with a whole load of action scenes; many of which are really well done. We've got the usual compliment of car chases and fist fights, but the main standout is a sequence that sees the lead character trapped in an elevator with the bottom taken out. The final car chase, which involves a train a la The French Connection, is also very well executed. The lead role is taken by Fabio Testi and the actor looks the part and plays it well. The rest of the cast is filled out mostly by lesser known Italian actors, but they get on well as an ensemble and bad dubbing aside, the film is above average in the acting department. The way that the story flows does get a bit too confusing at times as we constantly switch from one thing to another, but at least the proceedings are kept entertaining for most of the duration, before exploding in the final third. This film is not very well known and as such has become rather hard to come by. In the grand spectrum of Italian police films; this one is not one of the more important ones or one of the best, but for anyone that considers themselves a fan of this genre; Go Gorilla Go is certainly worth a look and comes recommended. Evie's co-workers at the uniform shirt factory, and her almost-fiancée's inability to kiss, inspire her to slip a letter into a size sixteen-and-a-half shirt for some anonymous soldier. It's received by "Wolf" Larson, who immediately throws it away, but his sensitive, dreaming--and short--buddy John McPherson snags it, and begins a correspondence with Evie, pretending to be Wolf. But things get complicated when Evie wants to meet her tall, handsome soldier. And even more complicated when Wolf sees Evie and likes what he sees. 墨(mò )西(✨)哥及尤卡(kǎ )坦半岛(🔉)上，有着闻名世(shì )界的(de )玛雅人库库(kù )尔坎金字塔(tǎ )。在金字塔(tǎ )中(🎅)的秘密通(tōng )道中，有(😘)一(yī )个可以通往(wǎ(🦔)ng ) 龙之谷 大陆(lù )的传(🔇)送门。传(👋)说(shuō )，龙之谷(🕖) 大(dà )陆(🏧)是羽(💗)蛇神(shé(🚆)n )·库库(📔)尔坎(🤩)(kǎn )居住(🙎)的大陆(📼)，在(zà(🖇)i ) 龙之谷(📧) 大陆(lù(✳) )中的(🖊)，封印(yì(〽)n )着一枚神秘(⚓)(mì )的库(👇)库尔坎(kǎn )·(💼)纹章 。库(🚤)(kù )库尔坎·纹(wén )章(💆) 上记录了玛雅(yǎ )人(🏚)关于对天(tiān )文研究的方(fāng )法及5个预言(yán )的簪文，以(yǐ )及玛雅鼎盛(🤛)时期(qī )的贵族黄金(📟)(jīn )宝藏。拥有(yǒu ) 库库(🎌)尔坎·纹章 的国家(⛄)(jiā )，除了(😤)能获(huò )知玛(🔛)雅人天(🎼)(tiān )文(✉)、数学(🤸)方面的(⛎)(de )高超(💆)算术成(⭐)(chéng )为统(🙏)治‘(🕹)天(tiān )空(🐰)霸主’(🕔)之(zhī(🍾) )国外，而(🦏)库库尔(ěr )坎(😊)·纹章(🎉)的(de )使者更可(🕐)掌(zhǎng )握(💚)死亡和重(chóng )生的权(🔉)能。 Go Gorilla Go is probably most notable for its strange title, and this carries over into the film; as while it takes obvious inspiration from some big genre classics; the film features some strange plotting and a storyline that is a bit unusual on genre terms. Director Tonino Valerii previously directed the excellent but complicated Giallo My Dear Killer and clearly has a talent for delivering convoluted story lines as Go Gorilla Go features one too! The film focuses on Marco; an undercover police officer who is also working as a body guard for a shady underworld figure. He's also got a brother who is not exactly squeaky clean and has contacts with a few other 'Gorillas' who are in the same line as he is. It's not long before our hero gets involved in a kidnap plot along with his brother and his underworld boss and this plot is ran parallel with a load of others and the whole thing gets rather complicated. Luckily, however, it's all spun together with a whole load of action scenes; many of which are really well done. We've got the usual compliment of car chases and fist fights, but the main standout is a sequence that sees the lead character trapped in an elevator with the bottom taken out. The final car chase, which involves a train a la The French Connection, is also very well executed. The lead role is taken by Fabio Testi and the actor looks the part and plays it well. The rest of the cast is filled out mostly by lesser known Italian actors, but they get on well as an ensemble and bad dubbing aside, the film is above average in the acting department. The way that the story flows does get a bit too confusing at times as we constantly switch from one thing to another, but at least the proceedings are kept entertaining for most of the duration, before exploding in the final third. This film is not very well known and as such has become rather hard to come by. In the grand spectrum of Italian police films; this one is not one of the more important ones or one of the best, but for anyone that considers themselves a fan of this genre; Go Gorilla Go is certainly worth a look and comes recommended. Just released ex- convict Guido watches his girlfriend get killed on the way home from prison. He thinks the killing is connected with the events that led to him going to jail five years back. Guido starts to investigate...In many ways a typical late DiLeo- crime film: unimaginative lightning, boring sets, unimpressive action sequences. Yet I think just because of the grittiness of the script, this one easily rises above the other DiLeo- turkeys I've seen. Decent acting in the form of especially Barbara Bouchet and Guido's main adversary Martin Balsam, who stand out positively. Most importantly, the plot really thickens towards the end climaxing in a truly memorable final scene between Guido and Martin Balsam's Rizzo.