Another amazing find from our friends at Cine-Clasico, "Vier um die Frau" is a 1921 Fritz Lang film found in the Brazilian film archives. The period intertitles are in Portuguese but the plot is not difficult to follow, particularly with the assistance of the invaluable Herr Graf Ferdinand Von Galitzien, whose blog entry on the film (link) follows :
电影配图是(🤞)错的(de )，1922年(🍆)(nián )的睡(🕴)(shuì )美人在IMDb上都没有图片。这张图(🐖)(tú )上的(🕰)(de )睡美(mě(🥍)i )人是1990年(🐺)捷克斯(✋)洛伐克版的Sípová Ruzenka，豆(dò(🚭)u )瓣链(lià(🈳)n )接在(zà(🦕)i )此：
A French orphan who grew up in a convent sets out to see Paris. It turns out that she is the heir to a fortune but doesn't know it, and has been lured to Paris by one of the heirs who does know who she is; he plans to swindle her out of her inheritance so he can have everything. Written by frankfob2@yahoo.com
埃(🚷)尔琳夫人丢下襁褓中的(de )孩子(zǐ(🥙) )，与(yǔ )情(🏎)人(rén )私(🔤)奔。多年(⛪)后回到(💫)故土。在众(zhòng )人眼(yǎn )中(🚯)，她是一(🐔)个道德(🗓)败坏的女人(rén )。她(tā )向女(nǚ )儿的(🗓)(de )丈夫温(🤯)德米尔(🐋)爵士勒(🚥)索“封口(🕢)(kǒu )费”，承(chéng )诺不与女儿(📣)相认，以(🐝)免女儿(👤)名(míng )誉受(shòu )损。招致人们怀疑温(🚂)德米尔(😬)爵士与(👎)(yǔ )埃尔(🍴)(ěr )琳夫(🌘)(fū )人有染。温德米尔夫(😯)人一气(🚮)之下决(🕶)(jué )定与(🦒)(yǔ )爱慕(mù )自己的达林顿爵士私(🍅)奔。埃尔(🏠)(ěr )琳夫(📴)(fū )人不(😸)(bú )愿看(kàn )到女儿步自(⏸)己的后(🌾)尘，冒(mà(✝)o )着牺(xī(📿) )牲自(zì )己幸(xìng )福的代价挽救了(💟)女儿。由(👅)(yóu )始至(🦂)(zhì )终，埃(🚠)尔(ěr )琳(⤵)夫人也没有和女儿相(🍼)认(rèn )。
德(💌)(dé )国表(💟)(biǎo )现主(zhǔ )义代表作品
Giles Bateson is expelled from college for misconduct. His angry father, the Earl, sends him a message: "Never let me see you again until you have earned a half crown and proven yourself worthy of confidence." Giles meets Sally, the parson's daughter, who believes Giles to be the gardener. On a walk, they meet some gypsies, who show Sally a "magical ring." Giles buys it for her, and Sally comes to believe in its power when her wishes -- such as for a new dress and shoes to wear to the Earl's party for the villagers -- come true, although actually Giles is responsible. At the party, Sally accidentally discovers the note from the Earl and realizes who Giles really is. She determines to reconcile father and son, and begins visiting the Earl each day to play chess and distract him from the pain he suffers from gout. The gypsies tell her that she can find an herbal cure at Devil's Cliff, but when Sally doesn't return home, a search party finds her lying unconscious by the herb. The Earl is... Written by Fiona Kelleghan
It is extraordinary that this amazing film is not repeatedly shown. It is possibly the best demonstration of the genius (not an assessment to make casually) of Sjöstrom - with David Griffiths, the first person to demonstrate his brilliance by making films.
For his third film in France, L'Enfant du Carnaval (1921), Mozhukhin directed himself. This is a delightful work, hinting at the astonishing visual vocabulary Mozhukhin would employ in his next directorial effort, Le brasier ardent (1923). Full of visual witticisms that include amusing match cuts and a terrific use of scenography, it can be argued that the choice of subject matter (wealthy bachelor finds a child on his doorstep and hires the child's real mother as nanny) has more than an old-fashioned air about it, but he manages to keep it fresh and sparkling until the tragic conclusion. There are some stylistic similarities between L'Enfant du Carnaval and an Italian film from 1917 which screened at last year's Festival, Luigi Serventi's Le Mogli e le arance (Wives and Oranges), written and supervised by Lucio D'Ambra, although this may be pure coincidence.
动画名(🚵)家北山(🈺)清(qīng )太(🌸)郎(láng )制(🥄)作(zuò )的(📺)早期动画。
A French orphan who grew up in a convent sets out to see Paris. It turns out that she is the heir to a fortune but doesn't know it, and has been lured to Paris by one of the heirs who does know who she is; he plans to swindle her out of her inheritance so he can have everything. Written by frankfob2@yahoo.com