仁者无敌

A Korean War veteran's morphine addiction wreaks havoc upon his family Police detective falls for singer, gets involved with gangster killing. 将军周仕杰与宫女(nǚ )慧儿(🍇)相(xiàng )恋(🔃)。杰奉命(🤢)出征期(🕦)间(jiān )，皇帝(dì )将慧赐予义亲(✋)王为妃(🔜)(fēi )。杰归(⛄)(guī )来找(🛎)慧，义误会杰调(diào )戏爱妃(fē(🌨)i )，争持之(➡)间，杰误(✍)杀(shā )慧(❌)，痛(tòng )不欲生，自刎身亡。 Tijuana is a city ridden with crime, vice and corruption, with the local Mexican mob stopping anyone who attempts to clean up the city. However, the mob meets its match when it is challenged by a brave newspaper editor. Joe Kedzie is released from prison after committing a robbery. Only Joe knows where the money is hidden: at the bottom of a mine shaft out in the desert. Maxie and Madge find Joe when he goes to retrieve the money. He agrees to cut them in. Maxie gets greedy and Joe shoots him. Unfortunately, he also puts a hole in their only canteen. Joe lowers himself down the mineshaft with a rope to retrieve the money. He ties the money to the rope and sends it up. When he tries to climb out, Madge cuts the rope and he falls and breaks his leg. Madge tries to get away, but discovers that Joe has the keys to the truck. EIGHT HOURS OF FEAR (aka HACHIJIKAN NO KYOFU, 1957) offers a classic suspense plot focused on a group of people confined to a small space under threat from criminals who have taken control of them. In this case, it's a small rural bus containing about 15 passengers on their way to make a train to Tokyo after the train line they meant to ride has stopped service due to a landslide. The bus is then stopped and boarded by a pair of criminals fleeing with the proceeds of a bank robbery. The passengers constitute a microcosm of Japanese postwar society and their numbers include a businessman and his arrogant wife; a lecherous lingerie salesman with crude personal habits; a radical student couple given to singing Russian work songs; a despairing single mother with her baby; an aspiring actress on her way to an audition; a seasoned sex worker lamenting the closing of American bases in Japan; an old couple going to visit their daughter; and a detective escorting his prisoner, a convicted murderer. The driver is an old man who works rural mountain routes and the rickety bus is a relic of an earlier age. The movie itself, although filled with references to World War II and postwar problems, plays like it could have been filmed and staged twenty years earlier. It has the feel of a much older movie and deliberately recalls such Hollywood movies of the 1930s as Frank Capra's IT HAPPENED ONE NIGHT, much of which also takes place on a long bus trip through back roads, and John Ford's STAGECOACH, but with a much darker edge than either of those films. 螳螂(🦂)派(pài )袓(🐟)师红(hó(🐬)ng )眉率徒(🆚)避祸广(guǎng )州，因(yīn )缘际会(huì(🉑) )惩戒了(😭)恶霸石(💶)(shí )横。横(🛶)(héng )与黄飞(fēi )鸿早有嫌隙，遂(🙈)挑拨(bō(⚡) )眉与鸿(🥍)(hóng )，但二(📏)人惺惺(xīng )相惜，化干戈(gē )为(💖)玉帛，更(🆒)感化横(🎟)改(gǎi )过(🚨)自新(xī(🐽)n )。 Kathy is a smart and tough 1950's advice columnist at a San Francisco newspaper, with her name plastered on billboards all over the city. One day, Bill Doyle, a Los Angeles detective, walks into her office - it is instant attraction. After marrying Bill, Kathy gives up her career and becomes a homemaker. However, she is not your typical 1950's homemaker. After hosting several cocktail parties in their San Fernando Valley home, she realizes that Bill is content with his position, and shows no ambition in furthering himself. Kathy will not sit idly by while everyone around her is "moving up in the world". She personally takes upon herself the task of pushing Bill's career along, even if it comes down to murder.@