你微笑时很美电视剧

南(👢)北(🖐)战(💗)争(🐸)时(🎾)期(🍖)(qī(🏂) )，德(🐄)克(🐓)萨斯州(zhōu )大量缺钱投资，于是只能卖土(🏐)(tǔ(📝) )地给来自北方的(de )由加德领(lǐng )导的(de )财团，然而来(🎷)这(🎣)(zhè )里想立脚(jiǎo )的黑(hēi )斯丁斯想买一块(🔈)(kuà(🔊)i )土(🗑)地(🙉)却(🤘)遭(🔹)(zā(🚣)o )到(💰)拒(🐝)(jù )绝，土地拥有者(zhě )派遣(qiǎn )麦克到这(zhè(🛤) )里(🌴)来解决纠纷，而麦(mài )克却爱上(shàng )了黑斯丁斯的(🍭)女(🔙)(nǚ )儿，他该如何(hé )解决这场纠纷呢(ne )？ When his dog dies, apparently from being poisoned, the young son of the owner of a small orange orchard in California immediately suspects an unfriendly, mysterious stranger who has just moved into the area, who recently had a quarrel with the boy's father. The boy's suspicions grow and also influence other townspeople who begin to believe that the stranger may also be a wanted killer. Unwarranted assumptions and wild speculations lead to several problems before the truth is revealed. When his dog dies, apparently from being poisoned, the young son of the owner of a small orange orchard in California immediately suspects an unfriendly, mysterious stranger who has just moved into the area, who recently had a quarrel with the boy's father. The boy's suspicions grow and also influence other townspeople who begin to believe that the stranger may also be a wanted killer. Unwarranted assumptions and wild speculations lead to several problems before the truth is revealed. 片(🤞)名(🆚)：(🧕)爱(🐼)本(💰)(bě(🎅)n )无(🖐)罪(🍻) L'amour n'est pas un pê(🎓)ché 本片(piàn )有(yǒu )强烈的反死刑(xíng )主题，讲述(💫)一(🕌)(yī )个头脑不太灵光(guāng )、对是非善恶(è )没有观(🐏)念的小混(hún )混在二战(zhàn )中“英勇杀敌”，受(shò(🛰)u )到(🧖)表(🎸)彰(🍃)；(❔)后(🙀)来(✴)(lá(🏼)i )因(🙌)为在被追捕中(zhōng )杀死一名(míng )警察(chá )，被(🎒)判(👈)死刑。在(zài )狱中与他(tā )同时(shí )被判死刑的另外(🚴)(wà(🍦)i )两人(rén )也有同样(yàng )的有口难辩的苦(kǔ(📎) )衷(🔁)。他(🏊)们(🐚)一(⛏)起(🧢)(qǐ(🤰) )等(💗)待(🎠)着死亡的到(dào )来，一同感受(shòu )恐惧和焦虑(❄)的(de )重(chóng )重煎熬。 电影(yǐng )剧情： 解放前(qián )夕，西北某(⚫)地。国民党西北绥(suí )靖公署司令刘惠(huì )民(🎦)（(🔮)梁(🎹)山(🚰)(shā(🍦)n ) 饰(💪)）(📍)利(😨)用(🏧)塔秀和阿里(lǐ )仓两个部(bù )落之(zhī )间的(🚯)矛(🛷)盾，翻云(yún )覆雨地加(jiā )以控(kòng )制。同时，他成(chéng )立(🙍)骑(🚖)兵部(bù )队，企图阻止解放军(jun1 )进军(jun1 )草原。塔(👫)(tǎ(📮) )秀(🌍)部(⛏)青(🚏)年(🔏)朵(🔀)布(🕗)龙(🔜)(lóng )（恩和森 饰）与阿里仓部姑娘(niáng )卓玛(🐢)（珠岚·奇琪珂 饰）相(xiàng )爱(ài )，不忍看到两(liǎng )个(⭐)部落自相残(cán )杀，朵布龙将刘(liú )惠民的阴(🏆)谋(🕡)告(🥚)(gà(♊)o )诉(🏯)头(🎤)领(🉑)，但(🐼)头(😼)领(lǐng )不为所动(dòng )，反(fǎn )而与阿里仓部落(😻)(luò(🧕) )发生火并(bìng )。激(jī )战中，卓玛的父(fù )亲受伤。后来(🚛)(lá(🌺)i )两部落首领弄明(míng )白这一切(qiē )都是(shì(😞) )刘(😁)惠(🌨)民(❗)的(🐰)阴(📓)谋(💴)，方(🚮)知(🗃)(zhī )上当。解(jiě )放军进军草原，国民党残部鼠(🛠)(shǔ )窜。大军进入两(liǎng )部落驻地，耐(nài )心调和由来(🐧)已(🕖)久(jiǔ )的矛盾，终使(shǐ )其化干戈为玉(yù )帛...... There is no way to write a "spoiler"---is there actually somebody somewhere who, ten minutes into this 1950's film, wouldn't know where it is going and will end up---since it is a strictly written-by-the-numbers corruption and redemption meller that finds: number 1, a doctor returns from the Korean War to his Pennsylvania mining hometown, (and 2) must choose between dedicating himself to treating the suffering poor (or 3) build himself a swank office and get rich by flattering wealthy women with imaginary ailments. Throw in elements no. 5,Lizabeth Scott as a rich, spoiled, twice-divorced woman with a lip stiffer than his, and number 6, Dianne Foster as a nurse bent on helping all mankind, and there are no surprises left, especially if one take note of the name of Irving Wallace among the writers, the title and Scott billed above Foster. The only surprise here is that this film wasn't from Universal-International and directed by Douglas Sirk. Gambler John Merrick (Frank Lovejoy) is the head of a bookie syndicate and the newspaper is crusading against him and the rackets, primarily because Merrick is in love with Felice Stuart (Joan Weldon), daughter of the newspaper publisher who can not break up the romance through persuasion. A senate committee investigating crime gets involved, the racketeers, other than Merrick who is a "nice guy", strike back and kill a reporter, and Merrick's own son, Jerry Merrick (Robert Arthur), commits suicide. Merrick, to his own disadvantage, helps bring down the syndicate. Since it is in black-and-white-, deals with crime and was an American-made film, some will call it "film noir" since that seems to be the current guidelines for putting a film in that, at one time limited-and-defined genre. It ain't, and neither are most of the others currently so classified