Stark, claustrophobic thriller about an anti-Semitic soldier who kills a Jewish war veteran, evading detection by dint of his loyal friends' protection. But a detective is determined that the crime will not go unsolved and sets about laying a trap for the murderer. Based on the novel 'The Brick Foxhole' by Richard Brooks.
An ex-cop who is now a private detective is hired by a woman to be the go-between in retrieving an important envelope from her partner. The detective has the partner come to his apartment to give him the envelope, but someone sneaks into his apartment and strangles her while the detective is in another room. Fearful that the police will suspect him of the murder, he brings the woman's body back to her own apartment, but the police find out and suspect him of the murder anyway. He must find out who is framing him for the murder and why, before the police catch him.
木下(xià )恵(🧑)介が戦後(🗾)初めて(🤗)監(jiān )督した作品(pǐ(🎫)n )で、久坂(🥦)栄二郎(🐿)(láng )が脚(jiǎo )本を担当(♑)した1946年(nián )公開の(🕧)ドラマ。GHQの指(zhǐ )導(🐁)に(🗑)より、軍国(guó )主(📺)義を批判(pàn )する(🏆)反(📑)戦映画として製(📖)作された。大曽根(👏)家(👍)は裕(yù )福な家庭(👧)(tíng )だったが、長(🛑)女(😒)の婚約(🕞)(yuē )者が出(💱)征、長男は思(sī(🤡) )想(🅰)犯(fàn )と(📑)して検挙(💲)(jǔ )され、画家(jiā )を目指し(📬)ていた次(🐆)男(nán )は(🤶)応(yīng )召、空襲で焼(🕣)け出され(🏢)た叔父(🐒)夫(fū )婦が移り住(zhù(🏯) )んでくるなど、(🔦)戦争(zhēng )に翻(fān )弄(😐)さ(🚇)れていた。軍人で(🎉)ある叔父(fù )は我(💟)が(🏗)物顔(yá )で暮(mù )ら(💼)し、その叔父に(🕶)感(🥘)化された三(sān )男(🤚)は海軍予(yǔ )備学(🦍)(xué(🚿) )生を志(😦)願してし(🏸)まう。叔父は母(mǔ(🌕) )の(🔷)許可を(🙆)得(dé )ずに(💻)話を進めてしまうばかり(🔈)か、長(zhǎ(♟)ng )女の縁(😠)談まで勝手に進め(🚢)ようとし(🏗)ていた(👇)。やがて叔父は終戦(➕)の知らせを誰よ(🌳)りも早く入手、(🛤)物(💠)(wù )資を大量(liàng )に(🚰)持ち込み始めた(🚫)。母(🖍)(mǔ )の房子は叔父(🍥)の態度(dù )を責(zé(🔢) )め(🌙)、ついには叔父(💊)夫婦を家から立(🐘)ち(⏰)退かせ(💪)るのだっ(🏄)た・・・。
The film is best known today for Scorsese’s claims that it was his inspiration for New York, New York, but it’s not the plot that found its way into his film. It’(🐑)s the shadowy culture of working class folks tangled in the post-war culture of seductive night life, of dive bars and the itinerate musicians and singers and underworld types who frequent them, and in the tough attitude that Walsh and Lupino bring to the film. They made a great pair and she is the perfect Walsh heroine: tough, smart, experienced, and still something of a romantic at heart. This is one of the great “women’(🌕)s pictures” of the era, never showy but always simmering with complicated relationships, frustrated desires and unfulfilled affections that are more authentic and conflicted than most Hollywood pictures
本(běn )片(🎳)采用傀儡(🛎)(lěi )戏的夸张手法，揭露(lù )国(🦋)民(mín )党政(🌡)府的黑(🆒)(hēi )暗和腐败。 在一座(⏹)木(mù )偶戏(👦)舞台的(👂)(de )后台(tái )，国民党领(lǐ(🕵)ng )袖正要粉墨登场(🖤)，一(yī )个帝国主义(🐬)(yì(🚀) )特使带着飞机大(🍺)(dà )炮匆匆赶(gǎn )来(🕥)，他(⏩)以这(zhè )些武器与(😴)这(zhè )位领袖换(huà(🦓)n )取(🔙)了中国的(de )主权(quá(🍓)n )。于是这位(wèi )领袖(📺)便(🈷)登台亮相。共(gòng )演(🥨)出四出戏(xì )。第(dì(➡) )一(🐫)出：“跳(💖)(tiào )加官”，讽(🌪)刺他们用(yòng )漂亮的词句(jù(🆚) )粉饰现实(🔞)的两面(🎖)手法(fǎ )。第(dì )二出：(🙇)“花(huā )子拾(🉑)金”，为小(🐪)丑自(zì )白，即让他(tā(🔶) )们在(zài )公众面前(🎻)自(zì )我剖白。第三(🕑)出(🍅)：“大登殿”，嘲弄他(💴)们用召开(kāi )“国民(🦑)代(📰)(dài )表大会”的(de )手段(🏣)，实现(xiàn )登基称帝(🕒)(dì(👅) )的目的。此(cǐ )时皇(💙)(huáng )亲国戚们纷(fē(㊗)n )纷(🏉)上殿庆贺，结果为(🗯)(wéi )了一根骨头(tó(🔞)u )争(💆)吵(chǎo )成(🚿)一团。第(dì(🕰) )四出：“四面楚歌”，那位领袖(🌪)(xiù )正在命(🕉)令增加(🍖)苛捐杂(zá )税时(shí )，探(⏲)子接二(è(🦍)r )连三地(🛺)报告(gào )各方面失(shī(🖨) )败的消息，这时(shí(🚖) )人民反抗，战火四(🙅)起(🔙)，这位领袖(xiù )终于(👅)烧得焦(jiāo )头烂额(❇)，奄(🧢)奄一(yī )息。帝国(guó(🧗) )主义的又一(yī )个(🌋)特(🌞)使急忙(máng )赶来给(🥎)他(tā )注入强心剂(😖)(jì(🦐) )，但(dàn )也无济于事(🏆)(shì )。那位登基称帝(🍾)的(🆘)领(lǐng )袖(🕗)不过是做(🕖)(zuò )了一(yī )场皇帝梦。
Synopsis
邦果：(⛸)本片根据(🎭)Sinclair Lewis的原(yuá(🧚)n )著改编。讲(jiǎng )述了一(🔆)只生活在(📘)马戏(xì(✏) )团名(míng )叫邦果的明(📢)(míng )星小熊，他(tā )会(👬)走钢丝(sī )、帽子(🈳)戏(😡)法(fǎ )、骑(qí )独轮(🗽)、打拳(quán )击，深受(🍷)大(🐕)人和小朋(péng )友的(🚀)喜爱。但是它只能(♌)生(📟)活(huó )在笼子里(lǐ(🔂) )，跟随马戏(xì )团周(✖)游(🔧)全国(guó )各地，上演(🌽)同样的戏(xì )码。有(🧠)一(♌)天，邦(bā(🧢)ng )果决定逃(㊗)走，回到久(jiǔ )违的(🌈)大自然(rá(🚕)n )，在(zài )那里(⏺)， 有新(xī(🐑)n )的考验和冒险在等(🏎)着(zhe )它；米(📗)奇和(hé(🏖) )魔豆：在一个名叫(🤐)欢(huān )乐谷(gǔ )的美(😸)丽所在(zài )，狂暴的(🚙)巨(🎀)(jù )人抢走了(le )会唱(🗂)歌的竖(shù )琴，从此(🚲)欢(😚)乐谷(gǔ )变成了干(❗)枯荒芜之地(dì )，人(🐡)们(👚)饱受(shòu )饥馑之苦(👺)。某天(tiān )，米奇用(yò(📂)ng )奶(🕗)牛换来了(le )三颗魔(🚣)豆。夜晚，魔豆生根(🦉)发(🐞)芽(yá )，直(📗)(zhí )冲云霄(🥎)，带(dài )着米奇、古(🌲)菲、唐老(🥑)(lǎo )鸭来到(🍔)了巨(jù(🌙) )人的(de )宫殿。