作家的谎言的电影

在浩(🎗)瀚(🎙)的(de )历史中，国家为了(le )自(🗻)保而进行(háng )的政治(zhì(💖) )联姻屡见不(bú )鲜，爱德华(💯)王子（理查德·查(chá(👛) )伯兰 Richard Chamberlain 饰）所要面临(lín )的(🆓)就是这样(yàng )的境况(kuà(🐆)ng )，为了国家(jiā )不受别国(📰)侵(🎺)犯，他(tā )必须迎娶自(zì(🕷) )己根本就不爱的女(nǚ(📔) )人(🏌)。可惜爱德华王(wáng )子是(🐗)个性情(qíng )中人，无论如(😜)何(🔓)不(bú )肯就范，无(wú )奈下(📁)，国王决定举(jǔ )行一场(🤟)空前盛大的(de )舞会，召集(jí(🌆) )全国上下的各路名(mí(👉)ng )媛齐聚一堂(táng )，希望(wàng )在(🎑)其中能有(yǒu )王子的心(💊)上人。 一(yī )九四八年春(😋)(chū(🖤)n )天，解放軍大反功(gōng )時(❣)，盤踞在馬蹄島(dǎo )上的(💵)敵(🏋)人，妄圖進行垂死掙扎(🍯)(zhā )。我地下游(yóu )擊隊隊(🖊)員(💫)設法弄到(dào )了敵人在(🍚)島上的軍(jun1 )事設施圖，交(🤮)給(🤦)了老交通員小(xiǎo )鐵的(🚸)爺爺，叫他送(sòng )給解放(🚅)軍。小鐵主動提出和爺(yé(🔗) )爺一起出海(hǎi )完成這(🏜)個任務。 보르네오에서 3년(🔙)간 벌목을 한 신덕팔은(🍗) 여비를 아끼기 위해 배(🏵)편(💿)과 3등열차로 서울에 온(🈯)다. 동생 덕숙을 찾지만(🔋) 동(🖱)생은 어떤 남자와 거액(♿)의 돈을 가지고 달아나(💯) 버(😔)렸다. 그는 동생을 찾아(👷)다니다가 우연히 소매(🎍)치(💀)기 상숙을 만나 그녀를(🦗) 선도하려고 노력한다(♎). 역시 날치기인 만수를 붙(🚃)잡은 덕팔은 그의 아내(💧)가 동생 덕순이임을 알게(💈) 된다. 이후 리어카를 끌(🚛)고 함께 과일장사를 한(🎄)다(⚓). 이때 중년 실업가인 강(🕰)사장이 덕팔에게 투자(👚)하(🚘)고 그는 소망인 평양냉(👋)면집을 개업하게 된다(🔱). 本(🤠)片敘述一段(duàn )難以處(📔)理的三角關(guān )係. In 1926, famous evangelist Aimee Semple McPherson disappeared for six weeks. When she surfaced, she claimed that she had been kidnapped and held prisoner in Mexico. Others claimed that she was off carrying on an affair with a married man. This movie dramatizes the court hearing held to determine exactly what happened. Lovely, but uptight young lass Sandy sheds her inhibitions and decides to happily indulge in group orgies in both San Francisco and Las Vegas after her doctor informs her that she only has a few weeks left to live. This is an interesting movie. It is a tendency of Italian exploitation movies in general to eschew logical plotting and character development to focus on elaborate cinematic "set pieces". While this usually works with gialli (and some would say cannibal and zombie films)it is often problem in the Italian crime films where the set pieces usually involve shoot-outs and overlong car chases, two areas where the Italians had NO chance of outdoing bigger-budget Hollywood films (although they often did their damnedest). This film is interesting therefore because it DOES have a lot of character development especially among the villains, three privileged youths that become desperate criminals after their clean-cut but increasingly psychotic leader, "Blondie", starts a gun battle during a botched gas station robbery. One of the other youths is a more obviously deranged thrill seeker, while the third youth, the "wheel-man" is decidedly non-violent but loyal to a fault to his two friends. Rounding out the cast is the girlfriend of the wheel-man (Eleanora Giorgi) who ironically sets the whole thing in motion by reporting the robbery plans to the police (and mistakenly telling them that the trio only have toy guns). The head cop meanwhile is played by Tomas Milan, usually the psychotic heavy in these type of films. Milan lends an iconic presence and is an interesting character in that he is not unsympathetic but is also not the usual borderline-fascist "rebel with a badge" often seen in these movies. Mostly he just proves tragically incompetent at stopping the rampaging youths. The plot is mostly pretty believable except for a scene where they hook up with another group of youths and shoot-up and rob a grocery store, even killing their own accomplices for no good reason. There's some pretty gratuitous nudity including a pretty sorry excuse to get Giorgi topless (but who's gonna complain about that too much?). The ending is typically cynical, but that's one thing I admire about these films over the violence-glorifying Hollywood versions.