讲(🏓)(jiǎ(👑)ng )述(🏞)了两个孩子在(zài )寻找风筝时(🏑)所(🗜)经(jīng )历(lì(🤕) )的(📅)冒险。
Fia and her mother, a piano-teacher, live in the country villa with bad-tempered housekeeper Malin. One day a boy called Hampus comes to the village together with his uncle, a shoemaker.
本片为(wéi )申江于1972年(nián )自(🤦)编(😔)自(zì )导的(🎳)战(👱)国时代历史(shǐ )武侠片。故事描(🐨)(miá(🧦)o )述(👶)，公元(yuán )前(🚶)二五七(qī )年，秦国(guó(👴) )图并吞(tū(📙)n )六(🎡)国(🗝)，秦(qín )昭王(☝)发兵攻赵国。魏、赵(zhào )为邻国(🚍)，倘(🎓)赵(🙄)被攻破，魏(wèi )自(zì )难保全，但魏王(👇)(wáng )怕秦，按(🚗)兵(🚇)不(🤮)动(dòng )。后太傅被杀，魏(wèi )王纳其(🗨)女如姬（(🔝)夏(❄)凡(👓)）为妃，答(dá )应(yīng )代其复仇。信(🖌)陵(⤵)(líng )君（宗(😧)华(♋)）门客(kè )朱(zhū )亥（张斌）为(😹)救(🐓)(jiù )国，乘机(🎍)(jī(🏦) )代姬报(bào )父仇，以请姬盗魏(wè(🤵)i )王(🍾)身(😣)上的(de )兵符(🐲)令(lìng )牌，发兵(bīng )却秦(🚅)救赵(zhào )…(🕋)…(👃)
讲(🧥)述(shù )英籍(👨)职(zhí )业杀手受(shòu )聘暗杀法国(💧)总(⏰)统(🦐)戴(dài )高乐，而法国警(jǐng )方亦从蛛(😖)丝马迹(jì(🤔) )中(🍋)(zhō(✉)ng )获知了他的阴谋(móu )，于是全力(🐀)阻止(zhǐ )杀(👆)(shā(😜) )手(🈹)的行动。
淒美(měi )的愛情故事，看(🙁)(kà(🖥)n )得人眼眶(🍦)濕(😋)透。宋(sòng )蓮花（李菁）與(yǔ )韓(🥄)世(😼)龍（林偉(➕)圖(🐆)(tú )）乃富家小姐與高(gāo )官子(🦇)弟(👣)，二(👶)人準(zhǔn )備(📼)成親前，韓家被(bèi )罷(🐒)官，世(shì )龍(🐽)隨(🎏)父(🚭)(fù )被放逐(👳)回(huí )鄉。愛侶(lǚ )一別十數(shù )載(⚫)，蓮(🍰)(liá(🏮)n )花念郎成(chéng )疾，病重離世，世(shì )龍(🛹)獲悉(xī )後(📣)心(🚩)如(❕)刀(dāo )割。一日，蓮花(huā )亡(wáng )魂出(🌗)現，縱使陰(🕰)(yī(✔)n )陽(🔂)相隔世龍仍決(jué )意(yì )迎娶，但(🏍)卻(👚)為友(yǒu )人(🐶)張(📲)鐵（金武榮(róng )）極力反對，且(🐋)(qiě(🌙) )找(zhǎo )道士(💡)驅(🎶)鬼。世龍(lóng )排除萬難，終能(néng )與(🦗)(yǔ(🏓) )蓮(✔)花成親共(🍰)渡一(yī )宵。可惜(xī )醒來發(fā )現(👑)蓮(🧜)花(👪)升天而去(🛤)，感人情節(jiē )令人心(xīn )酸。
Britt, deluxe call-girl, is punished by the brothel owner because she was not accomodating enough to a customer. From now on, she must obey to all customers sadistic wishes, or else.
由邵(🌱)(shà(🛤)o )氏(🔥)兄弟影(yǐng )业公司，导演楚(chǔ )原、(🙄)演员(yuán )岳(🎀)华(⛏)、(⛵) 陈鸿烈、金(jīn )峰、 施(shī )思等(🥧)倾情(qíng )打(🧑)造(🍝)，剧(🏧)情跌宕(dàng )起(qǐ )伏，值得一看。
有(🎼)料(➡)駐車場に(🔵)勤(🆓)(qín )める政行と修の二(èr )人が(🔄)、(🏯)新宿の雑(zá(🔈) )踏の中で幸枝とその友人ミ(📀)キ(⬅)子(📢)の二人の(🌻)少女と交(jiāo )わした会話から(🥛)、(🥄)政(👻)行と幸(xìng )枝の間(jiān )に愛が芽生えた。その(💷)夜(🏿)、二人は、政行のアパートで(📊)何気ない(🚥)一(♈)夜(🐜)(yè )を過した。電車の轟音に耐(🐐)(nài )えきれず(⏯)政(⛱)行は幡ケ谷へ引っ越(yuè )した(🛌)。そ(📔)んなある(🕚)日(🧣)、政行は幸枝(zhī )と再会し、(♒)彼(🍔)女は政行の(🌫)アパートに移って来た。数(shù(🏮) )日(💨)後(🚅)、二人が(🔍)外(wài )出から帰ってみると、(🍱)部(🤙)屋(🥁)に小太(tài )りの中年(nián )男が寝(qǐn )そべって(🌑)い(🕛)た。男(nán )は保険屋(wū )だといい、(🌪)腹痛(tòng )を(⛅)理(🥂)由(⬛)に居候をきめこんだ。奇妙(mià(💈)o )な三人の同(㊙)居(😢)生活(huó )が始った。政行(háng )は駐(🕸)車(❌)場をやめ(💟)、(🌇)修とコンビでトラックの長(🕥)距(🍤)離(lí )輸(shū )送(♌)を始めた。そんなある日、政(🎥)(zhè(⛽)ng )行(🧀)が仕事か(🔑)ら戻(tì )ってみると、幸枝(zhī(🛎) )と(🎴)中(✉)年男は床を並(bìng )べて眠っていた。「火葬(㊙)場(🌋)が近(jìn )く一人で寝るのがこわ(💹)くて……(👩)」(🈲)そ(🙅)んな幸(xìng )枝をいとおしく思(👹)(sī )いながら(📐)も(🎄)、二(èr )人の間に冷たい風(fē(🎖)ng )が(⬆)吹き抜け(🍖)た(🏽)。二人は修の住む、新宿のア(🏈)パ(😩)ートへ移っ(🎼)た。そして、ここで幸枝が妊(🦉)娠(🍪)し(⚡)ているこ(🌸)とを知った。「おろせよ」政(😋)行(🌽)は(📔)冷たく突き放した。幸枝にとっては身の(😨)切(💾)られるほど切ない夫の言(yán )葉(🐩)だった。家(😯)賃(🌋)(lì(🆖)n )の問題、赤ん坊のこと、二(〽)(èr )人はむし(🗒)ゃ(🕊)くしゃを振切るべく調(diào )布(🔬)に(👃)引(yǐn )っ越(🛍)し(🎅)た。幸枝は妊娠九(jiǔ )ヵ月だっ(🐯)た(🔼)。やがて、男(🍌)の子が生(shēng )まれ、とやかく(🛑)言(🏙)(yá(🤒)n )った政行(📪)も親馬(mǎ )鹿振りを発揮し、(🐠)二(🤵)人(🥪)は幸福だった。しかし、管(guǎn )理(lǐ )人のク(💻)ニ(🌕)子は、いつもこの夫婦(fù )を好(😟)奇な眼で(📪)見(🐲)て(📊)いた。そして、幸枝と赤(chì )ん(🆎)坊に対(duì )し(✅)て(🤰)露骨(gǔ )な悪意(yì )のこもった(👱)イ(😸)タズラを(👏)す(🍤)るのだった。さらに幸枝の最(🍩)愛(🚐)の田(tián )舎の(🚍)おばあちゃんが死んだ、と(🔦)い(🍙)う(🥣)知らせに(🏈)より幸枝の心が乱れたため(🏼)、(✳)気(🌜)分転換(huàn )のために、また引っ起すこと(🚼)に(🀄)した。今度は下町(dīng )の葛飾区で(🌾)格安(ān )の(🛢)家(🤕)を(🔭)見つけた。隣のおばさん文(wé(🥅)n )子はとても(🔬)親(🌘)切にしてくれた。実(shí )は政行(🤶)た(👮)ちの家は(🤼)、(🚆)昔一家(jiā )心中があり、長(zhǎ(🍉)ng )く(🈳)空き家にな(🌂)っていたのだった。首を吊っ(💏)た(📫)鴨(🐐)居(jū )、血(🐕)の海の畳。政(zhèng )行は恐怖に堪(🥪)え(📮)な(🔟)がら、幸枝には知らせなかった。しかし(🏡)、(🥏)数日(rì )後(hòu )、幸枝が分不相(xià(🚑)ng )応なダブ(❤)ル(🌛)ベ(❇)ットを買ったことから、政(✔)行(háng )は幸枝(😂)(zhī(🧣) )も心中の事を知っているん(🌂)だ(🅱)ろうと思(🥥)っ(💑)た。かつて血で汚れた畳の上(🧓)で(🥄)は寝(qǐn )れな(🥓)かったのだ。その日、隣の主(🔴)(zhǔ(🧡) )人(✂)敬造が鳥(🦑)の羽(yǔ )を剥いでいた。その羽(⚡)が(💾)幸(🤙)枝の鳥(niǎo )アレルギーを刺激(jī )し、その(🤞)夜(👣)か(😃)ら幸枝の挙動が一(yī )変(biàn )し(🏄)、突如政(😟)行(♐)を(✈)殴りつけたりした。翌日、幸(💶)枝は米屋の(🦖)店(🦆)(diàn )員をビールビンで殴って(😊)大(😣)怪我をさ(🕹)せ(📞)、彼女は目(mù )を異様に光ら(🎓)せ(🍭)て、トリの(✏)股に食(shí )いついていた……(🕋)。幸(🕗)枝(🌡)(zhī )は精神(🍡)病(bìng )院の鉄の扉の中(zhōng )へ保(🐼)護(🆙)さ(🆒)れた。数(shù )日後、政行は引(yǐn )っ越しをし(🥪)た(😄)。今(🚳)(jīn )度は赤ん坊と二(èr )人きり(📌)で……。
Reform schools are a way of protecting society by ridding it of lawless juvenile delinquents. But who's protecting the juvenile delinquents from corrupt reform schools? Rica (Rika Aoki) could be considered a bit of an expert on reform schools, having spent most of her early life in and out of them. When Rica is dragged back once again, she gets a severe beating and is finally sent off to a mental hospital with the intention of selling her and her pals into a slave trade. A trader takes Rica's friend Jun to a mountain cottage where she's pegged for the lead in his clandestine porno film operation. Once again, it's up to tough-as-nails Rica to bust up this corrupt racket once and for all!
While some Italian crime films (particularly post-1977 ones) are just mindless violence (particularly violence against women), many pre-1977 ones are serious commentary on corruption and the justice system in Italy...and by extension to other Western countries. THE BIG FAMILY is such a film. The Mob is in charge at the film's beginning, the Mob is in charge at the film's end. Anyone who challenges it is killed or somehow taken out of the picture. A police inspector or prosecutor who is making progress may suddenly get the offer of a significant promotion...to another part of the country. Every branch of the government...and the church...is compromised. American businessman Richard Conte can come to Sicily hoping to do some construction projects and thinking that his friendship with the Don back in New York will help him here and that he doesn't have to play by the local rules. An honest cop works hard and makes countless sacrifices, and many good people die because he keeps on his quest. Eventually, he nabs the top man...and it turns out he has achieved nothing and he is back at square one. Even the top man is expendable to the overall survival of the big family. I was impressed by this film when I saw it fifteen years ago, and I'm still impressed with it today. It has enough action to satisfy any fan of 1970's Italian crime films, one of the most exciting genres in film history, but it also has a sobering message, one that is relevant to anyone watching the film anywhere. Although both CROSS CURRENT and GREAT TREASURE HUNT have their moments, THE BIG FAMILY is probably Tonino Ricci's most successful film as a director (I haven't seen his recent family films, although I especially want to see the Buck film with John Savage, nor have I seen the shark film with Treat Williams). Highly recommended to fans of the genre and those willing to see the value in a dubbed genre film.