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Although pretty much forgotten, The Last Round aka Il Conto é(🍗) Chiuso is a good example of a familiar story made fresh by the quality of its execution, as a stranger drifts into a decaying Italian industrial looking to settle an old score. But this violent modern-day (well, 1976) poliziotteschi is closer to Dashiell Hammett's Red Harvest than the first two films it inspired, Yojimbo and Fistful of Dollars, set in its own Italian Poisonville divided between two rival gangs that he soon sets against each other. Surprisingly, despite being directed by the sometimes more adequate than inspired Stelvio Massi, it's shot with striking visual imagination and remarkably fluid camera-work from Franco Delli Colli. The two leads are impressive too, with Luc Merenda a wonderfully effective and dapper villain and undefeated middleweight champion boxer and offscreen wife-beater and murderer Carlos Monzon a surprisingly effective leading man in the mould of a young Charles Bronson. This extremely obscure Italian production tells the story of a modern day neo-Nazi youth gang that meets in a place decorated with swasticas and a poster of the "Führer". The members of this gang are all bored teenagers from rich families. One of the gang prefers playing pin pall to getting a girlfriend, because playing pin ball literally gets him off. The leader of the gang indulges in violent sexual fantasies, which ultimately leads to rape and murder. This inspires a teen gang from the streets, whose members are poor kids from the ghetto. The story is quite interesting, especially the aspect of the impact the neo-Nazi gang has on the street gang in the end, although the gangs as such have nothing in common. Unfortunately, the film becomes extremely slow paced after a good first 20 minutes, and it never really returns to a faster pace. The interesting cast, unknown faces even for connoisseurs of obscure Italian films of the Seventies, does a good job throughout, which makes it even more sad that the movie as a whole is merely a disappointment. All in all, "I Ragazzi Della Roma Violenta" is a movie that could have been far better than it eventually turned out to be. However, it's remarkable that the film precedes some of Larry Clark's issues in his films "Kids" and "Bully" for about two decades. 电影北少林(🤧)(lín )描述了中国抗(kà(🦌)ng )日(💕)战争时期武(wǔ(😜) )林人仕与日本侵略(🥨)者(🍳)的争斗。 In this utterly bizarre spaghetti western, the "Stranger" must cope with a wide assortment of strange villains. Through the course of the story he fights with Vikings who suddenly appear in a western ghost town; a strange Elizabethan family costumed in period clothing who live in a desert castle; and medieval knights whom he battles using machine guns, TNT, and his gun. A bizarre silver ball hangs over the melees, watching the strange goings on. 导演(👾)罗(💝)马和星(xīng )加玻谐(🤱)星野风(fēng )成功健(💀)立(🏺)了阿(ā )牛这个(🐧)喜剧人(rén )物，大受欢(🎊)迎(🍳)(yíng )，第三集《阿牛(🤾)发达记》，在阿牛这个(🌈)小人(rén )物身上(😨)，依(🔝)然(rán )发掘出无(💇)穷灵(líng )感，笑料源源(🧕)(yuá(🔧)n )不绝。罗马塑(sù(🤾) )造阿牛，生性善良戆(🧚)直(😝)，反映(yìng )出小(🗃)民(🐉)乐天知(zhī )命的(🆚)人生观，野风的喜剧(🙃)演(🎍)(yǎn )绎上乘，不愧(♍)(kuì )为星洲首席笑匠(😞)，情(🈯)节穿插于狂(😬)想(🐟)和现实之(zhī )间，有(💿)喜有悲(bēi )。这一次(🕯)，阿(🏑)(ā )牛在街上拾(🈂)得(dé )一袋珠宝，从(có(🚪)ng )此(🥝)生活改变，坐汽(🕰)车，住大屋，但人性的(🎋)丑(chǒu )恶也随之(🥟)而(🈴)来(lái )。周大叔假(🔫)意(yì )叫他签约迎娶(🐿)(qǔ(🤷) )书院女，却是(shì(😝) )卖屋陷阱，阿牛又回(💃)复(🎠)一贫如(rú )洗(🏏)的(🐼)命运。阿(ā )牛回到后巷席(xí )地而睡(🏹)，梦(🎣)中(zhōng )又见到天(🎓)降横(héng )财…… 本片(🗽)出(📿)自德国新浪(🎆)潮(🦉)电影代表人物之(zhī )一，《铁皮鼓(gǔ )》导(🥦)演(🔬)沃尔克(kè )·施(🏜)隆多夫之(zhī )手，是一(🌥)部(🙉)向(xiàng )法国著名(🧗)导演让·梅尔维尔(💵)致敬的经典作(📄)品(🙂)(pǐn )。影片描写第(🏤)(dì )一次世界大战(zhà(🗓)n )期(🍱)间，高贵的(de )索菲(📚)女伯爵爱上了一位(🌰)普(📶)通士兵，但动(😈)荡(🈺)的(de )时代，因为这(zhè )段恋情却给两(liǎ(🏖)ng )人(🌻)带来了可怕(pà(🐟) )的灾难，影片(piàn )悲伤(💥)而(🏋)凄凉，是导演(🤬)沃(🎎)尔克·施隆多夫除《铁皮鼓》以外(wà(👿)i )，最(🏿)被人认同(tóng )的(📡)大师作品…… 28세의(😭) 정(⏱)숙은 북괴 대남(⏲)첩자로 침투했다가(🦆) 한 애국시민의(🤴) 신(🥞)고로 체포된다(🛐). 대공분실 정경감은(🔐) 정(🔣)숙이 철저한 정(😴)신적 무장속에서도(🕢) 따(🔹)듯한 피가 흐(⏪)르(🥇)고 있는 여성임을 발견하게 되고 구(🧐)원(😆)을 결심하다. 한(💻)편 정숙은 침투 현장(🍺) 답(🍅)사 중 뜻하지(🤸) 않(🏄)았던 교통사고를 당하게 되고, 정겸(⏹)감(❓)의 배려로 종합(👾)병원에 입원하게 된(🚀)다(⚡). 병원생활에서(✈) 자유의 소중함을 깨(🚤)닫게 되고, 환자(🏈) 중(⤴) 축구선수 이찬(✈)에게 연정도 느끼게(🚥) 된(😶)다. 퇴원이 임박(❄)한 날 밤, 저격범에게(🕖) 저(📠)격당한 정숙(👖)은(💹) 저격범이 이미 죽(🎖)은줄 알았던 자신(🤴)의(🍃) 남편임을 알고(🔡) 그들의 잔인함과 악(💚)랄(👃)함을 다시 느(🔉)낀(🗽)다. 그녀는 위선과 허위로 걸쳤던 그(👮) 위(💒)장의 옷이 얼마(📟)나 무가치 하고 바보(🌻)스(😣)러웠던가를 절(🐧)감하고 옷을 벗는다(⤴). (출처 : 시나리오(👭))