记忆裂痕国语

妮可尔（莎朗·斯(🍕)通 Sharon Stone 饰(shì )）(🔍)和米娅(🛹)（伊莎贝(🌂)(bèi )尔·阿(📛)(ā )佳妮 Isabelle Adjani 饰(🐸)）可(kě(🚵) )能是这(zhè(🐹) )个世界上(👲)关系最密(mì )切的(👍)两(liǎng )个女(😴)人了，然而(⏬)，她们不(bú )是(shì )朋(☕)友却是敌(🎚)人，因为两(🐠)人(rén )共(👺)同侍(shì )奉(🌴)着同一个(gè )男人，那就是(shì(🤽) )米娅的丈(🍥)夫(fū )盖伊（查兹·帕尔明(😀)特瑞(ruì ) Chazz Palminteri 饰(🎆)）。 Lady Chatterton asks for Poirot's assistance when she comes to fear for the safety of her friend, Marguerite Clayton. Specifically, she is convinced that Marguerite's husband Edward Clayton, known for his violent temper, will kill her. Poirot is invited to a party in order to meet Clayton, but he never shows up. The next day, Poirot finds himself being interviewed by Inspector Japp when Edward Clayton's body is found hidden in an elaborate Spanish chest located in the same room as the party the previous evening. When Marguerite's friend Major Rich is arrested for the murder, Poirot correctly deduces the true nature of the crime and the identity of the culprit. When the single middle-aged Luis travels from Barcelona to bury the remains of his mother in the vault of his family in Segovia, he is lodged by his aunt Pilar in her old house where he spent his summer of 1936 with her. He meets his cousin Angelica, who was his first love, living on the first floor with her husband and daughter, and he recalls his childhood in times of the Spanish Civil War entwined with the present. 雑誌(😩)のフリーライター(🏴)をしてい(🤙)る朝倉(🍲)ユキには引きこも(😝)りの兄が(🕉)いた。や(🚯)がて、兄(🖋)(xiōng )はひと(🕘)りアパー(☕)トの一(🛠)室(shì )で腐(🚱)り果てた(🆎)姿で発見される(😩)。後日(rì )、(🕙)アパート(🌪)を訪れたユキの(🌡)目に最(zuì(🤤) )初に飛び(🦈)込んで(🕡)きたのは(🌛)掃除機(jī )のコンセントだ(🤩)った。以(yǐ(🐱) )来、ユキは“死”の臭いを感(😖)じ始める(🏽)。街(jiē )中(🕦)に溢れる“死”の臭い(💾)に悩まさ(👔)れるユ(🍔)キ。ある日(💀)(rì )、ユキ(😕)は兄が生(😿)前、“コ(🛳)ンセント(🏿)に繋がっ(🎰)ていると(🥄)きだけ(👸)動く少年(🤡)(nián )”につい(💾)て話していたこ(🎺)とを思(sī(📡) )い出す。兄(🔟)はなぜ生を止(zhǐ(👣) )めたのか(🤬)？　一体“コンセ(💥)ント”とは(🛹)何を意(yì )味するのか？　(🙀)ついにユ(🥖)キの精(jīng )神は臨(lín )界点に(🧜)達する…(😼)…。 This is a fascinating, colorful and very-well made film that looks like an epic and is in fact an intelligent drama about sculptor-painter- architect-poet Michelangelo Buonarrotti. Here portrayed by the much taller Charlton Heston, and admirably, he is presented as a man who want only to create beauty, a man without "people skills" or interest in much of anything else--not women, nor war not the dynastic dreams of men--only the Renaissance idea of utilizing one's abilities. He even pays attention to religion only because the world interests him, and he equates his heaven with what men can achieve--and Earth with the same sort of place he expects to find as an afterlife. Carol Reed directed and produced this fascinating look at the Renaissance, with its warrior priests, its worldly dreamers and its subtle change toward a politics of gunpowder, secular pursuits and worldly morality. Philp Dunne, author of "David and Bathsheba" wrote this thoughtful spectacle film as well. In the cast besides Heston are Rex Harrison as Pope Julius, close-fisted patron, admirer and nemesis, Harry Andrews as his rival Bramante, Diane Cilento as the woman who would like to love him, Alberto Lupo, Adolfo Celli, Fausto Tozzi and a narration by Marvin Miller. The opportunity to see the real landscapes in which Michelangelo was born, worked and became inspired is a wonderful one for the viewer; the entire Carrara marble quarry section is stunningly beautiful. The film has battle scenes able done by Robert D. Webb, Leon Shamroy's cinematography, a prelude by Jerrald Goldsmith and sterling music by Alex North, production design by John Cuir and Jack Martin Smith and memorable costumes by Vittorio Nino Novarese. The basic thrust of the storyline is twofold; against the wars conducted by vigorous and all-too-worldly Pope Julius, the war to win secular hegemony for his Papal rule, the counter-current is Michelangelo's desire to further his career in Rome by obtaining a commission from the Pope. He does, an assignment to refurbish the Sistine Chapel for him. But after an attempt at some saints, he leaves Rome, and flees to his beloved Carrara. There, surrounded by mountains, he has a vision at sunset and suddenly knows what he must do. Obtaining Julius's reluctant permission, he sets to work covering that modest ceiling with tremendous figures, a bearded Jehovah, a recumbent Adam touched to life by a divine spark, the world's most famous fresco painted from a homemade scaffolding; in spite of illness, missed meals, filth, deprivation, cold, an injury that nearly costs him his eye and more, including the Pope's indifference to his intense passion for his art, Michelangelo endures. "When will you make an end?" Julius cries. "When I have done," the artist insists. And at the end, Julius, beaten on the field of battle, admits he may also have been wrong about the ceiling...that his fostering of Michelangelo's work may be the most important thing he has ever done. Of course the puritans of the era object to the nakedness the artist has depicted, but Michelangelo says he painted people as God made them. The movie, based on the biography "The Agony and the Ecstacy" by Irving Stone here concentrates on a seminal moment in the great artist's career. He may be a sculptor as he insists; but after seeing this moving and fascinating film, no one can doubt that he is also a stubborn and single-minded man--and a painter of genius. Most underrated; often fascinating fictionalized biography. Heston and Harrison are good, everyone else good as well. Worth seeing many times, if only for Dunne's dialogue and the scenery. 塔克(💄)（安德斯·麦特森(⛪)(sēn ) Anders Matthesen 配(pèi )音(🍣)）是一(🥪)名正在上(👏)六年级(jí(🌖) )的小学生(🕣)，有一个(⏱)十分要(yà(💘)o )好的朋(pé(🚻)ng )友杰森（(🔲)安(ān )德(🔒)斯·麦特(🍮)森(sēn ) Anders Matthesen 配音(💧)）。班(bān )上的恶(è(👸) )霸西装头(👁)和黑煞星(😷)(xīng )莫名其(qí )妙的(😖)将懦弱的(➗)塔克视为眼(yǎn )中(🙉)(zhōng )钉，处处(📩)找他麻烦，无奈(nài )之下，塔克(🆑)只能将(jiā(🔙)ng )暴力转(zhuǎn )嫁到一(yī )个喜欢(👾)着自(zì )己(🏚)的名(mí(⏮)ng )为桃乐(lè )丝的身上(✨)。谁知道(dà(🍒)o )桃乐丝(🌡)不堪受辱(🍠)，选择了(le )跳(💂)(tiào )楼。 Incorrigible boor Jack Taylor is fired from the Garda (Irish national police) for brutality against a government minister. His experience, some contacts and cheap rates get him started as private eye in all but name, assisted by his even less law-abiding buddy, painter Sutton. Anne Henderson hires him, suggesting her missing teenage daughter was the latest in a series of suspicious 'suicides', which he traces to sleazy manager Ford's factory and illegal sex recordings. That turns out only the tip of the iceberg, even before Jack is beaten badly and old publican Sean is fatally run over. 到处(😂)流浪的(🎋)芳远（申(🛃)(shēn )永均饰(🙇)）在某乡(🏆)村寄宿(🌿)的(de )时候拾(🎄)(shí )到了一(🦓)双日(rì )本式女(nǚ(🔖) )袜，并(bìng )因(💼)此结识了(⬜)(le )袜子的(de )主人美丽(🕠)的锦分（(🍧)高银儿(ér )饰），她(🍲)嫁进婆家(🔀)已经三年(nián )，每天辛苦地照(🏚)顾着重病(🧥)(bìng )在床的(de )丈夫。对锦(jǐn )分一(✅)见(jiàn )钟情(👣)的(de )芳远(🛹)决定在(zài )村子里(lǐ(🐛) )长住下来(⬛)好有更(😏)多(duō )的机(🚣)会(huì )与其(😮)接触，在姜(👃)佥(qiān )知(🐤)（许(xǔ )长(💏)(zhǎng )江饰）(🤦)的手下当(🦁)长工，一(📦)(yī )来想帮(🤼)(bāng )锦分偿(📄)还欠下姜佥(qiān )知(🕠)的钱(qián )，二(⛔)来锦分(fè(🗼)n )的丈夫(fū )的状况(🐉)(kuàng )看来也(🔩)将不(bú )久于人(ré(⭕)n )世，到时想(🥜)办法两(liǎng )人能够(gòu )在一起(🔵)。两人很快(🤛)相爱了，为了逃避知人的目(🚈)光，他(tā )们(🎄)... 侯麦(mà(🚱)i )著名系列作(zuò )品“四(🛄)(sì )季的故(🚛)(gù )事”之(🆔)一。菲利茜(🚏)(qiàn )（夏洛(😍)特·海瑞(🥅) Charlotte Véry饰）(🍐)和(hé )查理(😌)（费德瑞(🏆)克·范丹狄(dí )德(⏩)(dé )夏 Frédé(🚁)ric van den Driessche饰）在海(🐶)边浪漫相(xiàng )恋之(🕐)后(hòu )，因为(🖍)一时不留(🦏)神(shén )留下了(le )写错(🕉)的地址(zhǐ )，而导(dǎo )致了二(è(🍰)r )人再也找(🥪)不(bú )到彼此(cǐ )。菲利茜生下(🖲)了查(chá )理(🎠)的孩(hái )子，但5年来却再也没(🌂)有查理(lǐ(🚤) )的音讯(🌓)。