Dark, decadent, morbid, passionate - and 34 years later still the strangest memory regarding my very own personal history of watching movies since I was five years old. Despite the fact that this French/Italian production from the early seventies delivers incredibly strong performances by Helmut Berger at the peak of his career, the always excellent Francoise Fabian and the fabulous Paul Meurisse, that it shows you wonderfully filmed locations, and comes up with a solid script including a couple of interesting though perverted characters, the movie itself disappeared totally out of sight. Maybe you need to know Europe or even European or Italian movies to get along with it - I'm not sure about that. But I cannot understand why „Les Voraces" (German title „Die Gefraessigen") fell into a black hole of total obscurity like hardly any other movie I've ever watched before and since.
In the wake of a Supreme Court decision to outlaw the death penalty, California passes an initiative that designates San Bruno island as a dumping spot for first-degree murder convicts, free to do what they like except leave. The main camp of convicts is controlled by the tyrannical Bobby, who rules with an iron hand, and the women are used as sex slaves. A.J. and a group of more free-minded murderers have escaped and gone into hiding. When A.J. and his men liberate the women from Bobby's custody, tensions mount to an all-out confrontation for control of the island.
羅馬(🔳)(mǎ )、(🈺)張(🤙)(zhāng )揚(yáng )合導(dǎo )的《阿(ā )牛入(🌙)城記(🔦)》以(🚲)阿牛（野峰）這個大鄉里(🌀)來到(✍)香港，目睹香港低下層(🎱)社會(huì(🤫) )的光(👻)怪(guài )陸離，有悲有(yǒu )喜(🍢)，有(🌭)(yǒu )血(🛌)有淚(🔱)(lèi )。阿牛(niú )生性戇(gàng )直(✡)常常(chá(🤕)ng )被人(🥓)(rén )利用，周大叔(shū )（王(Ⓜ)沙）帶(🌅)他做(🏓)賭檔「睇水」，他以為(🌦)是看著(🐋)一桶(🔱)水，大出洋相。阿牛(niú )做(🕙)過很(hě(🐔)n )多工作(zuò )，不時(shí )被壞份(fè(🍌)n )子利(🏠)用(🐔)(yòng )如幫人(rén )「捉黃(huáng )雞」(🦊)勒(lè(🥂) )索(🎷)、到城寨(zhài )做「阿牛艷舞(🏴)」等(🕛)，但阿牛的天真純樸仍(🛂)得到阿(🛄)花的(💽)喜愛，反映傳統社(shè )會(👹)的(👓)善(shà(➰)n )良信(🌿)念(niàn )：天無(wú )絕人之(⏮)(zhī )路。後(👕)(hòu )來(📥)，阿(ā )牛到碼(mǎ )頭做苦(🛐)(kǔ )力，工(🐭)人罷(🍾)(bà )工，他(tā )繼績工作，竟(📀)然被打(🐷)，阿牛(🈵)自衛釀成大騷動，被拉(📎)入獄。結(🔕)局無疑令人(rén )悲哀，卻反映(⭐)(yìng )編(㊙)導(🖕)的(de )聰明之(zhī )處，留(liú )下尾巴(💤)(bā )，讓(🏒)關(👟)(guān )心阿(ā )牛(niú )命運(yùn )的觀(🔈)眾(zhò(🕴)ng )期待下集《阿牛出獄記(🐭)》登場。
After she crossed the border to the South alone during Korean War, Seon-Hee voluntarily takes a part in a service for an orphanage. She faces various difficulties while she takes care of orphans. However she endures all the hardships with belief and home for bringing up orphans. Two troublemakers Jae and Kwang become college students thanks to her efforts. As Kwang loses his eyesight during students activities against the government in 1960, Seon-Hee gives him one of her eyes. When Seon-Hee goes to prison instead of her adopted daughter Suk who incidentally committed a crime, the orphans who grew up as good civilians appeal to the court for her innocence. In the end Seon-Hee comes back to them and dies.
哈(😼)里·(🆖)考尔（吉恩·哈克曼(⬇) Gene Hackman 饰(🎠)）在(✈)旧金(🎴)(jīn )山(shān )开了(le )一家侦(zhē(😣)n )探公司(⤴)(sī )，他(⏫)最(zuì )近的一(yī )单生意(🚫)(yì )是去(🛐)窃(qiè(💡) )听一对(duì )男女(nǚ )的对(😖)话(huà )。他(🐎)精(jīng )心地在一个广场附近(🗼)布下层(🚊)层的窃听装置，来捕捉这对(🧗)男女(✔)所(🗄)说的每一(yī )句话。窃听进(jì(🐘)n )行得(⛪)很(hěn )顺利，声音很(hěn )清晰，但他(🏠)不(bú(🔗) )理解(jiě )他(tā )们所(suǒ )说(🏐)的话(huà(🔃) )到底(🗨)什么意思。 他带着录音(⛑)文件去(🌶)雇佣(🚄)他的公司准备拿他的(🥪)报酬，却(🛩)被(bè(🔌)i )告(gào )知老(lǎo )板不在(zà(🦈)i )，便决(jué(🕠) )定暂(🗨)时(shí )不交出(chū )录音文(🎄)(wén )件，并(🤽)(bìng )退回报(bào )酬。他只能(néng )小(🎬)心翼(yì(🈲) )翼地保管着他的录音文件(🛸)，即使(⛽)在(🗺)聚会的时候仍旧提心吊胆(📚)，生怕(🗃)录音(yīn )文件被(bèi )人偷走(zǒu )。千(🌎)防(fá(🈹)ng )万防，录音文(wén )件还是(♉)(shì )丢失(📚)了(le )。心(🕺)(xīn )急(jí )如焚(fén )的哈里(👧)(lǐ )只能(🦆)按照(🧒)他窃听到的录音内容(🍤)，于某日(🏾)来到(🐿)那对男女口中提到的(🛁)酒店，却(📓)(què )不(🦑)想(xiǎng )他正陷(xiàn )入一场(🥍)(chǎng )巨大(🚄)的(de )阴谋中(zhōng )……
John Shaft is persuaded by threats of physical force, the promise of money, and the lure of a pretty tutor, to assume the identity of a native-speaking itinerant worker in Africa. His job is to help break a racket that is smuggling immigrants into Europe then exploiting them. But the villains have heard that he is on his way