1916年，第一次(cì(😇) )世(😭)界大战(zhàn )期间(🖍)的(🎏)法国(guó )，德法两(🐓)军(👂)的战(zhàn )争如火如(👽)(rú )荼。值此关(guān )键时(🏳)刻，法(fǎ )国陆军(🎓)将(🎑)(jiāng )军布洛(luò )拉(🙌)德(🧗)(dé )（Adolphe Menjou 饰）向陆(🎰)军(⬆)上(shàng )尉达克斯（柯克·道(dào )格拉(🔒)斯 Kirk Douglas 饰）率领的部(😒)队(🔺)下了(le )一道命令(🌲)(lì(🚺)ng )：不惜一切(qiē )代(🚠)价攻下德(dé )军占(🛹)领的安特山(shān )。军(🔊)(jun1 )令(🏩)如(rú )山，即使前(🥑)(qiá(🏈)n )方刀山火海(hǎi )，战(🐆)士们(men )仍拼死向前(🍗)(qiá(😊)n )冲去。结局可想(😷)(xiǎ(🍾)ng )而知，在敌(dí )人(🙅)密(🌍)集的(de )炮火下，法(fǎ(❎) )军冲锋失败，伤(shāng )亡(🤸)惨重。为了掩盖(🖥)自(🎩)(zì )己的指挥失(🆓)(shī(🚚) )误，布洛(luò )拉德(🐬)抓(🍾)(zhuā )捕三(sān )名无辜士(💋)兵作代(dài )罪羔(💫)羊，以(yǐ )临阵脱逃(💘)(tá(🌲)o )等罪名将他(tā(🥅) )们(🧙)判处死刑。为(wéi )了士兵的(de )利益，达克(🍎)(kè )斯上尉奋力(lì(🦓) )争(📄)取，却在这一(yī(📯) )过(🚻)程(chéng )中渐(jiàn )渐看(🌶)清军官(guān )和战争(💭)的丑(chǒu )恶……
电(✒)(dià(🔞)n )影剧情：
将(jiā(🎼)ng )歌(🕤)仔戏的民间故(gù(📒) )事整个搬上(shàng )银幕(🎖)，保(bǎo )持舞台剧(✝)的(😔)(de )形式，男主角仍(✈)(ré(🥐)ng )由女演员(yuán )演出(⚾)，但出(chū )兵场面改由(🌎)(yóu )演员骑马拍(😺)外景(jǐng )，加(jiā )强真(🧖)实(🌘)感，为台(tái )湾第(🐛)一(🏍)部自(zì )制的35毫米(mǐ )台语片
《林(lín )白(🥈)征空记》由詹(zhān )姆(🎹)斯(🐎)·华特所主演(⛓)，所(🌐)讲述的故(gù )事是(🙃)这样的：那(nà )天(🚊)是(shì )一九(jiǔ )二七(🆖)年(🧚)五月(yuè )二十日(🐛)，刚(♒)(gāng )满二十五(wǔ )岁(🐴)的查尔斯(sī )·林白(🧕)，他发动(dòng )了自(😢)己(💄)费尽(jìn )心思才(🎻)搞(🛹)(gǎo )到手的单人(ré(🔰)n )驾驶的飞机，开(kāi )始(🤦)向大西(xī )洋上(㊗)空飞行(háng )。飞越大(📉)西(💢)(xī )洋一直是查(📍)尔(🤜)斯(sī )·林(lín )白内心深藏了很(hěn )久(😸)的一个梦(mèng )想。在(🍾)这(🥦)(zhè )次的飞行过(👙)(guò(🎦) )程中，他历尽了(le )千(🌄)辛万苦，甚至因为(🧐)(wéi )天气的突然(rá(🙁)n )变(🤑)化被迫采用超(🆎)(chā(👻)o )低空(kōng )飞行(háng )，他(🐎)险些失(shī )去生命。然(🍽)(rán )而，他最(zuì )终(🎆)战(🉑)胜了各(gè )种困(🛩)难(🌋)，在经过(guò )三个半(😃)小时(shí )的艰难卓(zhuó(🕍) )绝的飞行之(zhī(🔱) )后，他成功地飞(fē(🧥)i )越(🗺)了大西(xī )洋，完(🐹)成(🏐)了(le )具有历史意(yì )义的伟大壮举，在(🧒)个(gè )人航空史上(🏁)添(🏼)上(shàng )了光彩的(🌇)一(🔕)(yī )笔。
螳螂(láng )派袓(🎓)师红眉(méi )率徒避(🚠)祸广州，因缘际会(😑)惩(🐟)戒了恶霸(bà )石(🏤)横(🐕)。横与(yǔ )黄飞鸿早(🏇)有嫌隙(xì )，遂(suí )挑拨(🚱)(bō )眉与鸿，但(dà(🥅)n )二(👱)人惺惺相(xiàng )惜(🆖)，化(🔂)干(gàn )戈为玉帛，更(😷)感化横改过自(zì )新(🐿)。
本片是(shì )巴西(👎)名导(dǎo )Anselmo Duarte的首部长(📸)片(🚱)(piàn )，后来他曾凭(⬆)借(🗾)(jiè )1962年的《承(chéng )诺》打开了(le )巴西新浪潮(💧)(cháo )通往世界的大(📕)门(🗼)(mén )并获(huò )得奥(💁)斯(🥇)卡最佳外(wài )语片(🥛)提名和(hé )嘎纳金(🐔)棕(zōng )榈奖。但早(zǎ(🌷)o )在(🚯)57年的这部处女(😽)(nǚ(🎈) )作中他就已经展(🔔)示出(chū )非凡的创造(🍹)(zào )力了，本片被(🗳)看(⬇)(kàn )成是(shì )对50年(🧝)(niá(🌥)n )代巴西人生(shēng )活(🕷)各面的完(wán )美展现(🛳)。YOUTUBE片段：
A deranged man kidnaps the nubile daughter of a police captain.
万喜(xǐ(😆) )良因避难而邂逅(🥃)(hò(😯)u )孟姜，彼此(cǐ )倾(🕚)慕(🎋)。新(xīn )婚之日，良(liáng )被官兵抓去筑建(🌑)(jiàn )长城，姜(jiāng )亦家(🌓)破(🤹)人亡(wáng )。姜不辞(🧞)劳(😰)(láo )苦万里寻夫，但(💸)(dàn )抵达(dá )长城时(🚯)，良已被(bèi )活葬。姜(🥥)哀(🕸)(āi )恸痛哭，至长(🔝)城(💓)被哭(kū )声震倒后(🏽)自尽。
EIGHT HOURS OF FEAR (aka HACHIJIKAN NO KYOFU, 1957) offers a classic suspense plot focused on a group of people confined to a small space under threat from criminals who have taken control of them. In this case, it's a small rural bus containing about 15 passengers on their way to make a train to Tokyo after the train line they meant to ride has stopped service due to a landslide. The bus is then stopped and boarded by a pair of criminals fleeing with the proceeds of a bank robbery. The passengers constitute a microcosm of Japanese postwar society and their numbers include a businessman and his arrogant wife; a lecherous lingerie salesman with crude personal habits; a radical student couple given to singing Russian work songs; a despairing single mother with her baby; an aspiring actress on her way to an audition; a seasoned sex worker lamenting the closing of American bases in Japan; an old couple going to visit their daughter; and a detective escorting his prisoner, a convicted murderer. The driver is an old man who works rural mountain routes and the rickety bus is a relic of an earlier age. The movie itself, although filled with references to World War II and postwar problems, plays like it could have been filmed and staged twenty years earlier. It has the feel of a much older movie and deliberately recalls such Hollywood movies of the 1930s as Frank Capra's IT HAPPENED ONE NIGHT, much of which also takes place on a long bus trip through back roads, and John Ford's STAGECOACH, but with a much darker edge than either of those films.