故事的主人(🙋)(rén )公弗(fú )朗索瓦(🚰)·皮尼翁（丹尼(🚩)尔·奥图(tú ) Daniel Auteuil 饰）(🍥)是个(🌿)人生彻(chè )底(📴)失败(💏)的小(xiǎo )人物(⛳)(wù )。离(🅰)婚2年的前妻(qī )不(🗿)想搭理他，17岁(suì )的(🧔)儿子瞧不起他(tā(🏆) )，就(jiù )连他勤勤恳(🧢)(kěn )恳效(xiào )力了二(🈸)十年(nián )的公(gōng )司(🏤)也要在这时裁(cá(💋)i )掉他(🕎)。皮尼翁在(zà(🧞)i )家庭(💉)和事业(yè )的(💔)双(shuā(🕕)ng )重打击下陷入了(☕)(le )绝望。就在他想(xiǎ(📝)ng )要寻短见的时候(🍑)(hòu )，隔(gé )壁新搬来(🙄)的(de )邻居(jū )阻止了(📻)他，并想(xiǎng )了条妙(❌)计—(🍏)—让(ràng )皮尼(🍻)翁在(📩)公司伪(wěi )装(🎛)成同(🎬)性恋来保(bǎo )住饭(😌)碗。由(yóu )于皮(pí )尼(🚚)翁公司的主要(yà(🚃)o )经济支柱是生产(🎪)(chǎn )避孕套，他新的(🐐)(de )同性(xìng )恋身份让(🔎)他(tā )在公(gōng )司突(🐗)然变(👌)得(dé )炙手(shǒ(💎)u )可热(🍞)起来。一直(zhí(🗂) )以来(🐉)视皮尼翁为(wéi )眼(🐑)中钉的人事部(bù(♋) )主管桑蒂尼（杰(😎)(jié )拉尔·德帕迪(🎇)约(yuē ) Gérard Depardieu 饰）也不(🐘)得已(yǐ )对皮(pí )尼(🛢)翁大(😟)献殷(yīn )勤。但(🗿)是皮(💠)尼翁(wēng )的女(☕)(nǚ )上(🛳)司巴尔特拉诺(nuò(🏮) )（米歇尔·拉罗(⭐)(luó )克 Michèle Laroque 饰）却通(💫)过(guò )一些蛛丝马(💈)(mǎ )迹开(kāi )始怀疑(🙆)他的同性(xìng )恋身(📠)份，仇视同(tóng )性恋(🥍)的同(🎤)事们也(yě )开(🎹)始(shǐ(🕢) )怀着恶意蠢(chǔn )蠢(🍟)欲(yù )动起来。到(dà(🥏)o )底皮(pí )尼翁能不(🌸)能通过(guò )层层考(🏯)验，脱胎(tāi )换骨重(🚅)新找回人(rén )生的(🐠)自信呢......
千年(nián )の(🔻)時を(💘)経て、今(jī(🐠)n )明か(🍑)される「安(👐)(ān )倍(🆔)晴(qíng )明・陰陽道(💖)(dào )」の真実。謎の(💮)「安(ān )倍晴明・(📫)陰陽道(dào )」の全(👭)てが分かる！ 彼女(👾)は日本(běn )史最大(🚺)の謎(mí )【晴(qíng )明(♟)伝説(⛰)】の真実(shí(🥧) )を知(🐕)るために千(qiān )年(🎴)の時空を越えた(⛵)旅(lǚ )に出る・・(😉)・・「さくや妖(🉐)(yāo )怪伝(yún )」 安(☔)藤希主演(yǎn )の超(🌖)不思議体験(yàn )ド(🚂)ラマ(🏔)。
Mak, a street urchin in Bangkok, dreams of being a tough gangster. He earns some money as a drugs runner. One day he meets a young prostitute, who turns out to live nearby and they fall in love. After he has delivered a large batch of drugs to a rich man on the other side of town, they can suddenly afford new clothes, luxury mobile phones and expensive sunglasses. Made reckless, Mak and his partners use the girl for an even bigger delivery to the same rich man.
史莱克(kè )生(🍢)活在(😲)平凡的世(shì(🕡) )界中(🍤)——他本身(shēn )是(✡)一个其貌不扬(yá(🎰)ng )的怪(guài )物，绿色的(📍)(de )身体(tǐ )，古怪的脾(🦁)(pí )气，不爱干净的(🚀)懒散(sàn )生活。这天(🤡)他家(jiā )里来了几(🐫)个不(👃)速(sù )之客，他(🥖)们(men )告(🌶)诉(sù )史莱克，自己(⚾)来(lái )自一个残暴(🍈)国王(wáng )统治下的(💲)王国，现在(zài )已经(🍃)无家可(kě )归了(le )。而(🚆)且，那(nà )个残(cán )暴(🗓)的国王还掠夺(duó(📭) )了一(🌨)个美丽非凡(🍏)(fán )的(💹)公主，打算强(🔈)(qiáng )占(🏎)为妻。
连日来(lái )，大(🐓)雾笼罩着塞(sāi )内(👶)加尔南海岸的(de )一(😅)个(gè )小村庄，小(xiǎ(🧘)o )船无(wú )法出海捕(🥠)鱼(yú )。村(cūn )里伊斯(🌻)兰教年老(lǎo )的阿(🚾)訇已(🏖)是气如(rú )游(🥉)丝，无(🥠)法再主(zhǔ )持宗教(🥇)事务(wù )。他(tā )二十(🔩)岁的儿子巴(bā )尼(🍳)科必须接过父(fù(🏑) )亲的接力棒。当(dā(📻)ng )大雾(wù )慢慢散去(🥌)，年轻(qīng )的巴尼科(🔼)得(dé(🐿) )到了(le )乡亲们(🥙)的肯(📒)定，也得到了(🐃)同村(💠)女(nǚ )孩的芳心。然(🔘)而(ér )，这引起了儿(💸)时(shí )伙伴亚马的(❣)嫉妒(dù )……
尤优(🦁)（葛优(yōu )饰）接(🤩)到个美差(chà )，拍(pā(⛪)i )一部宣传记(jì )录(😕)片(pià(🏃)n )记录好莱坞(🍪)大腕(📧)(wàn )导演泰勒（唐(🚜)纳(nà )德•萨瑟兰(⛪)饰）在中国拍摄(♒)(shè )影片(piàn )的工作(🐒)过程。一(yī )开始工(🍥)作顺利，但随着制(🚪)片人托(tuō )尼（保(🎵)罗•(🎲)莫索(suǒ )尔斯(📩)(sī )基(⛷)饰）的到(dà(🏼)o )来，事(🤚)情起了变化。闲下(🎙)来的尤优和(hé )泰(🏇)勒、泰勒的助(zhù(🤔) )手露茜（关之琳(🙁)(lín )饰）到寺庙游(👽)览(lǎn )，三人相处得(🌞)非(fēi )常愉快。不料(🥛)几(jǐ(🔻) )天后(hòu )泰勒(🏉)因心(🔓)脏(zāng )病发(fā )作，生(🦓)命垂危，他希望尤(📺)优能为(wéi )自己操(🥫)办个喜丧(sàng )葬礼(😾)，尤优(yōu )揽下(xià )活(🏺)儿。
星星、月(yuè )亮(🌴)、太空……浩(hà(🚍)o )瀚银(🔖)河奥秘无穷(🥚)(qióng )，充(🦏)(chōng )满神奇，喜(🏢)(xǐ )欢(🍙)幻(huàn )想的儿童豆(🚙)(dòu )豆每(měi )天都坐(💖)在屋顶上仰望星(👝)星，盼望(wàng )着有朝(❄)一日能够(gòu )遨游(🦂)太空。国际(jì )艺术(😓)节来临了，美国儿(🕡)童戴(☔)维、丹尼和(⛳)许多(🔵)外国(guó )小朋(péng )友(🔭)专程来中(zhōng )国看(✋)(kàn )熊猫，对动物的(🎱)(de )爱好，对熊猫的(de )兴(💬)趣使得豆豆、戴(🎑)维、丹尼(ní )和熊(📕)(xióng )猫英英、猩猩(🔔)佳(jiā(🛠) )佳成了好朋(🍀)友。?
玛(🔂)莎（马蒂娜(🎥)•戈(🖤)黛(dài )特 Martina Gedeck 饰）是一(🥫)(yī )家餐(cān )厅的厨(👢)师长(zhǎng )，不(bú )仅人(❎)长得漂亮，而且厨(🔕)艺精湛。唯一的不(🗃)足，就(jiù )是由于长(⛏)期担(🍜)任(rèn )领导职(🙆)务，使(🧤)得(dé )玛莎的(🏔)性格(🧔)古板(bǎn )、严肃认(🎨)真。一(yī )天，玛莎的(🔑)妹妹(mèi )不幸(xìng )车(🌉)祸身亡了，留(liú )下(💔)了年幼的女儿(é(🕵)r )莲娜。莲娜因为(wé(🏍)i )痛失母亲，患上(shà(🈸)ng )了厌(🍨)食症。无论(lù(😆)n )玛莎(🕒)煮出怎么美(😯)(měi )味(🔚)的食物，都无(wú )法(➗)激(jī )起莲娜的食(🧘)(shí )欲。
After one book that ended up in the remainder bins, novelist Byron Tiller's inability to pay the bills strains relations with his wife. Desperate for any kind of income, he meets Luther Fox, an Englishman who runs an exclusive escort service called Elysian Fields, and is offered a job.
A darkly humorous search for love, meaning and bathroom solitude. Faithful to the cult novel by John Birmingham upon which it is based, the film follows Danny (Noah Taylor) through a series of shared housing experiences in a succession of cities on the east coast of Australia. Together these vignettes form a forceful, sometimes turbulent narrative that leaves the viewer entertained, exhausted and surprisingly reflective.