美版无耻之徒

周家璧(🎬)遭上(shàng )司(🐠)始乱终弃，珠(💞)胎暗结大(🏸)受(shòu )打击(🔵)的她晕倒(dǎ(🖇)o )街头，幸得(🥩)画(huà )家沈叶(⏮)(yè )相救。璧(📵)小产(chǎn )出(📉)院后十分消(🍗)(xiāo )沉，但碍(🔣)于要(yào )负担弟妹生活(🤫)(huó )，唯有立(📼)刻寻(xún )找工(🏥)作。一天(tiā(💗)n )她重遇已当上(shàng )医生(❣)的(de )旧同学(🌗)(xué )丁世华(huá(🍃) )，得他介绍(🗄)到(dào )疗养院工作，二人(🚴)日久生情(💦)(qíng )。 Between Paula and his half old Xu man Roger, should be said that there is no true love, even if Paula wants to be her true feelings in this living, also at Roger from time to time with the woman's deception and concealment repeatedly before hitting the wall. Paula than the young teenager Philip entered the heroine lonely soul, to classical pattern of a kind of "Brahms", to Paula with sympathy and consideration, care, cherish, but classical love after all, there is no perfect knot, she finally Philip did not accept this precious feelings, but somehow back to the foot of multi ship Roger. 朴老爹靠(💑)修(xiū )理灶(🍡)炉养家糊(🔽)(hú )口，带(dài )大(🖌)兄妹(mèi )三(📙)人。目不识丁(🎬)且固(gù )执(😻)的朴老爹(🦉)不(bú )失为善(🥗)良可亲(qī(✅)n )的家长，但他(tā )始终对(☔)长女容(ró(🚺)ng ) 女は足(zú )で(🌻)勝負(fù )す(🤔)る！ IMDB review: "This now-campy soufflé is an indispensable time capsule of the decadent 60s, and is a lot more erotic than the harder X material that it helped open the door for. José Benazeraf, before he decided to take artistic control of his material, served as producer, and his idiosyncratic touch is ubiquitous -- gorgeous jaded players, elliptic dialog, arty milieux, jazzy (now retro) music, and bizarre striptease acts (including one at the legendary Crazy Horse Saloon), all with sensuously tactile b&w photography. Radley Metger released it in the States, and apparently added or altered some footage -- the Roman orgy party scene does bear a striking resemblance to the prison party in Camille 2000. If you can deal with the now politically incorrect view of alternative sexuality (which was de rigueur in the cinema of the era), this is a superb treat for the eyes and ears, accompanied by a martini or two." 日出而作(zuò )，日(🖨)落而息，千(🛣)百年来人类(🔕)(lèi )遵循着(👄)古老的(de )生存法则，在(zà(📞)i )严酷的环(👵)境中(zhōng )努力(📘)生(shēng )存。 A rebellious teenager runs away from home and joins the SoHo beatniks when her widowed father remarries a much younger woman. But beatnik life isn't all it seems and she ends up hanging out as a stripper in a sleazy club, hoping to learn about her mom. There the creepy club owner attempts to seduce her, and his lover gets jealous and stabs him. Now the two must do something fast. The film is also known as Wild for Kicks, and features music from rocker Adam Faith, the John Barry Seven, and other beatnik acts. ~ Sandra Brennan, All Movie Guide 剧(🦍)(jù )情简介(⛺)(jiè )： Shirley Anne Field gives a fiery performance as a young designer on the brink of starting an affair with a married male supervisor (Robert Stephens) at the wallpaper factory where she works. Based on the play by acclaimed writer John Mortimer (Rumpole of the Bailey), Lunch Hour is directed by James Hill (Black Beauty, Born Free). With its tightly-focused plot and real-time narrative this stylish examination of an illicit lunch-hour rendezvous features an underlying sexual radicalism that tells us much about the time in which it was made.