四十九日 祭

女(nǚ )侠黄莺(yīng )、(🏰)鄢(🍋)雅和向遏受警方所托，搜集(jí(🎶) )以(💴)(yǐ(🏎) )范太康(kāng )和太杰兄弟为(🧦)首(🥗)的飞虎党罪证(zhèng )，查(chá )出(chū )他(🌩)们(🍻)与龙爷合谋抢劫工厂出(🤳)纳(🃏)，又(📦)(yòu )非(fēi )法(fǎ )经(jīng )营赌场，以千(💷)术(🕔)骗财。康出高价请(qǐng )龙(ló(🔋)ng )对(duì(🍲) )付(fù )莺三人，莺、遏不慎(👢)中(🕣)了(🧜)龙设(shè )下的圈(quān )套(tào )，幸而(💠)范的(📉)手下老冬见义勇为，倒戈(🐕)助(✖)(zhù(😚) )二(èr )人脱身。与此同时... 本(🍎)片(🦂)根据亨利(lì )·詹姆斯(sī )的小(😨)说(🚊)《螺(👸)丝在拧紧》改编而成(chéng )。19世(🐲)纪(🏨)末(mò )，美丽的女教师吉登斯小(🍽)姐(🔯)（黛(dài )博(bó )拉(lā )·寇儿(💭)Deborah Kerr 饰(🏽)）(🍅)来到乡下庄园照顾雇主(zhǔ )的(⚪)(de )侄(📱)(zhí )女(nǚ )弗洛拉（帕米拉(😑)·弗(🦒)兰克林Pamela Franklin 饰）和(hé )侄(zhí )子(🚇)(zǐ(👍) )迈(😃)(mài )尔斯（马丁·史蒂芬斯(🌆) Martin Stephens 饰）(🧥)。不久，吉(jí )登(dēng )斯小姐发(👙)现(🎾)自(🎨)己常看到奇怪的(de )影像，仿(🔙)(fǎ(🏍)ng )佛房子被鬼魂纠缠，孩子们也(🔟)被(🐐)(bè(🚓)i )魔(mó )鬼附体(tǐ )，说出或做(🎾)出(✉)过分成熟诡异的话(huà )语(yǔ )或(🏩)行(🧠)动(dòng )。管家格罗斯太太（(🤾)麦(🔸)戈(💯)斯·吉(jí )肯(kěn )斯(sī ) Megs Jenkins 饰）向她(💇)透(🧘)露，这一切可能与已故(gù(💤) )的(de )前(🤘)(qián )家(jiā )庭教师及总管的(🕶)地(💹)下(🎲)恋情有关。吉(jí )登(dēng )斯(sī )小(🕣)(xiǎo )姐(👅)不顾一切想将孩子们从(🤤)魔(❕)鬼(🕷)(guǐ )的掌控(kòng )中(zhōng )营(yíng )救(🏏)出(🏧)来，但她所看到的鬼影是(shì )否(🏥)可(👖)能(⛳)(néng )只(zhī )是她自己的幻觉(🏉)呢(🥓)？ 日出而作，日(rì )落而息(xī )，千(👷)百(🧒)年来人类遵循着古老的(🎍)生(🏿)(shē(🧢)ng )存(cún )法则，在严酷的环境中努(☝)力(🕤)生存。 Doctors Burke and Hare leave the confines of St Swithins for the world of general practice, stopping off on the way as patients at the Foulness Anti-cold Unit. Hare then takes up a position as junior in a well-healed G.P.'s surgery while Burke continues to sow his doctorial wild oats. 易(yì )卜(bo )生(shēng )的(de )《群鬼(🤟)》，內(🤳)容(🧒)涉及亂倫(母子、兄(xiōng )妹(🚢)(mè(🥐)i ))、(🐹)性(xìng )病 (梅毒) 和上流社會的(♑)偽善(🔹)面貌，在(zài )1882年(nián )首(shǒu )演(yǎ(🌯)n )，震(💡)撼(🚎)當年整個歐洲劇壇。左(zuǒ(📢) )几(🏘)的改(gǎi )編(biān )，除了把牧師一角(👁)改(🌜)成(🍜)是女主角(jiǎo )的哥哥(gē )（(⚾)相(❤)信是因為不符中國社會的狀(✊)況(➰)(kuàng )）、和把(bǎ )開放曖昧(🎧)的(🍧)草(👝)草收場改成雨過天(tiān )青(qīng )的(⛅)完(📯)滿(mǎn )結局外（證明左几(😷)依(🔤)然(🥗)大膽有(yǒu )餘(yú )，勇(yǒng )氣不(🤽)足(⏪)）(✳)，基本上保留了原著的精(jī(💗)ng )華(huá(🤪) )。高(gāo )潮揭露兒子（張瑛(🏨)）(💢)發(📟)現一直活在(zài )父(fù )、母(🏫)(mǔ(🦐) )親（黃曼梨）給自己編造的(🗜)謊(🦅)(huǎ(🏜)ng )言世界(jiè )中(zhōng )、和無可(😧)救(🐓)藥地愛上同父異母的(de )妹妹，還(😣)(há(🕵)i )有母親獲悉兒子遺傳了(🌑)她(👜)深(💽)痛惡(è )絕(jué )的丈夫(fū )的性病(👪)，劇(🍆)力一瀉千里，其飽滿(mǎn )及(🤕)(jí(🚃) )奔(🔂)放程(chéng )度，直逼他的另一(🔪)傑(🎓)作(🖲)《魂歸(guī )離(lí )恨(hèn )天(tiān )》(1957)。影片(🤟)又再(🔕)次見證了左几的穩健(jià(🌓)n )運(⛔)(yù(🍺)n )鏡(jìng )與(yǔ )場面調度（開(💠)場(🚜)介紹鍾家大宅的一(yī )段(duàn )蒙(✊)(mé(😷)ng )太(💫)(tài )奇教人想起《大國民》(1941)）(🕧)，看(⤵)(kàn )官不容(róng )錯(cuò )過(guò )。 Cash McCall is a young and slick business man who buys failing businesses and resells them. Grant Austen's Plastics is even more of a prize to Cash, for Cash is also making a bid for Austen's beautiful daughter, Lory. This is Cash's toughest deal ever. 芸往医(➕)院(🍣)告赵太太死讯 并把(bǎ )临(🍝)终(🐭)要(💊)(yào )自(zì )己嫁赵为妻一事相告(⛱). 二(🗺)人遂成婚(hūn ) 但(dàn )赵因跌(🍫)(diē(🚈) )伤(😼)失去生育能力 两人只有(👱)做(🏬)精(🍺)神(shén )上(shàng )夫妻. 赵(zhào )大女儿(🗯)丽冰(📖)来信 告父要与医生(shēng )结(😐)(jié(👻) )婚(🐗)(hūn ) 并(bìng )快将回香港. 回到(😦)香(🚓)港之日芸赫然发(fā )现(xiàn )丽(lì(🐃) )冰(❤)(bī(🛐)ng )丈夫便程 芸乘未被程发(🗒)现(🔘)前避开了(le ). 程(chéng )夫(fū )妇(fù )俩搬(🎑)回(🔯)赵宅 芸 程相见不相识 借(🌐)(jiè(🥔) )机(⛅)互诉(sù )离(lí )情(qíng ). 程对芸念念(💀)不(✒)忘 对百般痴缠. 赵(zhào )偷听(🥊)得(🐎)(dé(💸) )两(liǎng )人深夜倾谈 自觉要(☔)芸(🏾)守(🥕)生寡十分(fèn )自(zì )私 遂欲(yù(🍰) )自刎(🤪); 幸得芸力劝 芸并告之自(🎢)己(🔙)与(🏬)(yǔ )程(chéng )… 赌徒(tú )石浜伸(🍼)夫(👔)（高倉健 饰）历经数年(nián )牢(🔱)(lá(🎩)o )狱(👎)(yù )之灾，终于从寒冷的网(🈹)走(🛎)市回到家(jiā )乡(xiāng )。为(wéi )谋生计(🥁)，他(🏹)和老婆典子（小宮光江(🥔)(jiā(🏂)ng ) 饰(👭)(shì )）及(jí )典子的母亲真佐（(🚮)清(🍡)川虹子 饰(shì )）谋划(huá )生(🏈)(shē(🍐)ng )钱(👐)(qián )之道。他们在豪华的巴(👶)黎(🌦)酒(💊)店(diàn )遇到有(yǒu )过(guò )一(yī )面(㊙)之缘(🥋)的神秘男子常田（丹波(🎳)(bō(🗳) )哲(🦆)(zhé )郎 饰）。该酒店设有隐(🚏)蔽(💖)赌场，近期又(yòu )将(jiāng )有外国(guó(🤺) )人(👉)带(🙍)着巨额现金来此开辟新(🕢)的(♟)国(guó )际(jì )赌场。四人一拍即合(🥫)，决(💲)定组织人手(shǒu )洗(xǐ )劫(jié(🦄) )现(🐺)(xià(🥍)n )金。在此之后伸夫和常田相继(🦂)拉(💧)留(liú )美(měi )（三(sān )原葉子(💀) 饰(🦍)）(🦈)、众木（江原真二郎 饰(🦎)）(⭕)、(🍊)川(chuān )岸（曾根晴美 饰）等(🚖)人入(🧦)伙。但这些(xiē )人(rén )都(dōu )有(🎌)各(🍛)自(🗃)的小算盘，加上一些局(jú )外(💂)人的介(jiè )入，抢劫行动意外频(🕰)出(🐸)…(🀄)… IMDB review: "This now-campy soufflé is an indispensable time capsule of the decadent 60s, and is a lot more erotic than the harder X material that it helped open the door for. José Benazeraf, before he decided to take artistic control of his material, served as producer, and his idiosyncratic touch is ubiquitous -- gorgeous jaded players, elliptic dialog, arty milieux, jazzy (now retro) music, and bizarre striptease acts (including one at the legendary Crazy Horse Saloon), all with sensuously tactile b&w photography. Radley Metger released it in the States, and apparently added or altered some footage -- the Roman orgy party scene does bear a striking resemblance to the prison party in Camille 2000. If you can deal with the now politically incorrect view of alternative sexuality (which was de rigueur in the cinema of the era), this is a superb treat for the eyes and ears, accompanied by a martini or two."