为(🐡)治疗一(🔣)(yī(🃏) )种致命的疼(té(📯)ng )痛，一位友善、成功(gōng )的(🏼)乡村老师(shī )兼(🗃)牧(🤣)师，被(bèi )要(👹)求开一(yī )种名(🎄)(míng )叫可的(👠)(de )松的激素药。没(🦁)想到(dào )他自(📹)(zì )己逐渐(jiàn )沉(❓)迷到吸食这种(👃)试验(yàn )性(🔡)药(yào )品中而(é(🚗)r )不(🌉)能自拔…(🆖)…由此性(xìng )情(✴)大(dà )变，成(👑)了一个有精神(📶)(shén )障碍并(bìng )且(👮)极(jí )度暴力(🔫)的家庭暴君…(💭)…
1950年代(dà(🥃)i )中期(qī )，“海燕(yà(🥝)n )”号(🚔)轮船上(🧚)(shà(🌁)ng )，一千多名(míng )各(🎳)种职业的旅客同船(chuán )共(🌐)渡。白天(tiān )平静(🍁)地(🗃)过去了，夜(😄)暗(àn )伴着浓雾(⏪)降(jiàng )临，由(⛪)于附(fù )近暗礁(🏷)很(hěn )多，二副(🈲)（李农 饰）向(🏂)船长（穆(mù )宏(🍾) 饰(shì )）建(🏍)议(yì )低速航行(🈺)，其(🚹)他人则(zé(📚) )建议(yì )抛锚。但(❄)船长依仗(🐋)自(zì )已几十(shí(🍸) )年航(háng )行经验(🏰)，命令原速航(😇)(háng )行，结(jié )果轮(💡)(lún )船触礁(📏)进水，睡梦中(zhō(🎴)ng )的(🌾)乘客(kè(🌼) )纷(🏝)纷(fēn )涌上甲板(🔝)(bǎn )，情况非常(cháng )危机。这时(🤬)(shí )，海军政委（(🏦)齐(🎵)衡 饰(shì )）(🙂)挺身而出(chū )，指(🕐)挥全体复(🍔)转军人(rén )安抚(🥤)旅客，保持船(📩)体平(píng )衡。船长(🐒)(zhǎng )负责(zé )领航(📒)，但由于船(💵)头受损严重(chó(🚁)ng )，被(📵)(bèi )迫抛锚(👇)(máo )。发报机在发(🏊)出求救(jiù(🛠) )信号(hào )后碰坏(🏞)(huài )，上级无法确(🔥)(què )定出事(shì(🍰) )轮船(chuán )的位置(👮)，只好派出(🌹)飞(fēi )机和舰(jià(🚆)n )艇(✴)在(zài )海(🦄)上(🕒)寻找。雾海茫茫(🛶)(máng )，潮水(shuǐ )汹涌(yǒng )，军人和(🔏)(hé )船员手拉手(🤼)(shǒ(📵)u )挽起了“人(✒)(rén )墙”......
四十年代(🤦)未，国(guó )统(🎶)区北平。我地下(➰)党“红松组”负(😇)责人陶干(gàn )（(🐚)浦克 饰）接到(🐏)上级(jí )密(💃)电，要他(tā )搞到(🈴)军(📇)统特务邹(🍅)至甫(fǔ )（李(lǐ(🚨) )林 饰）带(👍)来的重要情报(🖱)。邹(zōu )来平(píng )后(🈂)，即(jí )展开全(🗝)城大搜捕，我(wǒ(😡) )不少(shǎo )地(🎪)下工作者被抓(🧢)。陶(🚾)(táo )干以(🈹)做(🍡)(zuò )黄金(jīn )买卖(🎌)来到敌副参谋长(zhǎng )宋欣(🛩)（张巨(jù )光 纬(🏗)）(📇)家接近邹(💭)至甫(fǔ )，狡猾的(🆕)邹(zōu )躲开(📢)了，他们正密谋(💱)(móu )搜查我密(✊)秘(mì )电台，用假(📽)情报混淆(xiáo )我(🚔)方视线。艾(🤥)永伯（陈(chén )汝(💥)斌(♐) 饰）知道(💞)制定军(jun1 )事计划(🚆)的不是自(🌊)己人(rén )后，施巧(🐝)计(jì )换成了自(🏓)己，但不久(jiǔ(🎗) )遭怀(huái )疑。邹(zō(🤦)u )至甫为了(👽)破坏我地下(xià(🌳) )组织(zhī )，经(🍴)常(🖨)将计就计散播(☔)(bō )假情报(bào )，引(yǐn )我方人(👳)员上钩，道高(gā(📩)o )一(👯)尺，魔高(gā(🏡)o )一丈，我地下工(👤)作者(zhě )在(✅)浩如烟海(hǎi )的(🚐)迷阵中(zhōng )始中保持清(qīng )醒(🐲)的头脑，不断把(🔚)最准确的(🕢)情报(bào )发往上(🍄)级(🛍)......
古(gǔ )狸・(🕥)長兵衛(wèi )は江(🔎)戸・本所で怪異(yì )を行(💧)い、人々は「(⏳)本(běn )所七(qī(🔜) )不思議(yì )」と(🛣)呼んで恐(😄)れていた。その(🤖)一(yī )つ「お(🐔)いてけ堀」で(😸)化けそこない、若者た(👋)ちに捕らえら(🎶)れ(😴)た長兵衛(🧡)は、武者(zhě )修(🤙)行にでる(📙)息子・弓之助(🥋)を見送(sòng )る旗本・小(xiǎo )宮(🌑)山左膳(shàn )に助(🕑)けられた(🥌)。左膳が帰宅す(🤷)る(🐵)と、素行(🚘)が悪く、縁を(🧖)切った甥・権九郎が金(🌡)を無心に現れ(🕯)た。
黄飞鸿故(🏥)交(jiāo )李子(zǐ )贤(🗃)珍藏(cáng )“七(🏘)宝莲灯”，拟于(yú(⬛) )上元(yuán )佳节(❤)在(zài )观音庙展(💅)出，贤外甥(shēng )区锦(jǐn )文与(🚜)土霸郭鸿彪密(🌭)谋(🎟)(móu )夺宝。鸿(🚰)出(chū )狮护灯，彪(📜)乘乱将灯(🖨)(dēng )夺去，幸鸿(hó(🚖)ng )的小侄儿人急智生，让鸿等(😄)巧妙(miào )夺回宝(🦗)灯(dēng )。
A regional independent film? A western swing musical? An early Robert Altman script? A roman à clef about real-life popcorn baron Charles Manley? A masterpiece? Corn’(🥌)s-A-Poppin’ is all these things and more. Produced on the cheap in a Kansas City by a band of young talent schooled in the production techniques of The Calvin Company, the Midwest’s most innovative industrial film studio, Corn’s-A-Poppin’ is just about the most free-wheeling and sing-able hour of cinema we’ve ever seen. Down-home crooner Jerry Wallace plays Johnny Wilson, the star of the Pinwhistle Popcorn Hour, a half-pint (and half-hour) variety show with acts ranging from pro-hog caller Lillian Gravelguard to Hobie Shepp and the Cowtown Wranglers. Might the cornpone bookings be an act of sabotage by rogue PR man Waldo Crummit in a bid to gut the Pinwhistle Empire? It’(👙)s up to Little Cora Rice to save the day. Songs include: “On Our Way to Mars,” “Running After Love,” and “Mama, Wanna Balloon.”