金(jīn )振奎和白日(rì )燮(😾)凭(📏)借此片双双获得第(dì )11届韩(🌘)国(🌋)百想(xiǎng )艺(yì )术大赏电影(yǐng )部(🐅)(bù(💙) )门最佳男主角奖。
仕(shì )事に(🐰)嫌(🔄)気がさしていた銀(yín )行(há(😍)ng )員(✴)の井上則(zé )夫(fū )は、SMプレイ(🕜)の(🧞)最中に相手の女性が死亡(🍱)し(😟)たため、怖くなって北陸(💂)の(🐞)雪国へ逃走。行くあてもなく(🤧)列車に乗(chéng )るが、そこで女(📹)子(😭)校生(shēng )・田中幸子と出会(😇)う(😜)。彼(bǐ )女(nǚ )に惹かれ、後を(🤶)追(🚽)うように駅を降(jiàng )りた井上(❎)は(🐚)、ポン引きの鈴(líng )木に声(🔘)を(🧣)かけられ、雪山にある一(🦁)(yī(♿) )軒家へ。そこは女子校生(shēng )の(💨)売春宿だった。この家で幸子(🎩)と(✌)再(zài )会した井上(shàng )は、ポ(🍪)ン(🏃)引きとしての生活を始める(😎)が…。
1940年，一(yī )辆放映车驶(shǐ )入(🧣)(rù(🗯) )卡斯蒂利亚高原的某(mǒu )个(♍)村(🔐)子，孩子(zǐ )们马上围拢(lǒng )了(🔂)(le )上(🌒)去。放映(yìng )的电影是《科学怪人(👹)》，座(🦋)位上有(yǒu )女(nǚ )童安娜（Ana Torrent 饰(🍤)(shì(🥨) )）和她的小姐姐伊莎贝(bè(🎱)i )尔(❔)（Isabel Tellería 饰）。放映室外，父(fù )亲痴(🔭)迷于自(zì )己的新蜂房，他掏出(📌)怀(🐃)(huái )表，结束了今(jīn )天的工作(🥓)。母(🐇)(mǔ )亲正在写一封信，尽(jìn )管对(🚋)方收到信(xìn )的可能渺茫(máng )，母(⛹)亲(🍡)在信纸(zhǐ )上(shàng )倾诉思念之(✴)情(🤼)，在火(huǒ )车站将信投递(dì )。安(💮)娜(🐁)久久(jiǔ )不(bú )能忘记科学怪人(🕐)，伊(👅)莎贝尔向她虚(xū )构出荒原(🏤)上(🤴)(shàng )一(yī )座孤立的砖(zhuān )房(fá(🥤)ng )是(🐚)怪人的出没之地。安娜惊慌逃(🤙)开(kāi )，但从此不(bú )时(shí )返回砖(📶)房(🚁)查(chá )看。伊莎贝尔似乎洞悉(🎃)(xī(🌸) )了某种秘密，她装死、跳(tiào )过(🎃)(guò )火堆，诸如此类。不(bú )久一名(🔠)受(👷)伤军(jun1 )人躲进砖房(fáng )被(bèi )安(🧝)娜(🗻)发现，当(dāng )晚军人中枪死亡(❎)。父(🕘)(fù )亲来到村公所(suǒ )拿走军人(➕)的(👚)(de )物(wù )品，包括一只怀表。安娜(😬)独(➿)自一个(gè )跑出村子，夜(yè )里(📳)她(🎊)在湖边(biān )遇(yù )到了科学怪人(🕵)……
Light-hearted and occasionally unclothed adaptation of a British comic strip in the over-the-top, on-beyond-Bond spy fantasy vein...
In Victorian London, a beautiful young man is given a portrait of himself by an admiring artist. Soon after this, he treats a young woman cruelly and then notices that his portrait seems to look meaner than it used to. Eventually, he cannot endure the portrait and hides it in the attic. As the years pass, he becomes ever more unscrupulous and dissolute. His friends remark how he is as handsome as ever and never seems to age. But up in the attic, his picture becomes uglier with his sinful ways
Carmen Suite is a one-act ballet created in 1967 by Cuban choreographer Alberto Alonso to music by Russian composer Rodion Shchedrin. The premiere took place on 20 April 1967 at the Bolshoi Theatre, Moscow. The music, taken from the opera Carmen by Georges Bizet and arranged for strings and percussion, is not a 19th-century pastiche but rather "a creative meeting of the minds," as Shchedrin put it, with Bizet's melodies reclothed in a variety of fresh instrumental colors (including the frequent use of percussion), set to new rhythms and often phrased with a great deal of sly wit. Initially banned by the Soviet hierarchy as "disrespectful" to the opera for precisely these qualities, the ballet has since become Shchedrin's best-known work and has remained popular in the West for what reviewer James Sanderson calls "an iconoclastic but highly entertaining retelling of Bizet's opera."
根(gēn )据宫克一同名(míng )小(🎶)说(🏗)改编。
Italy 1973. Giuseppe Tritoni (Ugo Tognazzi) is an ultra-right-wing congressman that doesn't agree anymore with his fascist party policy. He contacts many Italian Army officers and built a net of relationship in order to organize a Coup d'Etat (Golpe). Something goes wrong and the Interior Minister (Home Secretary) Mr. Li Masi (Lino Pugliesi) got the all information about the attempted Golpe. So the Minister organizes a counter-Golpe. Tritoni desperately, to save his project, kidnaps the Italian Republic President (Claude Dauphin) that immediately dies for heartache. Now Minister Mr. Li Masi is free to lay down the law to the rest of the country, realizing basically the actual Golpe! Tritoni surrenders and will spend rest of his time trying to sell his ideas about managing Golpe in Africa!