Pendant la guerre d'Algérie, Lakhdar, immigré, ouvrier du bâtiment, habite le bidonville de Nanterre. Ne supportant plus la solitude, il fait venir sa femme Nora et ses enfants en France. Dès lors, il n'a plus qu'une obsession : offrir aux siens un appartement digne de ce nom.
来生泪（(🏨)藤原纪(👁)香 饰）(🕖)、来生(🔅)瞳（稻森泉 饰）和来生(➿)爱（内(😲)田有纪 饰）是情同手足的(🔏)三姐妹(🧡)，表面上(🎥)，三个善良坚强的女孩经(⛓)营着名(💅)为“猫眼(❔)”的咖啡馆，而每当夜(🎆)幕降临(🔥)之时，她(🌔)们便会(🚊)(huì )变身成为(wéi )无(😂)所不能(😍)的艺术(📯)品大盗，将她们所盯(📃)上的目(🖇)标全部(🍍)神不知(😄)鬼不觉的收入囊中。
「它(🐮)可(kě )以(💳)在二百(bǎi )或五百年(⛎)前的非(🤞)洲村莊(🕒)發生，也(🚗)可以是兩天以後的真人(🏑)真事。」(😚)導演說。
The story of a broke but talented composer, Mike, and his search for true love. The question is, how to find it, especially when your insecurities tends to make you jealous even when a girlfriend strokes your cat. Mike's alcoholic writer father who believes all his ills will be cured by finding his runaway wife, tells him there is only one thing that makes life worth living: "the empress"; perfect sex that goes on for days with a woman so beautiful you could cry. To Mike, however, the empress is love that lasts forever, not sex that lasts for days.
安妮（桑德(dé )拉·(🌷)布洛(luò(🙃) )克 Sandra Bullock 饰）(🙋)和杰克的恋情并未走到(📟)最后，失(❎)落的安(💛)妮决意不再与特警(🤗)恋爱，现(🎒)任男友(👘)亚历(lì(🤫) )克斯（杰(jié )森·(🙂)帕特里(📅)克 Jason Patric 饰）(📈)为爱情隐藏特警身(🚜)份，但无(🍑)奈还是(🚉)暴露，于(✏)是携安妮前往加勒比海(🕟)(hǎi )度假(🚬)作为(wéi )弥补。在他们(🚝)的游轮(🧦)上，潜藏(🏮)着一名(😉)危险人物——设计轮船(🎅)操作系(🛰)统的工程师基格（威廉·(💲)达(dá )福(🤐) Willem Dafoe 饰），基(⛴)格身患绝症却遭到解雇(⏫)，他为了(📓)报复公(😊)司掌控了轮船的自(🐞)动航行(🔧)系统，在(🏵)(zài )船内装满(mǎn )炸弹，船长(🈲)只得与(🔻)乘客弃(🏏)船，危机关头，亚历克(🏺)斯挺身(🍯)而出，与(⬜)安妮返(🗓)回船上救助被(bèi )困的乘(✅)客(kè )。在(🍿)游轮冲向毁灭终点(⌛)的同时(🤲)，安妮又(🈲)落入了(😕)基格之手……
砲撃・銃(🚁)撃の嵐(👢) !
The dating scene among four young African Americans is examined in this well-intended, yet unfocused romantic comedy. Couple A are Brandy (Campbell) and Montel (Cundieff) who realize that they have a chance at true love. Couple B are their friends Adina (Parker) and Clyde (Torry) who try to sabatoge Brandy and Montel's happiness in order to save them from being "sprung" (in love) with each other. The camaraderie between the couples is funny, some of the time, but the humor often turns from vulgar to juvenile and scenes drag on a bit. Cundieff and Campbell are too bland to carry over the used plot but Torry is a comedic find who makes the film tolerable.