he wife of a painter complains that her husband ignores her whenever he is working on a picture. One day her husband unexpectedly goes to Paris to study and when he returns he works all the more. His wife sleeps with another man out of frustration and anger, but when she sees that her husband's painting is of her as a model of purity, she decides that she cannot go on.
这(zhè(🛡) )部改编自经典(🤜)(diǎn )戏(xì )剧(🍝)作品的影(🐺)片(piàn )讲(jiǎng )述(🍼)了狄俄尼(🔻)索斯的神(💵)话，以及他(tā )对(🧛)(duì )一个城(🅾)市的报(😫)(bào )复(fù )，这个城(🔗)市对(duì )他(🤷)(tā )平凡母亲的(🌛)死负(fù )有(🎢)不可推卸的责任。在这(🏕)部影片(pià(💑)n )中(zhōng )，帕尔(🍇)玛首次(cì )运(yù(🎖)n )用了分屏(🏼)技术(shù )，这种(💊)手法的优(🍈)势在于可(🍇)以在同一(yī )画(⚓)(huà )面中同(🍚)时表现(xiàn )某(mǒu )项事件(🌕)的发生(shē(🆚)ng )和(hé )事件观察(🍰)者的反映(㊙)。他之后的(🍽)许(xǔ )多(duō )经(😊)典作品，如(🔙)(rú )《奇胎怪(💚)案》、《魔女嘉丽(🤘)》、《剃刀边(🌸)缘》中都(🔒)(dōu )运用了分屏(🐷)技术(shù )。
英(🖱)国名导演肯(kě(🔨)n )罗(luó )素以(🕎)风格强烈(📲)著(zhe )称，但他执(🛬)导的这部(🐞)歌舞片却(🏷)平(píng )易(yì )近人(🧤)，热情洋(yá(🦄)ng )溢(yì )。尤其在(🥈)舞蹈(dǎo )场(🎚)(chǎng )面的编(👔)排上相当别致(🎸)，由男主角(🛍)(jiǎo )克(kè )里斯多夫．盖(🍠)(gài )博(bó )亲(✂)自编舞，颇(pō )有(⚫)(yǒu )百老汇(🖐)黄金时代(🤵)歌舞剧的特(🐏)色。剧(jù )情(🧠)描述一名(🤹)电(diàn )影(yǐng )制片(🦆)家爱上了(🍞)(le )一(yī )个(🔲)业余歌舞剧团(😆)(tuán )的演出(🖲)，整天梦(mèng )想着(🍷)要将它拍(🌔)成(chéng )电(dià(📮)n )影，因此同一(💧)(yī )段(duàn )歌(🎞)舞却有两(🍊)种截(jié )然不同(🤢)的表演方(🕥)式，对比之下(🔼)颇(pō )能(né(🔥)ng )彰显电影(🚠)的幻(huàn )想(xiǎng )空(🍣)间和造梦(🍪)魅(mèi )力(lì )。在七十年代(👽)极为走红(♟)的英国模(mó )特(🙏)(tè )儿崔姬(😙)饰演剧(jù(🚍) )团(tuán )女主角(💉)，相当(dāng )逗(👌)(dòu )人喜爱(🥊)。
对1964年样板戏（(💃)芭蕾舞剧(🧜)(jù )）的记录，本身(shēn )也(📁)(yě )是改编(🍪)自谢晋(jìn )1961年(niá(🔺)n )的同名电(🌽)影。
摄(shè )影(🏳)师工藤太郎(📰)在(zài )坐飞(⤵)机的途中(🤼)发(fā )现(xiàn )一架(🥗)太空囊坠(💛)(zhuì )入(rù )大海(🍇)，那正是4个(✴)(gè )月前离(🔵)奇失踪的无人(🛤)木星探测(🔯)器(qì )赫(hè )利俄斯7号。回(😋)(huí )国(guó )后(🗻)的工藤接到(dà(🍣)o )陪(péi )同开(🎄)发公司调(🧗)查队前往塞(👟)吉欧岛(dǎ(❗)o )的(de )工作，而(😎)塞吉(jí )欧(ōu )岛(👗)正位于赫(🏓)利(lì )俄(é )斯7号坠落地(😉)点的附近(🐇)……
A man plans to kill his wealthy wife for her money and so he can be with his beautiful young mistress. However, things don't turn out exactly as he had planned.
海妮和(hé(🧑) )丈(zhàng )夫吉(📉)姆-考尔德(🗾)(dé )是(shì )小镇(🔙)上的一对(🚴)(duì )牧(mù )马(🥅)人。一天，烧(shāo )杀(😟)抢掠、无(🥫)恶不(bú )作的强盗埃姆(👬)特(tè )、弗(💊)兰克和罗福(fú(😪) )斯(sī )洗劫(🍗)了她的家园(yuán )，丈夫被(👲)打死，自己(🕎)也惨遭蹂躏(lìn )。强盗一把(🥕)火烧(shāo )了(🏪)(le )她的房子后(🎶)扬(yáng )长(zhǎ(🔳)ng )而去，海妮(🚳)含泪掩埋了丈(🤐)夫的尸(shī(🤳) )体(tǐ )并誓死报仇。海(hǎ(🌦)i )妮从大火(🗄)中爬(pá )出(chū )来(💳)后遇上一(💻)个叫布瑞(🐾)斯的男人，布(🕺)(bù )瑞斯是(🐜)一个除(chú(🕴) )暴(bào )济贫而枪(🚯)法精(jīng )准(🗻)(zhǔn )的枪手。在海妮(nī )的(🤘)恳求下，布(😉)瑞斯把海妮带(🛋)到墨(mò )西(💫)(xī )哥学习枪法。海(hǎi )妮(🖍)练就了一(🐶)手好(hǎo )枪法后回到了以(💘)前的小镇(🍧)并逐个(gè )杀(🔜)(shā )掉了埃(🔄)姆特、弗(🚀)(fú )兰克和罗福(🔲)斯(sī )，最终(🚚)替丈夫报仇、为自己(🐴)雪耻。
Excused by commerce from the need to be serious, Skolimowski gives free rein to his fantasy in a careering period charade which makes amiable mockery of military glory. McEnery is perfect as Conan Doyle's dashing French hussar, prancing through Napoleon's Peninsular campaign with one hand on hip and the other courting disasters averted only by his sublime insouciance. Not all the gags work, but enough do to make this something of a welcome - and exquisitely photographed - treat.