In these so-called post-modern times in contemporary art and media, which extol ostensibly non-judgemental ambiguity both ethical and narrative, there is a hunger for full-blooded, ferocious art that does not shy away from meaty issues of spiritual corruption, of right and wrong. No writer answers this need so perfectly and passionately as William Shakespeare. While the rest of the world can take him totally for granted and can afford to deconstruct and casualise him, he is barely heard of in Thailand, a country that is actually living through Shakespearean times.
售卖(🚆)佛像的古(✝)董(dǒng )商人(ré(📟)n )坎杰（Paresh Rawal 饰(🍑)）是个无(📨)神(shén )论者(zhě(🗜) )。他把佛像(😒)视为玩具(jù(🕕) )，不(bú )明白(🎅)那些花招(🏃)百出的(de )宗教(🚯)(jiāo )仪式，希(💲)望把女儿培(🌉)(péi )养成(ché(🤨)ng )飞行员，把(🍩)儿子培养(yǎ(🥀)ng )成板(bǎn )球(㊙)球员。古董店寄托(tuō )着(🙊)他(tā )全部(🙌)(bù )的希望和(🌫)感情。
A portrait of contemporary youth culture, where the lines between reality and fiction are blurred with often frightening results.
Based on a widely-acclaimed TV series by Luc Dionne himself, Omertà-The Movie is centered around the character of Pierre Gauthier, a cop specialized in organized crime. He's now the head of Pulsar International, a high-level private security agency. One day, he's called by Gilbert Tanguay, his former boss, to investigate on a conspiracy. Tanguay recruits Sophie, a former agent of the Canadian secret service, to infiltrate the Montreal underworld. Sophie must earn the trust of Sam Cohen and Steve Bé(📜)langer, two known associates of the Montreal Italian mafia. Both men are planning an ambitious heist involving the gold of all North-American central banks.
《忒(tuī )修斯的船》由三(sā(🤝)n )个看(kàn )似(🤓)互(hù )无关联(😞)的独立故(🛩)事组(zǔ )成。
《忒修斯的船(🍾)》由三(sān )个(🏞)看(kàn )似互无(🚙)关联的独(🖖)立故(gù )事组(zǔ )成。