被窝影院

School-going Chandrabhan lives a poor lifestyle with his widowed mom in a small town in India, and has a childhood sweetheart named Lata, who is the daughter of the wealthy Deputy. Chandrabhan is heartbroken when Lata leaves town, and he has only a time-piece left with him as a token of their friendship. Years later, Chandrabhan has grown up, and has found employment in a guitar and musical instrument repair shop run by the owner and his friend, Prakash. Chandrabhan, a frequent reader of poetry, is fascinated by the poems of Renuka Devi, and longs to meet her. He does get to meet her, only to find out that the woman in reality is her friend, Basanti, who was impersonating her, as she had fallen in love with him, though he has no similar feelings for her. He does get to meet Renuka Devi, and is pleasantly surprised when he finds out that she is none other than Lata herself. Before Chandrabhan could plan anything else, he finds out that Prakash is getting engaged to Lata; Prakash's mother hates him; and he decides to return home along with his ailing mom. The question remains will Lata and Chandrabhan be re-united in this lifetime? 克(👭)莱奥是(🚘)一个名(💭)流的私(sī )生女，为(🎋)了(le )维护家族的(de )名声，她从(🙉)(cóng )小就被送去法(⛰)国抚养(👈)，直到母(👄)亲去世(🍠)，克莱奥才(➗)返(fǎn )回家乡。克(kè )莱奥的(🤥)母亲(qīn )因为没有(⏹)名分，生(📔)前备受(🎮)羞辱，克(🏺)莱奥(ào )决(📌)定要不(🎗)惜(xī )一切代价为(🐇)(wéi )母亲复仇，她打(🍮)算嫁给(🗂)一个富(⛓)人，不再(🖖)走母亲的(🌄)老(lǎo )路(💗)，不想却(què )遇见了来自(zì )德克萨斯(🧕)的(de )赌徒(🏬)克林特(🦋)，沉默寡(⌚)言的后(hò(🎊)u )者让她(♊)一见(jiàn )倾心。现在(zài )，克莱(🈷)奥必(bì )须在金钱(➡)与爱情(🎉)之间做(🛎)出选择(✅)。 The life of Irishman George Howard who buys an English theatre and strives to improve the standard of musical entertainment. Set in the late 19th and early 20th centuries and loosely based on fact. 李文华(huá(👂) )告别未婚妻(qī )梅玉奔赴(👸)抗(kàng )战前线。梅(mé(🔇)i )玉和母(🛵)亲生活(📼)艰难，被(🥔)迫嫁给汉(🌷)奸陈彼(👏)(bǐ )得。战后，文华返(🔮)沪，与沦为交际(jì(♌) )花的梅(💮)玉重逢(📭)，两人旧(🥏)情复燃。梅(🏪)玉因(yī(🌕)n )不愿拖累而(ér )离开文华。文华追至(🍤)舞(wǔ )场(👌)，与彼得(🦕)发生冲(🥇)突。混战(zhà(⛳)n )中，梅玉(👝)被(bèi )彼得枪击，却也同时(🕍)将(jiāng )彼得击毙。临(👾)终之际(🍞)，梅玉向(🐼)文华表(👙)白(bái )，对他(🦂)的爱(ài )始终不渝。 电影名(💵)称： 刘金定斩四(🥕)门 (Lau Kam-tings clash at the gate) In Edinburgh, renowned surgeon and now teacher of anatomy Dr. MacFarlane, has been paying John Gray, a cabman, to clandestinely bring him exhumed bodies of the recently deceased for classroom demonstration purposes. With cemeteries being increasingly guarded, Gray turns to murder to provide MacFarlane with fresh bodies. Realizing that he will never be rid of Gray, who constantly taunts him with his knowledge of MacFarland's past indiscretions, MacFarlane engages the malevolent Gray in a hand-to-hand fight to the death, the ultimate results of which provide the victor with an episode of unprecedented psychological horror. One of the most expensive French films of the immediate postwar years, L'Affaire du Collier de la Reine is primarily a vehicle for the formidable Vivian Romance. The star plays an aristocrat in the court of Louis XVI, who helps engineer a scheme to divest the Queen of her royal necklace. On the verge of success, the "heroine" is found out, and forced to submit to whipping and torture. 少女(🤪)阿翠家(🚯)境清贫(😺)，跟作(zuò )画(💚)的江涛(📐)为(wéi )邻，感情要(yà(🎷)o )好。江涛绘(huì )下阿(🏥)翠画像(👆)，并小心(😼)珍藏。江(🚩)涛有旧同(⏱)(tóng )学丁(🥖)其昌，对阿翠一见(jiàn )钟情。其昌(chāng )实(🐿)出于富(🗳)裕之家(💩)，妻子早(🥟)年病逝，遗(😢)下(xià )一(🎌)女小凤。其昌极力追(zhuī )求(🚼)，阿翠迫于生活，答(😵)应下嫁(🤓)。无奈阿(❗)(ā )翠出身清贫(pí(👃)n )，婚后饱受(shòu )恃财骄横的(🌥)(de )丁父白眼。丁父更(🕗)迫使其(📽)昌携同(🦊)小凤回(😽)(huí )北平老(😝)家，离开阿翠.阿(ā )翠独居(🗾)多年(nián )，待她再访(👡)寻江涛(🎆)时，只见(📰)画像仍(🕕)在画(huà )室(🐱)架上，可(🔧)(kě )是江涛已淡(dàn )忘昔日之情(qíng )。及(🈶)至丁父(🐝)去世，其(🥜)昌与小(😼)凤回到家(🛐)中(zhōng )，其(🚁)昌不独(dú )不解别离之(zhī )痛，更怀疑阿翠与(🔡)商人王(😭)少伯有(🤼)染，对(duì )妻子日渐(🔙)冷(lěng )淡。此时小(xiǎo )凤跟其(🤯)昌助(zhù )手陆超恋(🐍)上，可是(🎳)旋又移(❤)情少伯(🤡)，并打(dǎ )算(🖖)随他私奔(bēn )美国。为保(bǎ(🛠)o )女儿声誉，阿翠刻(🌤)意替小(🍄)凤隐瞒(👅)事实。岂(🗳)料此举却(🦁)(què )令其(🏰)昌误会(huì )更深，以为(wéi )妻子不忠，最(🌫)后更与(🗾)小凤，陆(💍)超返回(🎻)北平，剩下(🔖)阿(ā )翠(🌨)孤独终老(lǎo )。 "Jacques Tourneur at work in color on Western landscapes is something to behold. The credits roll over a matte of a damp day in Portland (slanting rooftops, a ship’s half-seen mast, boards over a muddy street) that’s practically a Grafström, the Oregon Trail that follows is finely-drawn watercolor. The nascent commune of Jacksonville would be Fordian, except that Dana Andrews’ negation of piety ("A man can choose his own gods") and Andy Devine’s acknowledgement of Indian rights ("We’re on their land. They ain’t likely to forget that") challenge Manifest Destiny. Overlapping triangles -- Andrews-Susan Hayward-Patricia Roc, Andrews-Hayward-Brian Donlevy, Andrews-Roc-Victor Cutler, Hayward-Donlevy-Rose Hobart. Hoagy Carmichael with mandolin amid the ramblers and settlers is wastrel, commentator, mediator, and voyeur ("...a little store and lots of time"). The cabin-rising sequence tips its hat to Hathaway’s Trail of the Lonesome Pine, and was studied by Weir. The wedding bash celebrates wholeness but these are forces in tenuous balance, Donlevy voices Tourneur’s ambivalence ("The illusion of peace is upon it") moments before the Indians materialize via a single reverse shot that seems to introduce a parallel world. Another space-expanding reverse shot, this time embodying tensions from within rather than from without, takes place right before Andrews’ brawl with Ward Bond, cutting from a medium-shot of the two at the saloon counter to another revealing the townspeople in the wings, waiting for the spectacle. (The fight, remarkably bloody and ugly, hinges on the haunted image of the disoriented Bond smashing his fist into a wooden pole. Hayward sits with the cheering crowd.) A film of "thin margins": The saloon doubles as a hanging courtroom, the garden becomes an inferno. The view of a dazed Roc wandering in the woods after the slaughter is from I Walked with a Zombie, and finds its way into Demme’s Beloved; Stars in My Crown revisits the territory with hope for harmony, but Wichita and Great Day in the Morning know better."