动漫风格

与(📣)(yǔ )丈夫离婚(hūn )后，女儿(ér )以“跟(🍁)着学京戏”为由将10岁的儿子京(🐋)京(🧢)（费洋）丢给了早年丧妻今(💋)独自在南方城市生活的老父(🥙)亲（朱旭）。多年(nián )前，名噪(zà(🤾)o )一时的京(jīng )戏(xì )琴师父(fù )亲(🚴)(qī(🕶)n )因不满(mǎn )女(nǚ )儿婚事及(jí )对(💃)京戏的(de )逃避，与(yǔ )之心生罅(xià(🎮) )隙，祖孙(sūn )两人初见(jiàn )尴尬之(😋)外(📊)(wài )，他对京(jīng )京(jīng )还有种(zhǒng )莫(🧤)(mò )名的怨恨(hèn )。无意间(jiān )知道(♒)女儿(ér )已同丈夫(fū )离婚时，父(✋)亲(🌊)对京京愧疚之外多出怜爱，祖(🤺)孙两人情感日趋正常。 流浪汉(⚾)查理（查理·卓别林 Charlie Chaplin 饰）随(🦈)队伍来到阿拉斯加淘(táo )金。他(🥓)在(🙃)(zài )一间小木(mù )屋(wū )里碰见(jià(😯)n )了(le )通缉犯(fàn )拉(lā )逊，接着(zhe )淘金(🎴)人吉(jí )姆也闯进(jìn )来，并抢(qiǎ(🛑)ng )走(👱)了拉逊(xùn )的枪。拉(lā )逊出去找(⭐)(zhǎo )食(shí )物时发(fā )现(xiàn )了吉姆(🎖)(mǔ )正(zhèng )在开发的(de )金矿，于(yú )是(🔕)他(➰)没回(huí )木屋。小(xiǎo )木屋里，饥肠(⛱)辘辘的查理煮了皮鞋充饥，饿(💹)的神智恍惚的吉姆却把查理(😆)想象成火鸡追杀。突然，一头熊(🥓)撞(🐚)进来，两人一起(qǐ )把熊打死(sǐ(🛠) )，饱餐之(zhī )后(hòu )分道扬(yáng )镳(biā(🚉)o )。吉姆(mǔ )发(fā )现了拉逊(xùn )占了(🐇)自(🍲)己(jǐ )的金矿坑(kēng )，拉逊将(jiāng )他(👔)打昏，不料却在(zài )逃跑时掉(dià(🐗)o )下(xià )深谷。 塔(tǎ )芬在小(xiǎo )镇(zhè(⛓)n )出(🖍)生长大(dà )，以替人(rén )讨债收取(⛓)(qǔ )佣金生活(huó )。只要是(shì )经塔(📲)芬的手，没有要不回来的债，这(💙)让塔芬在小镇居民的心中拥(👷)有(🌶)极高的地位。 故事发生是北爱(📳)独立战争期间。英国士兵(bīng )乔(😀)迪（福(fú )里(lǐ )斯特·惠(huì )特(👍)克(🛅) Forest Whitaker 饰(shì )）在阿尔马(mǎ )遭到了北(🚬)(běi )爱共和军(jun1 )的绑架，共和军企(🍭)(qǐ )图用他来(lái )交换被英(yīng )军(📟)(jun1 )扣(😁)押的(de )俘(fú )虏。看(kàn )守(shǒu )乔迪的(📝)是(shì )弗格斯（斯蒂芬·瑞 Stephen Rea 饰(🍠)），他的内心(xīn )对杀戮和(hé )战(🦅)争感到迷失和无奈，对乔迪的(📞)遭(🍵)遇感到恻隐与同情，他们成了(⏫)好朋友。共和军最终没换来俘(🏢)虏，上头(tóu )要求弗格(gé )斯处决(🥠)乔(📜)(qiáo )迪，弗格(gé )斯(sī )暗中放(fàng )走(😲)(zǒu )了他。乔(qiáo )迪走前交(jiāo )给弗(👘)格斯(sī )一张他女(nǚ )朋友迪尔(🔑)(ěr )的照片，告诉弗格(gé )斯可以去(🚔)(qù )伦(lún )敦找他(tā )的(de )女朋友迪(🏾)(dí )尔。 话说(shuō )福尔摩斯(sī )因为(🔯)英国(guó )首相绑架(jià )案来到维(🌛)(wé(🕌)i )也纳，正赶上新寡的艾琳复出(🦍)舞台上演《蝙蝠》，二人重逢共同(🤴)犯险，在心理分析学家弗洛伊(🐠)德(🔴)的帮助(zhù )下不仅破(pò )了案，还(♎)(hái )阻止了剧(jù )场(chǎng )中对佛(fó(📬) )朗(lǎng )茨皇帝的(de )行刺，延(yán )缓了(😣)一战(zhàn )爆发。艾(ài )琳对福尔(ěr )摩(🔙)斯心结(jié )百绕，弗(fú )洛伊德用(👍)(yòng )精(jīng )神分析(xī )方(fāng )法探得(🔖)福(fú )尔摩斯在(zài )潜意识里(lǐ(🚾) )也(💶)爱着艾(ài )琳，略施(shī )小计撮合(🥠)(hé )了他们。 新藤兼人監督が実(🌰)際に起きた事件を元に、家(🥎)庭(🌥)内暴力をテーマに映画化し(🥘)た問題作。成績優(yōu )秀で大学(🔥)(xué )入試の準(zhǔn )備をしていた(⛷)17歳の息(xī )子が、突(tū )然父や母(🐪)(mǔ )に暴力をふるい始(shǐ )める(🥛)。生(shēng )命の危険(xiǎn )にさらされ(🕧)た父は妻(qī )と相談(tán )し、や(❗)む(✊)なく息子を絞殺するが…。 Sir Charles Baskerville dies at the entrance of his manor, and Doctor Mortimer says he died of natural causes. However, when telling Sherlock Holmes of the case, he feels Sir Charles' death was a result of a centuries old curse that runs in the Baskerville family, which Dr. Mortimer feels will strike at Sir Charles nephew, Sir Henry, who is arriving to claim the Baskerville estate. Holmes sends Dr. Watson in his place, along with Dr. Mortimer and Sir Henry, to the manor and for Watson to keep an eye out for any suspicious actions. Immediately after arriving, Watson notices the queer occurrences at the estate and surrounding moors, and sends Holmes reports of what is going on concerning the life of Sir Henry. Will Holmes arrive in time to unravel the mystery, and who is responsible for Sir Charles' death and the attempted murder of Sir Henry? Is it Dr. Mortimer, neighbor Stapleton, butler Barryman, harmless old Frankland, a mysterious wild man, or is there a curse on the Baskerville family? Very good opening entry in the Rathbone-Bruce Holmes series (even though this film lacks qualities of any ongoing entries.) The film could have been a bit more darker and foreboding (the film does have a movie studio set feel) and have an ending with a little more confrontation to it, but it does provide for much fun. The romantic scenes with Greene and Barrie have little spark, but there are very good red herring performances by the cast, which is a plus for this movie. Rating, 8.