势不可挡柴鸡蛋

"Jacques Tourneur at work in color on Western landscapes is something to behold. The credits roll over a matte of a damp day in Portland (slanting rooftops, a ship’(🔶)s half-seen mast, boards over a muddy street) that’s practically a Grafström, the Oregon Trail that follows is finely-drawn watercolor. The nascent commune of Jacksonville would be Fordian, except that Dana Andrews’ negation of piety ("A man can choose his own gods") and Andy Devine’s acknowledgement of Indian rights ("We’re on their land. They ain’(💜)t likely to forget that") challenge Manifest Destiny. Overlapping triangles -- Andrews-Susan Hayward-Patricia Roc, Andrews-Hayward-Brian Donlevy, Andrews-Roc-Victor Cutler, Hayward-Donlevy-Rose Hobart. Hoagy Carmichael with mandolin amid the ramblers and settlers is wastrel, commentator, mediator, and voyeur ("...a little store and lots of time"). The cabin-rising sequence tips its hat to Hathaway’s Trail of the Lonesome Pine, and was studied by Weir. The wedding bash celebrates wholeness but these are forces in tenuous balance, Donlevy voices Tourneur’s ambivalence ("The illusion of peace is upon it") moments before the Indians materialize via a single reverse shot that seems to introduce a parallel world. Another space-expanding reverse shot, this time embodying tensions from within rather than from without, takes place right before Andrews’(🏤) brawl with Ward Bond, cutting from a medium-shot of the two at the saloon counter to another revealing the townspeople in the wings, waiting for the spectacle. (The fight, remarkably bloody and ugly, hinges on the haunted image of the disoriented Bond smashing his fist into a wooden pole. Hayward sits with the cheering crowd.) A film of "thin margins": The saloon doubles as a hanging courtroom, the garden becomes an inferno. The view of a dazed Roc wandering in the woods after the slaughter is from I Walked with a Zombie, and finds its way into Demme’s Beloved; Stars in My Crown revisits the territory with hope for harmony, but Wichita and Great Day in the Morning know better." 愛錢如命的(🍞)守財奴(🛰)(nú )竟願意(yì )捐(🐮)款給國家, 一對男女(nǚ(🚷) )被錯點(diǎn )鴛鴦卻最終(💈)結成佳偶(ǒu ) 克丽奥(à(👈)o )佩拉，一个躲在(👔)狮身(shē(🌻)n )人面像(xiàng )阴影(💈)下的受(🌹)惊的少女(nǚ )，遇(🌍)到(dào )了(🌤)从罗马来的凯(👪)撒，宣告(🐮)了(le )埃及的(de )新纪(💸)元的到(♋)来(lái )，也预(yù )示(💝)了埃(ā(🅿)i )及女王的诞生(😍)(shēng )。这时(🖥)(shí )的克丽(lì )奥(😰)佩拉还(😊)是个(gè )天真可(㊗)(kě )爱少(🧞)女(nǚ )，美貌诱人(🎅)却(què )有(😊)着易(yì )怒多变(🔏)(biàn )的性(🐝)格，梦想着有强(👴)(qiáng )壮臂膀(bǎng )的英俊男(⚪)人保护，登(dēng )上女王(wá(📔)ng )的宝座；萧伯(🤶)纳从另(🎙)(lìng )一个非(fēi )常(🎥)不同的(🍂)角度出发，使笔(🏘)下(xià )的(🥂)凯撒不再是传(🕑)说中(zhō(🍧)ng )的强势(shì )凶暴(🍦)的好战(😘)者，而是(shì )贤明(🤓)、仁慈(📤)、诙谐、慷慨(💉)的(de )君主(💒)，厌倦了(le )血腥和(💳)背叛，渴(🙋)望欢(huān )快的人(🏅)(rén )生。 Pinkie Brown (Richard Attenborough) is a small town hoodlum who's gang run a protection racket based at Brighton race course. When Pinkie orders the murder of a rival, Fred (Alan Wheatley), the police believe it to be suicide. This doesn't convince Ida Arnold (Hermione Baddeley), who was with Fred just before he died, and she sets out to find the truth. She comes across naive waitress Rose (Carol Marsh), who can prove that Fred was murdered. In an attempt to keep Rose quiet Pinkie marries her. But with his gang beginning to doubt his ability, and his rivals taking over his business, Pinkie starts to become more desperate and violent. The proprietor of an ice-skating revue promotes a peanut-vendor at the show to a management position based on suggestions he made to improve the act of the show's star, who also happens to be the owner's wife. However, he soon begins to notice that his new manager is paying more attention to his wife than he believes is appropriate, and begins to suspect that his new manager has designs not only on his wife but on his business. Meanwhile, someone from the new manager's past shows up with information that could wreck his plans. An ex-cop who is now a private detective is hired by a woman to be the go-between in retrieving an important envelope from her partner. The detective has the partner come to his apartment to give him the envelope, but someone sneaks into his apartment and strangles her while the detective is in another room. Fearful that the police will suspect him of the murder, he brings the woman's body back to her own apartment, but the police find out and suspect him of the murder anyway. He must find out who is framing him for the murder and why, before the police catch him.