I saw this at the London Film Festival in 1995 or 1996. The print had been lovingly restored from sections scattered around the world, including some from archives in Moscow. Somebody near me said "I'm really looking forward to this", which was understandable, since the director, as Michael Curtiz, later made some jolly swashbucklers and Casablanca, and the LFF had previously come up with several almost unknown silent masterpieces, including Jacques Feyder's Visage d'enfants.
It is the beginning of 1945 during WW2 in former Austria. 500 Russian prisoners of war who have refused to fight on the side of the Germans against their country were moved to the concentration camp in Mauthausen awaiting execution. They decide to break out. One winter night the Russian prisoners make an escape. During the following shooting a great number of them gets killed. Some, however, succeed to hide in nearby villages. But the German Nazis convince the inhabitants of the villages to hunt the prisoners "like rabbits".
剧(🍬)情(🐚)
凸坊新畫帖 名案の失敗(bài )』（でこ(🛡)ぼ(🐔)う(🥣)し(🤙)んがちょう めいあんのしっぱい(🐯)）(📜)は(👠)、(🖤)1917年(nián )（大(dà )正6年(nián )）2月(yuè )初旬(xún )公(🔜)開(⚪)(kā(🛴)i )の(🐓)下(xià )川凹(āo )天による日本国産最初(🎩)期(👲)の(🔬)アニメ映画(huà )である。本作(zuò )を日(rì(🔅) )本(🖤)最(🤫)(zuì(🌑) )古のアニメ映画とする説もある。
在(🐍)奥(💷)利(💎)维拉那部美得让人心颤的杰作《聚会(🐛)》中(🌾)，那(😬)些(🙃)内心欲望和禁忌交织的男男女女聚(🖱)集(🍿)在(🐶)一(💑)(yī )个岛(dǎo )上，其间(jiān )一男一女伫立(🤠)在(😅)海(🤙)边(🏢)的礁(jiāo )岩上(shàng )，下(xià )面是(shì )激荡(dàng )的(👿)海(🍛)(hǎ(🎺)i )浪(✌)，内心(xīn )是激(jī )荡的(de )欲望(wàng )，女(nǚ )人看(💉)(kà(🏵)n )着(🏞)一(yī )汪在岩石上凿出的泳池说(shuō )：(🛰)“看(😄)看(🌆)(kà(⛵)n )这个(gè )游泳(yǒng )池。是在(zài )岩石(shí )上挖(🚈)成(🍉)的(🌽)。这是我丈夫的母亲送给她儿子的礼物(👫)。在(🚅)我(🅿)看来，它象征着女人的子宫。”而男人只(👑)是(💬)回(🐐)答(🐂)：“我对种种象征都无(wú )动于(yú )衷(🎧)。您(💓)喜(🚒)(xǐ(🌊) )欢赌博吗？”女人的回答(dá )是：“不(bú(☝) )喜(🆘)欢(🎅)(huā(🆖)n )，我(wǒ )喜欢(huān )散步(bù )。”这个(gè )男人(rén )对(🍣)这(🍁)(zhè(🎉) )个女(nǚ )人的(de )询问(wèn )与回答，这个女人(🏈)对(🙀)这(🐉)个(🌺)(gè )男人(rén )陈述(shù )与回(huí )答，都包(bāo )裹(💑)着(🍱)(zhe )欲(🥌)望(wàng )的攻击和对欲望的遮掩和逃避。人(🖱)在(📣)自(🧑)己欲望面前的审慎和闪躲，直接指点(🎭)出(🍈)这(🔕)些(😓)欲望本身的虚饰和沉沦，这个世界(🍯)变(🛂)得(📍)如(🏝)此(cǐ )暧昧(mèi )和纠(jiū )缠，那些低垂在耳(〽)边(⛑)被(🍢)语(🔞)言所裹胁(xié )的欲(yù )望，被语(yǔ )言所(suǒ(🏇) )放(🌞)逐(☔)(zhú )的欲(yù )望，成为(wéi )从红(hóng )唇中(zhōng )吹(🛫)出(💡)(chū(🐿) )话(🏷)语(yǔ )，内心的陈述看似整洁和典雅(yǎ(🔮) )，但(🍴)(dà(🍥)n )是一(yī )如碎(suì )片和(hé )泡沫(mò )交待(dài )给(😅)我(🌷)们(👦)对自己历史的测不准的回忆，对现实(🔈)的(🍫)测(👵)不(👢)准的把握，对未来的测不准的忧郁。这(🥟)就(👟)是(🐤)奥利维拉对情感世界的展示，在(zài )静(🏽)寂(🧦)(jì(🕟) )中(🔁)还(hái )原情(qíng )感运动的紊乱了的轨迹(🙆)，这个(⏩)(gè )轨迹(jì )向一(yī )条无(wú )法测(cè )准的(🚍)(de )曲(🔼)线(🎨)(xià(🦑)n )。——cinekino
暑(shǔ )假，后母(mǔ )王氏(shì )想撮(cuō )合(🎒)元(😙)俊(🈶)和侄女佩英。可是元俊(jun4 )回家(jiā )后，一心(xī(🔉)n )想(🐷)着(🌟)(zhe )素珍(zhēn )，置(zhì )佩英不顾，处处只有王氏(🤜)单(🙅)方(🚿)面(🎷)为佩英圆场。元俊毕业后，探望素珍。佩(🍣)英(👊)王(🎮)氏后至，在素珍面前故意做作，显示与(🖌)元(📛)俊(🐹)关(🌱)系非同(tóng )一般(bān )。后(hòu )元俊跌伤，素珍(🚍)前往(💚)医(💋)院探望(wàng )，佩(pèi )英借(jiè )不便(biàn )惊扰(🦔)(rǎ(🛏)o )之(🤵)名(💮)(míng )，拒(jù )之门(mén )外。并交(jiāo )还在(zài )元俊(🛸)(jun4 )处(🍷)偷(📯)(tōu )得的素珍小照，声称表兄妹二(èr )人已(⏩)(yǐ(📱) )定(⏮)下(xià )婚约(yuē )。素(sù )珍起(qǐ )家投(tóu )奔舅(👖)母(😝)。此(🛶)时(✉)，元俊得知，骗过看护追来，已经人去屋(👋)空(💃)。幸(🔻)得素珍老仆留下地址，误会才得以化(😹)解(🐠)。