杀人俏娇娃

朝(cháo )廷密史(🕧)、南拳沈(🔌)(shěn )英伟（(🏛)王(wáng )道）为(💏)了追查大(dà )内失窃的(🌫)(de )100万两库银，追(🌜)踪(zōng )到韩(👕)国，与为(wé(👥)i )亲(🌽)人报仇的(de )北腿萧逸(yì(🐒) )飞（刘忠良(🔤)）联手击(🧘)毙潜(qián )逃(🧜)到(dào )韩国的(💽)铁血银狐（黄(huáng )正利(🚛)(lì(♌) )）。 阿茂(mà(🏷)o )是市政府(🥁)清(qīng )潔工(gō(⛲)ng )人，為人(rén )憨直善良。某(👭)日(rì )，匪徒意(🏨)(yì )外地將(⛎)糧款袋掛(📙)(guà )在阿茂的(⛺)(de )垃圾車上。茂(💈)下(xià )班時見(🌸)袋(dài )，但因(🎣)匆忙赴女(🥙)(nǚ )友琳琳之(🏰)約，乃不經意將(jiāng )之置(🌎)放床下。茂(mà(🍻)o )至琳琳家(🍛)(jiā )做客，向(😋)琳(🚒)母提(tí )親，琳母(mǔ )要送(🥓)(sòng )女家六十(🕉)桌(zhuō )酒席(🚞)。茂(mào )為了(⛅)(le )儘早解決六(🌍)十桌酒席(xí )費用(yòng )，和(🤯)同(📘)房阿福往(💺)找兼(jiān )職(⬛)，二人做收(shō(🥀)u )租員，按址(zhǐ )收租(zū )，發(🍲)現原(yuán )來全(🏒)是大檔，色(🤟)(sè )情架步(🍍)…… philippe garrel最默默(📓)无闻的(de )作品(👅)之一(yī )，nico主演(💋)。 丁佩以(yǐ(👒) )自己的角(⌛)(jiǎo )度，把功夫(📱)影帝(dì )李小龙生(shēng )前(🚵)一切的第一(🥝)手(shǒu )事实(🎞)，毫无保留(🍽)(liú(😀) )地公诸于(yú )世，包括她(⭕)如何(hé )认识(😽)李小(xiǎo )龙(💮)，及重逢後(🎾)如(rú )何发展(🚜)成(chéng )可以(yǐ(👓) )倾诉肺腑(🚎)之(📓)言的红颜(🤞)(yán )知己(jǐ(⏮) )。究竟李小龙(💢)与丁佩(pèi )在私(sī )生活(🧜)中，是缠绵的(🏪)爱(ài )情、(❔)抑或纯洁(🧚)(jié )的友谊，在(🔌)银幕(mù )上自(🌟)有说(shuō )明。而(🐗)全片最珍(🧘)(zhēn )贵的部(🔊)分(fèn )，当然是(📎)对李小(xiǎo )龙死因的(de )交(👳)代。 Middle-aged businessman Simon Léotard finds his future in jeopardy when his partner Julien commits suicide after having accumulated a mass of debts. Simon’s unscrupulous business rival Lépidon offers to save him from bankruptcy by buying his company, at a discount rate. Reluctant to fall into Lé(🌞)pidon’s trap, Simon decides to resolve the crisis himself. A prostitute, Mado, provides him with the solution to his problems… 神秘(👓)(mì )宅邸的主(🐵)人莱昂(áng )内尔·吐温(📙)（杜(dù )鲁门(❄)·卡(kǎ )波(🤾)特 Truman Capote饰）邀(🚷)请五(wǔ )位世(🥋)界著(zhe )名的(de )侦(🏋)探来到古(gǔ(🌗) )堡出席一(🏈)(yī )场神(shé(⭕)n )秘的晚宴。他(🍜)们分别(bié )是纽(niǔ )约业(🐷)余侦探迪克(✔)·查(chá )尔(🌧)斯(sī )顿（(🚌)大卫(wèi )·尼(🍜)文 David Niven饰），比(bǐ(😸) )利时侦探(tà(🕵)n )米洛·比(👯)埃尔（詹(🌜)姆斯·可可(🐫) James Coco饰），上海(hǎi )检查员西(🌽)(xī )德尼·王(😌)（彼得(dé(🥑) )·塞勒斯(sī(🕟) ) Peter Sellers饰），英国人杰(jié )西卡(🌔)·马(mǎ )波尔(🦁)（爱尔莎(🎢)·兰切斯(📗)特 Elsa Lanchester饰）小(xiǎ(⚽)o )姐和来自(zì(⛺) )旧金山的萨(💯)姆·戴蒙(🏘)德（彼得(⚓)(dé )·法尔克(🤢) Peter Falk饰(shì )）。没人(rén )知道(dà(🤷)o )这次凶险异(🏻)常的邀约(〰)(yuē )背后(hò(📦)u )到底隐藏着(🥍)什么样的(de )杀(⬛)机(jī )，但这五(🈳)(wǔ )位侦探(💝)们还(hái )是(🔻)各(gè )自带上(🌄)一(yī )位亲属或朋友来(💈)(lái )到了这座(🎀)(zuò )神秘的(🥘)宅邸。然(rán )而(🦆)莱昂内(nèi )尔并没有现(🥠)身，等待他们(⏺)(men )的是一连(🕌)串被精(jī(🎤)ng )心设计过(guò(🦅) )的谋杀事件(🔑)。 This is an interesting movie. It is a tendency of Italian exploitation movies in general to eschew logical plotting and character development to focus on elaborate cinematic "set pieces". While this usually works with gialli (and some would say cannibal and zombie films)it is often problem in the Italian crime films where the set pieces usually involve shoot-outs and overlong car chases, two areas where the Italians had NO chance of outdoing bigger-budget Hollywood films (although they often did their damnedest). This film is interesting therefore because it DOES have a lot of character development especially among the villains, three privileged youths that become desperate criminals after their clean-cut but increasingly psychotic leader, "Blondie", starts a gun battle during a botched gas station robbery. One of the other youths is a more obviously deranged thrill seeker, while the third youth, the "wheel-man" is decidedly non-violent but loyal to a fault to his two friends. Rounding out the cast is the girlfriend of the wheel-man (Eleanora Giorgi) who ironically sets the whole thing in motion by reporting the robbery plans to the police (and mistakenly telling them that the trio only have toy guns). The head cop meanwhile is played by Tomas Milan, usually the psychotic heavy in these type of films. Milan lends an iconic presence and is an interesting character in that he is not unsympathetic but is also not the usual borderline-fascist "rebel with a badge" often seen in these movies. Mostly he just proves tragically incompetent at stopping the rampaging youths. The plot is mostly pretty believable except for a scene where they hook up with another group of youths and shoot-up and rob a grocery store, even killing their own accomplices for no good reason. There's some pretty gratuitous nudity including a pretty sorry excuse to get Giorgi topless (but who's gonna complain about that too much?). The ending is typically cynical, but that's one thing I admire about these films over the violence-glorifying Hollywood versions. The restorer Stefano is hired by the Mayor Solmi of a small village nearby Ferrara to restore a painting of St. Sebastian, made by the mentally disturbed painter Buono Legnani in the local church. Stefano was recommended by his friend, Dr. Antonio Mazza, and he learns that Legnani was known as "The Painter of the Agony", since he used to paint near-death people. Further, he was presumed dead many years ago but his body has never been found. Stefano works in the church, where he meets the weirdo Lidio, and he has one night stand with the local nymphomaniac teacher that is leaving the village. Meanwhile Antonio investigates the life of Buono Legnani and tells Stefano that he had found a dark secret about the painter and the villagers. However, Antonio dies before meeting Stefano and the police conclude that he committed suicide. Stefano is intrigued by the mystery surrounds Legnani and decides to investigate more about the deranged painter. However, he in evicted of his hotel room and ... In 1926, famous evangelist Aimee Semple McPherson disappeared for six weeks. When she surfaced, she claimed that she had been kidnapped and held prisoner in Mexico. Others claimed that she was off carrying on an affair with a married man. This movie dramatizes the court hearing held to determine exactly what happened.