Two spinster sisters run a small inn that caters towards young foreign female tourists. Unfortunately, there is a dark side to the sisters that rises up to punish the young women they deem immoral. Many a traveler comes to stay but never end up leaving the inn. When the sister of one patron comes in search of her missing sibling, it threatens to expose the truth behind the inn and its owners...
This movie is really good, It's got the (bud spencer/piedone) vibe, but rather than being totally slapstick like his other movies it has the 1970's police/italian/drama movie vibe, with little twist and turns that they police movies HAD, and in contrast with his other movies it has a dramatic background, Obviously there are more hardcore police movies, but this is a good begin for anyone, if anyone wants to watch them all, it's half lightheart half hardcore, needless to say if you no nothing about police B-movies and you watch "il Boss" right away, you might ned a shrink to get you out of the mode. But this is really passable
某公司(🛥)(sī )科(🏫)(kē )长(zhǎng )信利和妻子昭子、上高(gāo )中(zhō(🈴)ng )的(👪)(de )的(🔹)儿(🔡)子阿敏一起居住在(zài )正(zhèng )房(fáng )里(🈸)，父(⌚)亲(📸)茂造和母亲一(yī )起(qǐ )住(zhù )在偏房。母亲(🔼)突(🌔)然(🥂)去(🧖)世，信利他们才发现父亲茂造已(yǐ(🔃) )经(🤳)患(🎷)有(🔂)(yǒ(🚧)u )痴呆症。由于过去都(dōu )是母(mǔ )亲(qī(🔍)n )在照(🛣)顾(🐦)，他们对此毫无察(chá )觉(jiào )。茂造的病情(💠)越(💼)来(❣)越(💐)严重(chóng )，他(tā )们只好让茂造搬到正(🍽)房(fá(🍑)ng )和(hé )他(tā )们一起生活。一到晚上(shàng )，茂(mà(🎠)o )造(🈁)就(🎤)会(🔌)让全家人不得安(ān )宁(níng )，在白天又(🐸)常(🛥)常(🕞)一个人跑(pǎo )出(chū )去(qù )。无奈之下信利只(🎺)好(✝)每(🙊)(mě(🎊)i )天(tiān )将(jiāng )茂造送到“老人之家”，晚上(🔋)再(🐸)接(🆙)回(🦌)去(🏀)。“老人之家(jiā )”里有(yǒu )一个老太太，她(🍴)对茂(😪)(mà(🤧)o )造非(fēi )常(cháng )和气也非常照顾，茂造却(🚣)(què(🥓) )毫(🦕)(há(⛺)o )不领情，甚至恶言相向，让(ràng )老(lǎo )太(👭)太很(🐪)不高兴。医生认(rèn )为(wéi )只(zhī )有精神病院(👵)才(📶)能(🛁)收(🚏)留具(jù )有(yǒu )茂(mào )造这种症状的人(📢)，但(🚴)茂(😧)(mào )造(🈸)(zào )连(lián )洗澡、上厕所都要有人(ré(📚)n )帮(🦄)(bā(💓)ng )忙(⛏)(máng )，当然就去不了精神病(bìng )院(yuàn )。期(⛑)间(👰)发(🤥)生(🦖)了(👯)许多令人啼笑(xiào )皆非的事情，就在(❤)昭子(🍡)觉(🧡)得(dé )自己的(de )神经也要崩溃的时候(hò(🌛)u )，茂(🧑)(mà(🔳)o )造(🚏)(zào )却去世了。一家人终于喘(chuǎn )过(guò(🥈) )气来(🔦)，准备饮酒庆祝一下(xià )，唯(wéi )有饱受折磨(🦈)的(🐴)昭(🖌)子(🛡)热泪(lèi )盈(yíng )眶(kuàng )，始终无法高兴起(💕)来(➡)。
財(🗯)(cái )界(🧠)(jiè )の黒幕･大和田青巌から剣(jià(🤠)n )琢(🐭)磨(🚩)へ(👵)、警官隊に包囲(tōng )されている弟(🤮)・(🏬)剛(🙋)を(🛤)助(☔)けてくれとの依頼の電話が入る(🐻)。早速(🔳)、(⏪)琢磨は機動隊にまぎれ込み、剛を(🔫)救(🐅)出(🥘)す(🚏)るが、青巌の本当の狙いは剛が(🍰)手に(🐬)入(rù )れた東光化学の内情を暴露(lù )す(🥟)る(🔲)カ(✋)セ(🏽)ット・テープで、琢(zhuó )磨(mó )への(🍎)礼(🏉)金(🈶)とし(🚣)てニセ札(zhá )を掴(guó )ませたのだっ(🛄)た。
Film is Based on Duvidha by Vijayadan Detha, it's about merchant's son, whose relationship with his young bride, Lachhi is thwarted by his work and a ghost who falls in love with her, resulting in the ghost soon impersonating the husband.
具(🈲)争(😮)(zhēng )议(yì )性(xìng )和开创性的喜剧演员(⛳)伦(💧)(lú(⌚)n )尼(✉)(ní(🥈) )布(bù )鲁斯的传记电影，全片(piàn )追(zhuī(😛) )溯(sù(😢) )伦尼布鲁斯反政府的政治(zhì )观点。全片(👴)以(♋)倒(📒)叙(👩)的手法，分别从母亲、妻子和经纪(🐝)人(ré(🐎)n )的角度(dù )出发讲叙了喜剧演员伦尼(ní(🎤) )布(🚊)(bù(👹) )鲁(🍌)斯的一生。
This film, based on a well-known novel of the same name by Sadegh Chooback, is about a wronged man seeking revenge. Director Amir Naderi's inspiration for making the film was one of his childhood heroes, the legendary Zar Mohammad, who waged a one-man war against four swindlers and provoked wide spread popular sentiment against tyranny.
年青演员甘(gān )国(guó )亮，独(🖍)挑(🎫)大(📄)樑，主(🐠)演「蛇(shé )杀(shā )手(shǒu )」，演绎这个沉(🛃)鬱又(🈸)受(🌭)(shòu )社(shè )会(huì )歧视的变态青年，可谓(🥂)(wè(🧖)i )入(🔵)(rù(🅱) )木(🤶)(mù )三分。香港电影史上，以(yǐ )蛇(shé )杀(🚒)人为(🏚)题材，可谓绝无(wú )仅(jǐn )有(yǒu )，更难得导演(➿)桂(🏒)治(👪)洪(🕙)大卖(mài )血(xuè )腥暴力之餘，又能成功(🉑)刻(kè(📑) )划一个善良青年转变为杀人(rén )狂魔的(㊙)(de )过(🤘)程(🎄)，导(🐔)演桂治洪大卖血(xuè )腥(xīng )暴力，凸显(🎶)蛇(🦈)杀(🥏)人的(💽)惊心(xīn )场(chǎng )面，技法出眾。人蛇之间(🍯)(jiān )的(🎱)(de )友(🆔)(yǒu )谊，相当感人。最后一(yī )场(chǎng )，群蛇围(👠)堵(🕗)大(🐮)屋(🌜)，肆意狂(kuáng )咬(yǎo )。最后一场，群蛇围堵(🥚)大(dà(🔳) )屋(wū )，肆意狂咬，为香港电影(yǐng )史(shǐ )上(shà(🏈)ng )其(🧛)中(🌽)最(🔚)噁心动魄一幕。
将(jiāng )少(shǎo )林寺视为(🎦)眼中(🏏)钉的清廷利(lì )用安插在少林寺中的奸(🤝)细(🔱)提(🕕)(tí(🚊) )供的情(qíng )报，调遣了各路高手火烧(🌽)(shā(🌜)o )少(😔)(shǎo )林(😲)寺，处心积虑地想一举(jǔ )消(xiāo )灭少(🔳)林子(🧤)弟(🥨)。事出突然，寺(sì )中(zhōng )僧人及俗家弟子(✴)仓(⭕)促(🌇)应(👍)(yīng )战(zhàn )一(yī )番后十死其九。
Archana, an educated daughter of retired principal loves Professor Sukhesh. This love born out of intellectual impact is supported by the fond hopes of her father that leads to matrimonial alliance. Archana's mother is of a different class with materialistic notions of life and she too unwillingly gives her consent to the marriage. Seeds of marital love have not yet flowered into sweet joys of wedlock when whims and ego's of Archana and Sukhesh start clashing. Though a dutiful loving wife of a sweet husband, Archana is very much the daughter of her mother, who with all good intentions intervenes in the day to day life of the couple. Understanding leads to misunderstandings and the lovers start misinterpreting each other's sentiments. This ultimately leads to break in marriage - hence the ultimate- eventual separation. Kora Kagaz answers the struggle of intellectual lovers who find it difficult to enjoy marital bliss. The film is a lesson in both love and marriage.