许大钧老师(🆑)一(🉐)(yī )家(jiā )如(rú(🌴) )果(guǒ )还(há(📑)i )不(bú )买(mǎi )房(🐱)(fá(🔚)ng )子(zǐ )，那(nà )日(rì(🥕) )子(zǐ )简(jiǎn )直没法过。楼(🔀)下小商小贩大(🚈)声吆喝着折腾到半夜(♐)，直(😳)接影响到(dà(⛳)o )儿(🗨)(ér )子(zǐ(🎦) )小(xiǎo )军(jun1 )的(de )休(🆚)(xiū(🍳) )息(xī )和(hé )学(xué(🈯) )习(xí )成绩不说，媳妇王(✅)芳华都觉着这(🐝)大半辈子(🏈)跟着老许憋(⛽)在(🍞)筒子楼里亏(🏮)得(🍇)慌。趁着学校打算发放(🌪)住房补贴，老许(👞)和媳妇商量，拿手里的(🍂)十(🐍)五万存款，加(🔇)上(🐋)学校即(🏠)将发放的十(🚷)(shí(🅱) )万(wàn )，在(zài )三(sā(⚫)n )环(huán )边(biān )按(àn )揭(jiē )一(💌)(yī )套(tào )90平(píng )米(⚫)(mǐ )的(de )房子。
故事发生在(♉)大(😌)都市洛杉矶(🚖)，班(🚠)蒂尼（柯林·法瑞(🍃)尔(🔘) Colin Farrell 饰）是(shì )一(yī(🏤) )个(gè )初(chū )出(chū )茅(máo )庐(🕔)(lú )的(de )剧(jù )作(zuò(🧒) )家，离开了(💅)贫穷落后的(⏩)故(📵)乡，他怀着对未(👄)来的憧憬和希望来到(🖐)了这里，除了能(🔎)够在事业上取得长足(😺)进(🥨)步外，班蒂尼(🍦)还(🏐)希望能(👇)在此遇到一(🏹)个(📰)性感漂亮的金(😴)发女郎，展开一(yī )段(duà(🔰)n )浪(làng )漫(màn )爱(à(🔩)i )情(qíng )。
以(yǐ )短(duǎn )篇(piān )剧(📤)(jù(🎒) )集(jí )「龟(guī(🙎) )虫(🤳)」在韩国富川国际FANTASTIC电(📍)影节获得大好(🚽)评为起点，其他作品诸(⭕)(zhū )如(rú )「Shirley Temple Japon」 也(🏰)(yě )同(tóng )样(❎)(yàng )在(zài )国(guó(😄) )内(🤹)(nèi )外(wài )上(shàng )映(🛍)后，狂热粉丝的追捧度(📥)持续上升的青(😋)年导演、富永昌敬。因(🍃)其(🔓)拥有能让观(👯)者(🛡)完全沉(✅)浸在作品世(🍃)界(🌋)的高明的故事(👑)叙述能力，正日益受到(🔞)来自各界艺术(🐖)者的热切关注，本(běn )片(🤨)(pià(✋)n )是(shì )富(fù )永(💏)(yǒ(🏑)ng )昌(chāng )敬(jìng )的(de )长(zhǎng )片(pià(🎟)n )处(chù )女(nǚ )作(zuò(📫) )。
Set in the fictional third world country of Canpuna, 'Werewolf in a Womens Prison' is the story of Sarah (Victoria De Mare), when camping with her boyfriend, is attacked by a werewolf. She wakes up in a corrupt prison only to find out her boyfriend has been torn apart and she is the only suspect. Forced to do things only found in a prison populated only by women it's only a matter of time until that strange bite starts to take effect.
A surreal fantasy on the themes of love and friendship, set to the music and songs of the Sean Lennon album "Friendly Fire".
时间的传说描述 Isra (Israel Gómez Romero) 和(🏼) Mikiko (Ma-kiko Matsumura) 的故事。 Isra 是一个(🧥)吉普赛小(🌈)孩，出生于一(📪)(yī(📋) )个(gè )歌(gē )唱(chà(➗)ng )世(shì )家(jiā )。父(fù )亲(qīn )死(🉐)(sǐ )后(hòu )，她就再(🛬)也没有唱过歌。 她梦想(➿)有(🛴)一天能离开(💖)圣(📃)费尔南(👲)多岛。而 Mikiko (Ma-kiko Matsumura) 却为(🦌)了(🐩)学习西班牙的(🈵)传统文化，为了了解一(👄)种不为他所知(💧)生活，为了寻找方式面(🛣)对(🚆)父亲的病给(🍉)她(🔁)带来的难(nán )以(yǐ )言(yá(🐲)n )状(zhuàng )感(gǎn )情(qí(🏅)ng )压(yā )力(lì )而(ér )来(lái )到(⬜)(dào )了(le )圣(shèng )费尔(🍧)南多岛。
Five ghost hunters spend the night in "The Terminal" a long abandoned train terminal located deep in the heart of Buffalo's notorious East Side ghetto. The Terminal is said to be haunted by all those who have died within its cold stone walls. What begins as a joke turns into a terrifying nightmare as the five are assaulted by hordes of psychotic dead. Written by Anonymous
生(🕠)死相遇，只有(🧓)一(😧)个能活下去…(🆎)… 扒哥是恶名远(yuǎn )扬(💠)(yáng )的(de )大(dà )贼(zé(📂)i )，不(bú )但(dàn )手(shǒu )段(duàn )高(📜)(gā(⏰)o )明，而且作案(🍚)后(⛓)从不留(📽)下任何线索(🧑)，令(🧣)警方头痛不已(👌)，勇探小刘一心想成功(📹)逮捕扒哥，为了(🎁)搜集证据，混入扒哥的(👍)犯(🤩)罪集团，小刘(💰)的(🛺)前妻兼同事lris非常担心(🏮)他的安危，于是(♎)(shì )亲(qīn )近(jìn )扒(bā )哥(gē(😠) )的(de )女(nǚ )友(yǒu )阿(🤲)(ā )Kat, 两(liǎng )人(🍄)(rén )很(hěn )快(kuà(🐈)i )便(🕸)成为好朋友，但(🕸)江湖老手扒哥亦很快(🙉)拆穿lris女警的身(🔆)份，阿Kat救(jiù )了(le )lris并(bìng )与(yǔ(🎳) )扒(🏭)(bā )哥(gē )关(guā(📇)n )系(💗)(xì )决(jué(🗜) )裂(liè )，答应作(🥅)为(📤)举报扒哥的证(🛢)人，警方于是布下天罗(🛡)地网，想一举擒(🏥)获，谁知扒哥“料敌于先(💽)”，识(🍁)破小刘的卧(🍲)底(🎱)身份……两雄相遇，最(🥕)后只有一个能(👛)活下去…
Former Special Forces Commander Eric Hughes (Rey Hernandez) has taken to the streets, becoming a vagabond and joining up with an array of underground characters in order to escape the government's assassination attempts. As the situation spins increasingly out of control, Eric is forced to stand up to the government he once served.
One day a woman named Maude (Catherine Jacob) walks into a swimming pool and sees a young girl splashing about with her friends--in that one instant everything changes. Twelve years ago, someone stole Maude's baby girl, and ever since she has devoted her life to finding her missing daughter. Twelve-year-old Zita, who has a birthmark eerily the same as Maude's lost child, lives with her breezy gypsy mother Joana (Arly Jover) in casual squalor. The girl's vague history, combined with a doctored birth certificate, no baby pictures and an absent father confirm Maude's suspicions that she has finally found her missing child, and she goes after the girl with all the tact of a hostile takeover. Cold and abrasive Maude is not a woman who invites easy sympathy, she drinks too much, smokes constantly, and wears a slash of lipstick as harsh as fresh blood. In marked contrast is Joana, whose easy manner makes her seem the more naturally maternal of the pair. But as Maude begins to infiltrate Zita's life (with expensive presents and promises of wealth and privilege) the struggle between the two mothers intensifies into a pitched battle between nature and nurture. Writer-director Virginie Wagon invests this intense drama with sympathy, compassion and keen intelligence. Ultimately, the one thing that separates the two women is a Solomon-like decision, as heart wrenching as it is necessary.