This highly symbolic and enigmatic political drama by Hungarian director Miklos Jancso was produced by a consortium from Italy, France and West Germany. This film is considered to be an homage to Antonioni as it uses his favorite leading actress (Monica Vitti) and his cameraman Carlo di Palma. This film was made at a time when Jancso was not allowed to make films in his native Hungary. While covering an Italian political protest, a journalist played by Vitti, finds herself surrounded by a group of young men who jostle her, remove her recording equipment and set fire to her car. She goes to the police but when they bring one of the assailants before her to identify, she lies and says that he is not one of the attackers. This leads to her having a romantic relationship with this mysterious young man-- an Italian neo-fascist who has been given the job of assassinating a leftist.
抗日战(zhàn )争时期，一(🕑)(yī(🐤) )队(🧙)八(👓)路(🍮)(lù(🐐) )军(🍴)来(🚠)到(🍅)(dà(🎤)o )了(🐆)沂蒙(méng )山区的堡垒村马牧池，随他(tā )们一同(tóng )前来的(de )还有国(guó(💂) )际(🔢)友人捐赠的奶牛。长年生(shēng )活在大(dà )山中的(de )村民从(cóng )没见(🎻)过(🥫)这(🖲)种(🅱)黑(🎒)白(😣)相(🔛)间(🚗)、(🏎)奶(🌘)量(🐬)(lià(🍻)ng )充足的(de )牛，他(tā )们备感(gǎn )惊奇。不(bú )久，日军船尻部队(duì )逼近，八路(💝)军(jun1 )紧急撤退，临行(háng )前将奶牛托付给村(cūn )民喂养(yǎng )。贫穷(qióng )胆(👾)小(🌟)的(🗑)村(🏭)民(🔴)担(🌟)心(📵)(xī(💐)n )奶(🈸)牛(🤴)会(🥊)带来(lái )灾难，他们通(tōng )过抓红(hóng )豆的方式选出养牛人，小寡(guǎ )妇九(🐼)儿(ér )（闫妮(nī ) 饰）帮(bāng )破落户牛二（黄渤 饰）抓阄(jiū )，最终(👊)(zhō(⭐)ng )使(❎)牛(🖍)二(✖)(è(🌘)r )成(😝)了(🙈)这(👎)(zhè(🎉) )倒(🥢)霉的“幸运儿”。
一个压(yā )力重重(chóng )的保险(xiǎn )公司经(jīng )理日日奔(bē(🔢)n )波于紧张的生活中(zhōng )，但是(shì )他发现(xiàn )，对他来说自由(yóu )是那(🏺)么(🐀)的(🍄)遥(🙌)不(💱)可(🐲)及(🌉)(jí(✖) )。
妖(😎)怪(📑)(guà(🥎)i )信箱中(zhōng )新到了一封来自(zì )女孩风祭华(huá )的求救(jiù )信。最(zuì )近，她(🦖)(tā )的周遭连续发生奇怪事件。在鬼太(tài )郎一行(háng )赶到前(qián )，华(⏮)被(🎈)妖(♒)怪(🍡)镜(🅾)爷(⛅)拖(🔕)进(😂)了(🍴)镜(♎)子(🎒)(zǐ )里。接(jiē )着镜爷(yé )又把鬼(guǐ )太郎的同伴分散吹到了全国(guó )各(🕒)处(🥧)，并将鬼(guǐ )太郎关(guān )进了镜中世界。鬼太郎历尽(jìn )艰辛才(cá(🚚)i )从(🆓)镜(🤽)中(🍪)(zhō(🔠)ng )世(🎷)界(🚂)里(😕)逃(🐞)了(🌯)出(🌕)来(lái )。
A broken heart, a battle axe, a demon and a lesbian ex-fiancée... Jason Parks' life goes from bad to worse as a series of supernatural events turn his dream of reconciliation with ex-fiancée Jasmine into a portal seeking, demon hunting nightmare...
Tomek is 14 and a good student. He's interested in astronomy and plays football to please his father. The only thing is, he lives in a poor little border town plagued by unemployment, whereas across the river lies Germany with all its relative affluence. Tomek meets Marta at a disco and falls in love with her. He starts to think up ways of earning money in order to keep her interested. He approaches a pimp who seeks out local boys for his German clients. Tomek has no idea of the brutal fate which awaits him.
大致内容是(shì )一个寡(guǎ )妇带着(zhe )9个孩子，在一个(gè )富人家(🦁)打工，她每(měi )天都把(bǎ )孩子藏(cáng )在阁楼里
A young singer secretly gets married since he does not want to let his fans down. After a while the gutter press make up a love story which seriously worries his young bride.
Film follows a young couple who are parasites on the lives of others. The film makers largely leave out explanations. Viewers find themselves in the middle of a thriller-like story without knowing the background of the two, and is also left with questions at the end. In the meantime, a strange life becomes visible. The couple lives in a small camp in the woods, with a tent, sleeping bags and empty wine bottles. Isolated, but also unprotected. The girl visits a lonely old lady, for money. The boy also goes to see a married couple whose son died, for a fee. Both think they aren't doing anything wrong, but their work is not without risks.
The Last Desperate Hours benefits immensely from two great leading performances; chiefly Antonio Sabato in the lead role. Sabato fits his character like a glove and comes across excellently as the detestable sleazebag at the centre of the film. He gets great backup from Pier Paolo Capponi as the lead cop on the case. The atmosphere created by Giorgio Stegani is just great and he manages to create an impression of Milan that is as downtrodden and corrupt as the lead character. The film features the Spaghetti style that most genre fans will appreciate - the score by Gianni Marchetti is truly memorable. The plot flows quickly throughout and none of the ninety minute running time is wasted. The director ensures that we always know the central figure is on a deadline and he keeps things interesting by keeping up the cat and mouse game between cop and criminal, as well as implementing a good few murder scenes - one involving a medical saw is a particular highlight! It all boils down to a surprising, yet fitting ending and overall this crime flick is one of the best Eurocrime entries that I've seen and is well worth the trouble of tracking down!