葵花进城

A good-natured saddle tramp traveling with his sidekick, is mistaken for a ruthless outlaw with a price on his head. 电(diàn )影名(mí(🌱)ng )称(🧥)： 百子(zǐ )千孙(sū(☝)n ) (Hundreds of children and thousands of grandchildren) In this mystery, a private detective is falsely accused of murder by his secretary who wants to protect her little sister who has been formally charged with the crime. The detective must solve the crime before it is too late. To do so, he gathers all the suspects at a radio studio and reenacts the crime. The killer is revealed. 1945年(🗝)，史(🐚)东(🏘)(dōng )山编(biān )导了他在(🐢)战时的最后一部作品《还(💅)我故(gù )乡》，由韩仲(zhò(💎)ng )良(♓)摄(💁)(shè )影，陶金、钱(qián )千(🚗)里(🈴)(lǐ )、张翼主(zhǔ )演。这(🐇)是(😱)一(🥀)部曾经引起(qǐ )过一(🕯)定争议的影片。故事大意(♑)是，在沦(lún )陷区(qū )某(🧦)县(🔠)城(🎍)，日(🧐)伪(wěi )为拉拢民(mí(📈)n )众(🎯)，伪装亲善，大(dà )财主(zhǔ )王(🤳)相庭（陶金饰）受(🚡)其迷惑，不听(tīng )劝告(gào )，进(🏑)城(🧝)当了伪(wěi )商会(huì(🥘) )会(👞)长(🌻)，然(🧚)(rán )而日(rì )伪很快就(🙇)(jiù )露出(chū )了真面目，他们(🌒)强占商店，勒索民财(🐼)，王(🕷)相(💿)庭好友被(bèi )捕遇(yù(😛) )害(🌠)，他营救无(wú )效。现实(🙃)使(🍝)王(🔴)(wáng )相庭(tíng )觉悟过来(🍂)，暗中联(lián )系游击队暴动(📡)，最后献出了生命。影(🥇)片(🥈)(pià(🌂)n )公(🕌)映(yìng )时已是战(zhà(😕)n )后(💯)，像王相庭(tíng )这样(yàng )的人(📏)算不算汉(hàn )奸？要(⏹)不要惩办？不能不引起(🆖)舆(👂)论的关(guān )注与(yǔ(📜) )争(🌴)议(📃)。 大(🎞)(dà )丰企(qǐ )业公(gōng )司(📺)总经理(lǐ )张一(yī )卿投机(🈹)失(shī )败 ，躲债无计，忽(🔆)见(📬)报(🥟)载华侨富商之女 范(⏫)如(🚤)(rú )华征婚启事，计上(😲)(shà(🔭)ng )心(🌯)来(lái )，诱使时(shí ) 代理(🛡)(lǐ )发馆一表(biǎo )人材(cái )的(🏄)三号服务员杨小(xiǎ(🚪)o ) 毛(➕)冒(🙏)名(📣)代其应征，冀得巨(🙏)资(🛸)挽救公(gōng )司 破(pò )产。小毛(🎨)请七(qī )号理(lǐ )发师(🔑)以秘(mì )书身(shēn )份 陪同前(🔀)往(🖋)。范如(rú )华原为年(🍉)轻(😂)寡(📅)妇(💞)，已 有一子，丈夫(fū )去(📥)世(shì )后经济拮(jié )据，因贪(🚣)(tān ) 图生活享(xiǎng )受，想(✅)利(💍)用(🆘)征(zhēng )婚物(wù )色一“财(🅾) ”貌(♓)双全的丈夫。她从众(🕖)多(🈶)应(🚐)征者中 ，选中(zhōng )英俊(👛)(jun4 )潇洒(sǎ )的杨小毛(máo )，由(yó(💶)u )女同学 陈(chén )国芳(fā(🎃)ng )作(🥅)伴(💀)，相(😝)约面谈。见面时，双(🔀) 方(🥕)都提心吊胆，惟恐露(lù )出(🐽)破(pò )绽，因而 闹出(chū(🍝) )不少(shǎo )笑话，幸(xìng )好彼(bǐ(💡) )此(💖)都未识破， 顺利(lì(🌵) )订(🏴)婚(🎛)。范(👺)如华因急于缴付积(🐠)欠房 租(zū )，意欲提早结(jié(🔸) )婚。杨小(xiǎo )毛也因要(🤵)(yà(🥛)o )偿 还(hái )装阔所负(fù )债(🚅)款(🍐)(kuǎn )，同意即日结婚。不(🗜) 料(🎓)结(😁)婚当天早晨，彼此都(🎶)发现对(duì )方真(zhēn ) 实身(shē(🤷)n )份，于是(shì )关系(xì )破(😴)裂(🔟)，互(⌛)(hù(🎭) )骂对(duì )方为 无耻(💵)骗(🚿)子，婚(hūn )礼也告吹。范如华(🕣)遭此 打击，懊丧(sàng )之(😭)余(yú )又从应征者中(zhōng )觅(🎦)得(🥁)(dé )一 个做大(dà )官(💴)发(📎)(fā(📒) )大(🤺)财的老头子(zǐ )周友(😲)(yǒu )棠，但 心又不愿。最后，范(😰)如华、杨小毛彼 此(🥐)都(🎆)(dōu )从正(zhèng )视现(xiàn )实中(👝)觉(😭)悟(wù )过来(lái )，撕下冒(🦈)(mà(🏯)o ) 充(🚢)绅(shēn )士淑女的面具(⬆)，结成夫妻。婚后 ，如华跟随(🚯)丈夫，参(cān )加理(lǐ )发(🔉)馆(😓)(guǎ(🍇)n )工(💇)作。 七(qī )号理(lǐ )发(🌄)师(🦏)和陈(chén )国芳(fāng )也因频繁(🐶)接触， 相(xiàng )互爱慕，喜(🌜)结良缘。 拉里·巴兰坦(tǎ(🏌)n )（(✏)罗(luó )伯特·杨 饰(😸)）(🚐)一(💊)直(⏱)(zhí )背着妻子(zǐ )与情(🚜)(qíng )人珍妮丝·贝(bèi )尔（(🍦)简·格里尔 饰）交(🙁)往，终于有天，他决定要抛(🤛)妻(😤)(qī )弃子(zǐ )与情(qíng )人(🕧)一(📮)起(👴)私(sī )奔，不料妻子(zǐ(🛡) )却提(tí )前知道了他的私(🕡)奔计划，并为他买了(🦂)一(🈴)个(🚐)公司的股权(quán )，为(wé(🛺)i )了(🌈)钱(qián )财，他不(bú )得不(bú )放(😾)弃情人(rén )，选(xuǎn )择继(🛋)续与妻子维持(chí )婚姻。在(🛍)新的公司中，他认识(🍔)了(📊)美(✖)(mě(🥚)i )丽迷(mí )人的弗娜·(🥌)卡(kǎ )尔森(sēn )（苏珊·海(🍆)沃(wò )德 饰），没多(duō(🍭) )久两人就坠入爱河，妻子(🙃)得(💭)知拉里再次(cì )出轨(🎲)后(📣)，在(🕝)山(shān )上买(mǎi )了一(yī(⛽) )个农场，决定(dìng )要与丈夫(🕦)(fū )过与(yǔ )世隔绝的(🏸)生(⬆)活(🈷)，拉里刚开始为了钱(🏎)财(🖥)不得不选择妥协(xié(🤷) )，但(dà(🏕)n )最终(zhōng )，他无法(fǎ )忍(🤫)受(shòu )与妻子在(zài )一起(qǐ(🕘) )的无聊生活，选择(zé(🍔) )与(❣)弗(🏛)娜(👔)一起私奔。在奔往里(🈸)诺的路(lù )上，一场突如其(✍)来(lái )的车(chē )祸导致(🔹)拉(lā )里的(de )汽车失火，没(mé(😋)i )有(😜)及时逃脱的弗娜被(👾)烧(🤤)死(🥉)在其中，拉里(lǐ )在医(🤦)院醒来后(hòu )，却(què )发现(xià(📽)n )大家都将(jiāng )弗娜(nà(🔱) )的(🈵)尸(⬛)体误(wù )认做(zuò )是他(⛳)的(🌒)妻子，为了骗取妻子(🔍)的钱(🎍)财，他决定将错就错(🖨)(cuò )，却(què )未料(liào )到这一举(🥋)(jǔ )动将(jiāng )自己推入(🚟)(rù(💯) )死(🍒)亡(⛅)(wáng )的深渊。 这部电影(😎)(yǐng )讲了基德船长的冒险(🚺)之旅 "Jacques Tourneur at work in color on Western landscapes is something to behold. The credits roll over a matte of a damp day in Portland (slanting rooftops, a ship’s half-seen mast, boards over a muddy street) that’s practically a Grafström, the Oregon Trail that follows is finely-drawn watercolor. The nascent commune of Jacksonville would be Fordian, except that Dana Andrews’ negation of piety ("A man can choose his own gods") and Andy Devine’s acknowledgement of Indian rights ("We’(🏳)re on their land. They ain’t likely to forget that") challenge Manifest Destiny. Overlapping triangles -- Andrews-Susan Hayward-Patricia Roc, Andrews-Hayward-Brian Donlevy, Andrews-Roc-Victor Cutler, Hayward-Donlevy-Rose Hobart. Hoagy Carmichael with mandolin amid the ramblers and settlers is wastrel, commentator, mediator, and voyeur ("...a little store and lots of time"). The cabin-rising sequence tips its hat to Hathaway’s Trail of the Lonesome Pine, and was studied by Weir. The wedding bash celebrates wholeness but these are forces in tenuous balance, Donlevy voices Tourneur’s ambivalence ("The illusion of peace is upon it") moments before the Indians materialize via a single reverse shot that seems to introduce a parallel world. Another space-expanding reverse shot, this time embodying tensions from within rather than from without, takes place right before Andrews’ brawl with Ward Bond, cutting from a medium-shot of the two at the saloon counter to another revealing the townspeople in the wings, waiting for the spectacle. (The fight, remarkably bloody and ugly, hinges on the haunted image of the disoriented Bond smashing his fist into a wooden pole. Hayward sits with the cheering crowd.) A film of "thin margins": The saloon doubles as a hanging courtroom, the garden becomes an inferno. The view of a dazed Roc wandering in the woods after the slaughter is from I Walked with a Zombie, and finds its way into Demme’s Beloved; Stars in My Crown revisits the territory with hope for harmony, but Wichita and Great Day in the Morning know better." In the suburbs of Paris, an old maid has just been murdered. Every body talks about that, except the misanthrope Mr Hire. The same evening, Alice, just getting out of jail, arrives and meets up with her lover Alfred again. They act as they do not know each other, for Alice went to jail to spare Alfred. But Mr Hire falls in love with Alice, and he knows Alfred is the murderer... In a film that was closer to being a "sanitized" version of and contained more elements akin to Mae West's and W.C. Fields' "My Little Chickadee" than it did from anything John Ford had done, or was to do, a traveling show arrives in a small Arizona town and finds much opposition from local townspeople. They plan to stage the show in the saloon and the leading lady, Katie (Martha O'Driscoll), gets involved with the local school teacher, Tod (Noah Beery, Jr). and a mysterious masked bandit, King Randall (Leo Carrillo).