A group of juvenile delinquents pickpocket and steal for an evil boss who will not even allow them to fall in love.
影片讲述了(💯)四位暗(👞)(àn )杀(shā )高手为(🏑)了一桩(🗽)未完(wán )成(chéng )的(⏫)案件汇(🌽)聚香港。在(zài )一(🔞)个幽闭(⛓)的环境中上(shà(🗜)ng )演(yǎn )高(😒)度紧张的对决(🚁)。在(zài )这(🧙)里，谎言被揭穿(😴)、暴(bà(🎂)o )力掌控一切，《隔(📅)(gé )山(shā(👔)n )有眼》试图诠释(➖)爱与(yǔ(📁) )暴(bào )力、残忍(🏒)之间的(🛰)对(duì )抗(kàng )。并提(🏍)出终极问题：爱(ài )的(📒)代价究竟有多大(dà )？(🦂)
Another planet in the period of medieval times. An employee of the institute of experimental history from Earth, who is send under the name of noble don Rumata of Estor as a spy with a mission to contact the local resident of the institute, arrives in the city of Arkanar. But the resident perishes under an unlucky attempt to make a palace coup, and Rumata have to take his place as the resident. Soon he meets all the horrors of the medieval society - a peasant war, palace coups, mass executions. To continue to be an indifferent watcher of all these horrors turns out to be simply impossible...
Sure, it's a simple trifle in film history, if even that, and seeing Sangue di sbirro today is at best mildly entertaining. For although made in the heyday of the Italian crime genre this one is no zenith. Dan Caputo (George Eastman of dubious Antropophagus-fame) arrives in New York to avenge the death of his father, a cop involved with the mafia. Dan clears up the murder (and kills what seem like some 30 people) with help of local mob boss Duke (Jack Palance) and then flies back to wherever he came from. Possibly there is a bit more to the story, but the script is so confused so there is little point in trying to describe the goings-on. Suffice to say there is a little romance, brief scenes childhood reminiscing, and a helluva lot of shoot outs. Some of which are quite exiting in a cheapo euro trash way. The highlight of the film is definitely the opening scene at the airport when Dan arrives during some sort of terrorist attack simply to shoot his way through it. All in all it's not a badly done revenge film technically, and it's clichéd in the best sense of the word, but it suffers from some seriously dragging scenes, and a poorly executed whodunit sub plot, which slows the whole thing down. Only recommended for the die-hard fan of Italian 70's crime films.
Daffy is looking forward to celebrate Easter but his mysterious animator decides to make very bad things with the three completely new episodes.
Victor Vautier is incorrigible: he's in constant motion, working several cons at once, using different names and changing disguises. He's charming and outrageous, incapable of uttering a sentence that isn't embellished or an outright lie. His life goal is to make enough money to build a sea wall to protect Mont-Saint-Michel. Charlotte, a parole officer, shows up: she's young and seems taken in by Victor. He discovers she lives above the Senlus Museum, where her parents are the curators. With two pals he decides to steal a priceless El Greco triptych and then ransom it back to the cultural ministry. What will Charlotte do when she realizes he's used her to make a fortune?