我的父亲母亲

改(⬇)(gǎi )编自著名的(🧛)同名科幻小说(🗞)《Parasite Eve》，这本小说是由(🆚)新晋作(zuò )家(jiā(🤢) )「濑名秀明」(📑)原(yuán )创(chuàng )，在第(🥤)2届日本恐怖小(🕞)说比赛中获得(⬆)冠军，发行量达(🛀)140万(wàn )本(běn )，打(dǎ(🧙) )破(pò )日(rì )本(bě(💸)n )国内同类小说(🤾)销量。 夏尔（雅(🛤)克•甘布林 Jacques Gamblin 饰）(🍸)自(🍅)从十年(nián )前(🏗)(qiá(🍳)n )和老婆分居(🈶)后(🍨)(hòu )，就(jiù )一直(🥤)霉(🌅)运不断：丢(👐)掉(😘)了高薪工作(🏘)、豪宅名车也离他(🕕)(tā )而(ér )去(qù )，就(😤)(jiù )连(lián )落(luò )魄(🚉)(pò )到在街头乞(🆙)讨，也被人状告(💆)他骗取社会救(💈)济，因为他(tā )的(🔡)(de )妻子一直领着(🚠)(zhe )高(gāo )薪(xīn )，虽然(💝)他们已经十年(💍)没见面！为了避(😚)免牢狱之灾，夏(🍾)(xià )尔(ěr )必(bì )须(👖)(xū )找(zhǎo )他(tā )的(🎖)(de )妻子签字离婚。运(👶)气(😃)终于来了，夏(😾)尔(🦐)从一位朋友(🔴)那(🙏)里得(dé )知(zhī(🕎) )他(🏷)的妻子近日(🈶)(rì(💚) )来(lái )到(dào )了(🌑)巴黎。于是，他乔装打(🚋)扮来到妻子下(🎭)榻的大酒店(dià(🔱)n )，岂(qǐ )不(bú )知(zhī(🎗) )从(cóng )他(tā )踏(tà(🚰) )进酒店的那一(✳)刻起，好运气来(📉)了！ 王光利把他(👹)的电影处(chù )女(🕥)作起名为《处(chù(👗) )女(nǚ )作(zuò )》。《处女(😌)作》具备一切“实(🚗)验电影”的特征(🔍)，奇(qí )怪(guài )的(de )人(💻)(rén )物(wù )，模(mó )糊的(🕋)情(🌘)节、暧昧的(⏩)情(👟)绪，从主人公(🐗)名(👳)字的设计：(😈)纪(☝)念（男(nán )主(♉)人(🍀)公）雨（女(🔹)(nǚ )主(zhǔ )人公之一）(🦎)雪（女主人公(😰)之二）便可见(🚿)一斑，它是(shì )一(🈶)(yī )部(bù )关(guān )于(🙃)(yú )“遗(yí )忘(wàng )”和(🌭)“留住”的电影，与(🍎)1996年历时19天拍摄(🍈)完成，参加了包(🎙)(bāo )括温哥华、(🍯)鹿(lù )特(tè )丹(dā(🔂)n )、新加坡等多(😷)个国际电影节(🎈)的展映，在国内(⏸)艺(🎗)术院校(xiào )及(jí(👈) )民(🧥)(mín )间(jiān )艺(yì(🏯) )术(🍃)(shù )沙(shā )龙、(💮)酒(📣)吧中放映引(😸)起(🎪)轰动和争论(👈)…(👻)…美国著名的《综艺(yì )》杂志曾撰(📉)文评(píng )论(lùn )该(🛢)(gāi )片：“从未学(🛶)过电影的王光(🛰)利的这部作品(🔛)可以当作(zuò )美(🦉)(měi )国(guó )电(diàn )影(🧡)(yǐng )学(xué )校(xiào )的(💣)(de )教材。” 王光利透(🍞)露《处女作》有其(🎗)个人自传的影(🎂)子——在影片(🌴)结尾处(chù )：从(⏱)(cóng )小喜欢电影却(🚾)未受过专业培(🕕)训(🔲)的男主人公(😠)决(🌨)定将自(zì )己(🔁)(jǐ(🏻) )的(de )经(jīng )历(lì(📠) )拍(💹)(pāi )成(chéng )一部(😀)电(🏃)影留下来。 西汉初年，张骞奉汉武(🐡)帝之命出使西(📢)(xī )域(yù )的故事(⬅) A controversial artist is dead, apparently the victim of a botched robbery at his suburban estate. Take-no-prisoners journalist Maddie Magellan is unconvinced, and she casts her suspicions on the deceased's possessive wife and his frivolous mistress. But one was in her city office at the time of death, and the other was bound, gagged and blindfolded by the "robber". A chance meeting with Jonathan Creek, a famous illusionist's technical advisor, leads Maddie to believe that his "lateral mind" may allow him to see through the deceptions in the case, and she recruits the reluctant genius as her partner. 这次说(shuō )的(de )是(🔮)(shì )天界恶魔要(🔰)打通阴阳道，这(⛪)样一来，能帮助(🐫)人间勇士(shì )的(🔌)(de )天(tiān )神(shén )亦(yì(😸) )无(wú )计(jì )可施(🌨)，天地格斗大赛(⏭)的地上一方只(🐠)有依靠自己的(📜)力量，与魔鬼进行(🏩)一场(chǎng )生(shēng )死(📵)(sǐ(🙆) )搏斗。期限无(⛔)多(📌)，凡间的斗士(🕵)怎(🚪)样才能迅速(😯)充(💪)实自(zì )己(jǐ(💪) )的(de )力(lì )量(liàng )呢(ne )？ Running Time was filmed in black and white, in real time, and seemingly takes place in one continuous, fluid shot. It's a little like Hitchcock's "Rope," but it's on location! Carl, an ex-con who sets out to rob the prison laundry system where he worked for 5 years (while in the pen), has spent ten years in prison planning the ultimate heist. Upon his release, he meets up with a high school buddy, who's made all the arrangements for the job, and rented him a hooker for his first encounter in a decade with a real girl. After picking up the safecracker and their getaway driver, they've got twenty minutes to pull off the perfect heist...but soon everything falls apart before Carl's eyes. He might still get the girl, though! Thomas Arslan's second feature film and part of his Berlin-trilogy is a slow-paced milieu study of German-Turkish youth in Berlin-Kreuzberg. The film depicts the every day life, domestic conflicts, dreams and disappointments of three siblings and their aimless, meandering strolls through the Kreuzberg district. The family itself encapsulates the culture clash that is at the centre of many German-Turkish films. In Arslan's film, the mother is German, the father is Turkish and the children have to make up their own minds about their cultural allegiances. Seventeen-year-old Leyla tries to escape from her family by spending most of her time with her best friend Sevim. Her twenty-year-old brother, Erol, has chosen Turkish citizenship and, consequently, has to do military service in Turkey. His mother objects but Erol finds the prospect of continued unemployment and mounting debts, which he cannot repay, in Berlin far more threatening than the prospect of military service in Turkey and leaves. Eighteen-year-old Ahmed is the is about to do his 'Abitur' (final exams at secondary school) and, despite being the most 'assimilated' of the three siblings, finds the experience of living in between two cultures difficult.