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加(jiā )拿大籍cult片导(dǎ(⏳)o )演(🍎)Lindsay Shonteff（(🎵)《大(🎯)遥控》，《恶毒诅咒》）执(zhí )导的18禁经典(📼)(diǎ(🏬)n )情(🙇)色(🥝)(sè )暴力复仇电影。 An erotic drama about a youthful bride-to-be who takes a holiday to Yugoslavia with a cynical and evil lesbian film critic (and murderess) that leads to debauchery, degradation with a dwarf, a dinner with naked entertainers and other highlights... When two teenagers engage in sex and violence, they are targeted as an example to illustrate the moral decay of youth. Eva Christian is seen is various stages of nudity as she plays the game of love with Luis Fernando, Ianelli Fregolente, and Geraldo Del Ray. The teens are seen as part of a sexual revolution sweeping the city in this exploitation feature with a surprise ending. 梅淑卿为了争取(💛)(qǔ )自(👯)由(🐿)恋爱，摆脱(tuō )封建大家庭，选(xuǎn )择与江少(🏰)文(🎼)这个(🔱)(gè )穷教师到小镇定(dìng )居结婚。婚后(🏔)五(🎟)(wǔ(🐳) )个(😶)子(zǐ )女在十二年(nián )内先(xiān )后出生(🍅)，儿(🚔)女(👈)一(🚚)(yī )多，经济便有了(le )困难，终于两人(ré(🏵)n )都先(🕢)后(🖼)为儿(📍)女而(ér )过度(dù )辛劳，在极(jí )度贫(pí(💫)n )困(🎨)中(📖)死(🎎)去，无法(fǎ )完成父母的(de )责任(rèn )。然而(🍆)悲(⛓)剧(❤)(jù(📑) )还未(wèi )终结，彼时竟有(yǒu )人肉贩子(🕳)看中(💤)他(🖥)(tā )们的大女儿…… 十九世纪六十年(niá(⏭)n )代(🛫)的美(⛔)国芝加哥(gē )灰熊橄榄球队可(kě )是(🥖)名(🧑)噪(🎗)一(👢)时的强(qiáng )队，多次取得令(lìng )人羡(xià(😥)n )慕(🉐)的(💸)成(🤖)绩。作为(wéi )球队的核心，布(bù )赖恩一直是(🈲)灰(🚸)熊(xió(🚀)ng )队最主要的后卫(wèi )人选。直到有一(🕞)(yī(🌟) )天(🙄)曾(🤹)(céng )经为大学全(quán )明星(xīng )球员的贾(🚶)乐(🚯)(lè(💗) )来(🌆)到(dào )了灰熊队，并以(yǐ )其突出的表(💆)(biǎo )现(🔆)欲(🔟)(yù )取代布赖恩在队(duì )中的位置。出于(yú(🎵) )误(🍜)会，布(🛌)赖恩开(kāi )始处处与他作对(duì )并经(🌌)常(🌝)取(🔨)笑(👩)贾乐(lè )。然而这一切被(bèi )教练看在(😋)了(🥫)眼(🍙)里(😛)(lǐ )，在那个种族歧(qí )视盛(shèng )行的年代，教(🤡)练(😽)(liàn )把(😜)布赖恩和贾乐(lè )安排在同一个寝(🎭)(qǐ(👽)n )室(🕤)里(🎭)，这一举动(dòng )立刻引起外界的(de )极大(🌵)(dà(💌) )反(🎦)响(🕣)。 《夫(fū )君》是卡萨维蒂(dì )的作(zuò )品中(🔕)“真实(🗒)(shí(🐢) )电影(yǐng )”风格的代(dài )表作(zuò )，通过三位白(🖤)人(🍂)(rén )男(👖)性在好友离世(shì )后面临的中年危(🐠)(wē(📈)i )机(😖)，暴(✒)露了美国(guó )城郊中产生活的(de )虚伪(🥗)和(🤽)空(💦)洞(🦂)。格(gé )斯、哈利和阿奇(qí )三人从小一起(❎)长(🍐)(zhǎng )大(😄)，又一起度过(guò )了年(nián )少轻狂的学(🉐)生(⏹)时(⛏)(shí(🏊) )代。现在，人到(dào )中年的他们都拥(yō(🧗)ng )有(📓)了(💎)成(🚁)功的事业(yè )和美(měi )满的家庭。一天(🎻)(tiān )，他(📭)们(🧠)接到(dào )好友(yǒu )斯图尔特因(yīn )突发(fā )心(🔌)脏(🥦)病去(🔧)世(shì )的消(xiāo )息，这使他们猛(měng )然意(🤴)识(🔝)到(🍎)青(🚧)春易(yì )逝，死亡已经如(rú )影随形。为(😻)了化(🔆)(huà(✋) )解悲痛的情绪，逃避家庭的矛盾(dùn )，三人(☔)坐(🏍)上飞(📒)往(wǎng )伦敦的飞机，满(mǎn )怀期(qī )待地(🏴)入(🚜)住一(🔲)家高(gāo )级酒店，在赌场(chǎng )结识年轻(🔖)漂(👽)亮(🌯)的(🚿)(de )女士，试图来场(chǎng )一夜风流。但最(zuì(🏊) )终，他(🤒)们(😡)的努力(lì )是尴(gān )尬而徒劳的(de )，美(měi )好的(👱)青(🧣)春(😺)早(🚛)(zǎo )已一(yī )去不返。失(shī )望的(de )格斯和(🌚)阿(⚪)奇(🌍)决(💗)定(dìng )返回纽约，哈利(lì )却打算留在(🌋)伦敦(🤬)(dū(🗾)n )。离开了熟悉的(de )环境和老友，哈(hā )利会面(🙂)对(🐔)怎样(✖)的(de )命运呢？ A successful auto executive Vinther(Roy Dotrice) becomes entwined with a young nubile girl, Susanne played by Judy Geeson, following an avoidable car accident, that results in the death of a man. The girl mentally blackmails our executive through manipulation leading to an affair that threatens Vinther’s career and marriage. An unusual mix – a Danish film made with a British and Japanese cast in English. 法(fǎ )国新浪潮名(🥉)将(🐶)弗(fú(🛢) )朗科(kē )依斯．特鲁芬特(tè )自导自(🧑)演(📛)的(❔)代(🚅)表(biǎo )作之一，根据十(shí )八世纪法国(🔨)的一(💢)(yī(🕸) )宗真人真事改编(biān )。 Min-su and In-suk's seemingly happy home is shattered when Min-su's aldultery comes to light. Yeong-hie, Min-su's jealous mistress, arranges for In-suk to be kidnapped and informs Min-su that he must marry her or his wife will suffer the consequences Carla (Carla Aulaulu), Mascha (Mascha Elm-Rabben), and Magdalena Munn (Magdalena Montezuma).[40] They perform as second-rate cabaret singers during the Nazi era, forced to disband when Carla takes a job with a Viennese theatre and Mascha has a nervous breakdown. Pilot haphazardly (and without much clarity) follows their individual activities; instead of depicting Carla's "show," for instance, we see her singing its main song while apparently working in a Viennese pastry shop. Magdalena attempts to find work for Mascha by posing as her aunt and appealing to a Nazi official; later Mascha rescues Magdalena from drowning herself. The two eventually find jobs as secretaries, after brief stints as "creative artists." Magdalena's voice-over then informs us that all three women meet again after the war at a Bruckner concert. They begin discussions about regrouping to go to the United States, this time as reformers rather than performers, to preach integration (apparently we are now in the late 1960s, the time of the film's production). Carla, nostalgic for their earlier Nazi stage career, is hard to persuade, but eventually they leave for the United States. Their rapid downfall as teachers there results from the publication of a Nazi-era photo of them; added to this is the controversy of Mascha's undepicted liaison with an American bomber pilot. We are told there is a trial (also undepicted), and the three go back to Germany where they perform for American troops. Carla has a miscarriage from the bomber pilot and suffers badly. The final image shows Magdalena supporting Carla as she walks around weakly in front of the same building we saw in the film's opening shot.