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A modern Cinderella story set in New York City's Chinatown, Year of the Fish is a classic tale retold through the eyes of a young woman struggling to find a new life in the United States. Director David Kaplan has gathered an all-star cast, filmed them in live action, and then applied an algorithmic painting technology to achieve the rotoscoped animation. The result? Year of the Fish pops from the screen like a painting come to life. This is the level of originality we've come to expect from Kaplan--Sundance audiences may remember him for short films of fairy tales reconceived in a unique style all his own. 十二(🕌)(èr )岁(🎪)的尚恩和(hé )爸爸(🏎)(bà )亲切的说(🥎)再见(🔑)(jiàn )，没想到却(🏏)(què )是(🐶)永(yǒng )别，在爷爷不(📛)(bú )逃避现实的(de )特(🌙)种(zhǒng )保护伞下，尚(🕶)(shàng )恩的伤疤在(zà(👊)i )愈合(hé )。他上山放(🍋)羊(yá(👁)ng )，一头羊被(bèi )偷之(🐯)后，尚恩的报(bào )复(🌒)顿变成自(zì(🚛) )毁，被(📕)迫匿居山上(👹)(shàng )。岁(🐰)月无声(shēng )过去，寻(🥨)找他(tā )所渴(kě )望(♈)的温暖人情。 一个(😯)流浪(làng )巴黎(lí )的(🏭)街头(🍋)歌手、他的(😁)好友(🌓)以(yǐ )及一(yī )个两(🧜)人都心仪(yí )的姑(🤽)娘，三(sān )人的(🚳)(de )恋爱(🐞)关系支撑(chēng )了整(🤺)部电影(yǐng )，故(gù )事(🎵)性十分贫乏(fá )。导(🉐)演莱恩(ēn )·克(kè(🌿) )莱尔的旷世激(jī(📝) )情与(🏆)浪漫洋(yáng )溢在(zà(🍷)i )巴黎的狭小出(chū(🔗) )租屋中。本(bě(🔶)n )片描(🧤)写了一个街(🔖)头(tó(🙍)u )歌手竞争一(yī )个(⭐)美丽姑娘的故事(🌴)(shì )。通过歌曲(qǔ )对(🤝)爱情(qíng )和人性(xì(👵)ng )弱点(🥫)(diǎn )的诙谐探(💲)索，世(📆)故的眼光(guāng )和破(🦏)(pò )天荒的新影音(🥒)技术的使用(🦋)(yòng )捕(✳)获(huò )了巴黎浮华(🕺)的(de )气氛。 这是(shì )一(🚷)部(bù )典型的90年代(♎)怪(guài )诞喜剧风格(🚭)(gé )的恐(kǒng )怖电影(📪)。本片(♟)(piàn )讲述了一个(gè(💨) )叫做(zuò )格雷戈里(🚋)的男(nán )人从(😲)许愿(🕝)井(jǐng )疗养(yǎ(⛱)ng )院被(🌫)释放后，他希望能(🖊)够(gòu )让小孩子们(🐀)高兴，因此他重新(🐀)(xīn )打开了陈旧的(💀)冰淇(qí )淋工厂的(❕)大(dà(🧠) )门，然(rán )而，总(zǒng )有(🐆)一(yī )些小孩子不(📡)领情，所以格(🏉)(gé )雷(👟)戈(gē )里就把这些(🔱)小孩都做成了(le )“独(🗳)(dú )特的”冰淇淋(lí(🔞)n )..... After the old-books shop closes, portraits of the Strumpet, Death, and the Devil come to life and amuse themselves by reading stories--about themselves, of course, in various guises and eras. Four of the stories are literary horror stories (one by Poe, one by R. L. Stevenson), and the last one is a comedy involving a fake haunting. 一个无能的(de )老板(👇)(bǎn )拿自己消极怠(👯)(dài )工(〽)的员工一(yī )点办(💡)(bàn )法都没有，只(zhī(🌘) )有眼睁睁的(🌻)(de )看着(🔻)(zhe )这群平庸的(🚱)职(zhí(♌) )员在那里消(xiāo )磨(⏲)上(shàng )班的时间.. 贝(🖨)恩(ēn )德和卡特琳(🌽)(lín )结婚多年，丈夫(🕧)贝(bèi )恩德经营一(💠)(yī )家(⏭)建筑公司，每天(tiā(🗽)n )忙得不亦乐(lè )乎(✉)。同(tóng )是建筑(🧟)(zhù )系(🍰)毕(bì )业的卡特琳(🦈)为了照顾孩子(zǐ(📅) )和丈(zhàng )夫，牺牲了(🛣)做建筑师的机(jī(😯) )会。眼见丈夫终日(📑)(rì )忙(🆓)碌，公司(sī )仍不(bú(💝) )见起色，卡特(tè )琳(🛡)难免抱怨(yuà(🥋)n )。贝(bè(👉)i )恩德一气之(🎟)下(xià(😏) )，冲动地建(jiàn )议和(😵)(hé )卡特琳交换身(🗨)(shēn )份，让卡特(tè )琳(🔴)外(wài )出支撑公司(🍙)，自己在家做(zuò )家(🍠)庭主(✴)男，谁想一(yī )句气(🚹)话竟然(rán )改变了(💰)他们的(de )生活(😢)(huó )，卡(😏)特琳欣然同意，第(🦌)二(èr )天一(yī )早就(😉)上班去了。这可难(📦)坏(huài )了贝(bèi )恩德(😎)，家务事看上去简(🐺)单(dā(⬅)n )，做(zuò )起来却复杂(🥍)棘(jí )手，习惯于(yú(🚠) )秘书(shū )伺候(🌿)的贝(🔽)恩德(dé )有苦(👦)难言(💳)，他终(zhōng )于理解了(🤑)妻子(zǐ )的苦衷。很(🦈)(hěn )久没(méi )有工作(👻)的卡特(tè )琳经过(🕒)最初(chū )的困惑和(👬)尴尬(🌊)后，迅速步入正(zhè(👮)ng )轨，工作越做越好(🗝)(hǎo )，这一切都(🌅)(dōu )使(🔱)贝恩德惭愧(kuì )，更(🙉)(gèng )令他难过的是(❣)，妻子还与(yǔ )自己(🚝)(jǐ )一直讨厌的客(🔬)户萌生了异(yì )样(🙅)的(de )情(🕺)愫…… This is a very powerful film. Admittedly parts of it are hard to watch, but it is an outstanding piece. In a nutshell, it is about a hippie commune that has been set up by someone who believes that the best way to help the homeless and often deranged cripples in Moscow is by offering them sexual love. I did not realise (because of the black and white, and the fact I watched this film before looking up to see when it was made) that this film was shot recently in Moscow, using real homeless people in their real situations. I assumed, because of the black and white, and the whole hippie commune idea, that this was the 70s. Shockingly, this includes his real-life footage of the current situation of the marginalised in Moscow, and that upset me to the core. Obviously some of the characters are actors (or, rather, are acting), but many are simply being shot in their everyday surroundings. Let's hope that some good comes out of films such as these, in the same way that Cathy Come Home helped change the situation for many in the UK all those years ago.... Is Aristakisyan Russia's new and very own Ken Loach? We shall have to wait and see. Joe 'Tom' Yateley is an ex-convict. Trying to leave his past behind, he decides to starts working for the Hawlett Trucking company, which transports gravel. It's an aggressive company, where speed is everything. Doing too less runs in a day? You're out. Red is the most experienced trucker, he can do 18 runs in a day. Tom soon makes friends with Lucy, the secretary, and Gino, a driver. But the record of Red intrigues him and he wants to break it. Gino advises against it, but he helps Tom when he wants to go through with it. Soon trouble begins when Red and the other drivers form an united front against Tom. Just when Tom has enough and decides to pack his bags, Lucy tells him Gino had a terrible accident. She also tells about the corruption of Hawlett Trucking. Does committing a crime make you a criminal? Kidnap is a film that asks this question. Vikrant Raina takes one such decision in a moment of extreme rage when his 8 year old daughter is facing a life and death situation. He couldn't imagine how that one decision would affect 14 year old Kabir Sharma's life, he has then been labelled a 'criminal' .