渡濑悠宇的作品

Carla (Carla Aulaulu), Mascha (Mascha Elm-Rabben), and Magdalena Munn (Magdalena Montezuma).[40] They perform as second-rate cabaret singers during the Nazi era, forced to disband when Carla takes a job with a Viennese theatre and Mascha has a nervous breakdown. Pilot haphazardly (and without much clarity) follows their individual activities; instead of depicting Carla's "show," for instance, we see her singing its main song while apparently working in a Viennese pastry shop. Magdalena attempts to find work for Mascha by posing as her aunt and appealing to a Nazi official; later Mascha rescues Magdalena from drowning herself. The two eventually find jobs as secretaries, after brief stints as "creative artists." Magdalena's voice-over then informs us that all three women meet again after the war at a Bruckner concert. They begin discussions about regrouping to go to the United States, this time as reformers rather than performers, to preach integration (apparently we are now in the late 1960s, the time of the film's production). Carla, nostalgic for their earlier Nazi stage career, is hard to persuade, but eventually they leave for the United States. Their rapid downfall as teachers there results from the publication of a Nazi-era photo of them; added to this is the controversy of Mascha's undepicted liaison with an American bomber pilot. We are told there is a trial (also undepicted), and the three go back to Germany where they perform for American troops. Carla has a miscarriage from the bomber pilot and suffers badly. The final image shows Magdalena supporting Carla as she walks around weakly in front of the same building we saw in the film's opening shot. 根本(běn )律子(zǐ )（吉永小百(🎐)合(⛄)）(🌪)に(🍠)は(🐪)黒(💒)木(🥃)(mù )保（松橋登）という恋人がいた。共に二十(🐼)二(🎀)歳で、律子は楽器(qì )店のピアノ(🌤)の(🍁)調(❔)律(🎎)師であり、市役所の事務員をしている父(fù(👑) )信(🤠)吾(👞)(wú(🛡) )（(🍐)三(🤡)木のり平）との二人(rén )暮し。一方保(bǎo )は横浜(🌡)の(😕)小(xiǎo )さなクラブでピアニストを(📈)し(🔼)て(🐻)い(⚪)た。結婚適齢(líng )期にさしかかった律子は、芸(😾)(yú(📪)n )術(❣)家(👑)肌(🥩)の(🐣)保(💚)が、結婚生活(huó )にどれほど本気で、具体的(🦎)な(😶)プランを持っているのか不安(ā(💩)n )だ(😽)っ(❌)た(〰)。そんなある日律子は、姉(zǐ )絹江から絹江の(🧔)夫(⚡)の(🙆)同(💢)僚(🎽)(liá(🛃)o )で教(jiāo )師の阿部吾郎（竹脇無我(wǒ )）との見(🔄)(jià(🛏)n )合いを勧(quàn )められた。見合(hé )いの(🧝)翌(🈲)日(😼)、(🧖)律(lǜ )子と保はデートするが、見合(hé )いの一(💠)件(🐺)が(🧟)保(🐪)に(🚷)ば(🌿)れ(💷)て二人は喧嘩をしてしまった。しかし保が明(🚋)日(🎳)、律子の父と逢(féng )うという約束(😏)で(🏕)和(🗻)解(🕳)が成立した。が、カタブツの信吾と保(bǎo )では(🌂)話(🥦)が(🏓)あ(🌋)う(🈁)は(😿)ずがなかった。律(lǜ )子と保の間にも二人がお(🥍)互(😄)いにいだいている将来の生(shēng )活(🏁)設(😇)(shè(🕜) )計(🔊)の喰い違いが生じ、その翌(yì )日、二人の喧(🏀)(xuā(🚫)n )嘩(👉)は(🎖)頂(😦)点(📿)に(🚰)達し、保はクラブの女志津子の誘(yòu )惑に負(🌋)け(💤)一夜(yè )を共にしてしまった。律(⏱)(lǜ(🙇) )子(🚫)も(🚺)父の勧める阿部とのデートを重ね、飾り気の(🍍)な(🦋)い(💯)明(⏱)る(🚤)い(🔪)阿(ā )部に好意を感じるようになった。しかし(🕰)阿(😶)部とのデートで、保(bǎo )の働いて(🎍)い(🍪)る(💉)ク(🚉)ラブに行(háng )った時、淋しそうに、しかも投(🏯)げ(🧚)や(👃)り(😡)に(🎴)ピ(🍱)アノを弾いている保の姿を見(jiàn )て今までの喧(🖊)嘩(🦗)(huá )が逆に彼(bǐ )への慕情となっ(🚸)て(🕴)律(⚫)子(🚹)の心によみがえってきた。これを知(zhī )った阿部(🀄)は(🐟)律(🚨)子(👑)に(🈲)猛(🚓)然とプロポーズしたが、律子の心は動(dòng )か(😺)な(🌮)かった。再び結ばれた二(èr )人の将(💶)来(🧜)(lá(🚗)i )は(🚖)明るかった。 盲剑(jiàn )客座(zuò )头市(shì )（胜新太(tà(🚻)i )郎(🥡) 饰(〽)）(📲)独(💔)行(🕛)(háng )天下(xià )，扶弱济贫，但他渐渐厌(yàn )倦了(le )血雨腥风(🕜)的(💼)生(shēng )活，决心返回故(gù )乡莲花泽(⏭)(zé(🍆) )隐(🥓)居(♊)(jū )。然而宁静的故乡已被暴(bào )徒政(zhèng )吾郎（米仓(🍏)齐(🈵)加(🈳)年(㊙) 饰(🛤)）(🔵)霸(bà )占，村民饱受欺侮，苦不堪言(yán )。政(zhèng )吾郎得(🗡)知(🤪)阿市归来，遂高(gāo )价聘(pìn )请流浪武(🗯)士(🕍)佐(🔐)佐(🤲)大作（三(sān )船敏(mǐn )郎 饰(shì )）充当保镖，以伺机(🍚)(jī(💯) )除(🏢)掉(🕔)(dià(⏱)o )阿(🧦)市(shì )。 Description: Cannabis or 'French Intrigue' as it was called on the North American video release, is a low budget film that comes highly recommended, not least for the sight of Jane Birkin who looks absolutely gorgeous throughout the film, whether clothed or unclothed. The excellent cast also includes Serge Gainsbourg playing a chainsmoking unshaven hoodlum, Curd Jürgens and Paul Nicholas. Visually stunning, the cinematography and editing are outstanding, and the soundtrack, written by Serge Gainsbourg is fantastic. Most memorable scene, arguably, features Serge Gainsbourg in a huge Chicken coupe shooting it out with other baddies. 《头(tóu )条好汉》讲(jiǎng )述爸(bà )爸和他的鹰爪(zhǎ(⬅)o )拳(🌜)打家族的(de )一些(xiē )成员是厌恶,他(🕍)(tā(♏) )们(🈵)试(🐯)图抢劫政府(fǔ )黄金..... Based on the story of Franca Villa and Filippo Melodia. In Sicily, as a Mafia boss leaves for prison, he advises Vito, a young man who's his potential successor, to marry a virtuous and poor woman. Vito's eye settles on Francesca, only 15, but lovely and self-possessed. Among her virtues are high self worth and forthright speech, so although she falls in love with Vito, she won't bow down to him. Believing he's losing face, he has his boys kidnap her and he rapes her. Then, he tells her he'll still marry her. Instead, she files charges. Her parents, brother, and neighbors refuse to support her. Will she break? Will Vito continue his assaults?