AA free-wheeling pinku homage to Rear Window may seem a surprising start for Kurosawa, but it establishes a lot of the oddball charm that would later find its way to wonders like Doppelganger. Even if not much coheres—the leads’ characterization remains as flat as any pink film—(🌪)it’s such a spirited, brisk romp that there’s little reason to complain.
A@PYIFF 2018 这场(🏺)太惨,映(🏧)前导演VCR虚了几(♊)秒,放映(🍩)半小时开始中(🔪)字错位(🎦),几乎持续至终,是一次(🌘)比较大(🌸)的字幕事故,最(📸)后我还(🌖)是用手遮中字(😇)看英字(🍟)看完的。不认为(⛷)这是一(🕖)部LGBTQ主题的电影(🍒):1、男(🤞)主在听到传说(🧦)故事前(💘)并没有显露这方面倾(🥠)向;2、大环境恐同是(⤴)制造戏(🌶)剧性的必要背(🎯)景,感觉(🏻)片子核心不在(🐑)声讨这(🧔)个上面。不太喜(🚄)欢结局(🚄)的安排,但这样(🤰)才能和(🌴)传说呼应……最后,道(🚡)理我都懂,可是男主这(📤)种直男(📇)突然女装被揍(❌)得惨兮(🍧)兮最后还被((👗))真的(🕝)好可爱啊 O<-<
A火野翔是想(🤩)制霸东南亚才接(🕊)的此剧的吧,怎么(🚻)演(🥌)都还是栗原一(🏠)止既视感啊哇哈(👋)哈(😏)哈。又想卖高铁又(⬜)砍ODA,还把胡志明搬(⚡)出(🏙)来,霓虹无外交(😧)真(🛶)的是一点没错(💤)阿(🔢),欢迎收看新春越(🌜)南料理美食节目(❤)“大使阁下请别人(🆒)吃(💱)的春卷,米粉和(🆚)白斩鸡”