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A beautiful young housewife, Nora, is trying to convince her tight-laced, bourgeois husband, Torvald, to give her some extra money for the holidays, even if he has to borrow it. Fassbinder's interpretation of "A dolls house". While some Italian crime films (particularly post-1977 ones) are just mindless violence (particularly violence against women), many pre-1977 ones are serious commentary on corruption and the justice system in Italy...and by extension to other Western countries. THE BIG FAMILY is such a film. The Mob is in charge at the film's beginning, the Mob is in charge at the film's end. Anyone who challenges it is killed or somehow taken out of the picture. A police inspector or prosecutor who is making progress may suddenly get the offer of a significant promotion...to another part of the country. Every branch of the government...and the church...is compromised. American businessman Richard Conte can come to Sicily hoping to do some construction projects and thinking that his friendship with the Don back in New York will help him here and that he doesn't have to play by the local rules. An honest cop works hard and makes countless sacrifices, and many good people die because he keeps on his quest. Eventually, he nabs the top man...and it turns out he has achieved nothing and he is back at square one. Even the top man is expendable to the overall survival of the big family. I was impressed by this film when I saw it fifteen years ago, and I'm still impressed with it today. It has enough action to satisfy any fan of 1970's Italian crime films, one of the most exciting genres in film history, but it also has a sobering message, one that is relevant to anyone watching the film anywhere. Although both CROSS CURRENT and GREAT TREASURE HUNT have their moments, THE BIG FAMILY is probably Tonino Ricci's most successful film as a director (I haven't seen his recent family films, although I especially want to see the Buck film with John Savage, nor have I seen the shark film with Treat Williams). Highly recommended to fans of the genre and those willing to see the value in a dubbed genre film. While some Italian crime films (particularly post-1977 ones) are just mindless violence (particularly violence against women), many pre-1977 ones are serious commentary on corruption and the justice system in Italy...and by extension to other Western countries. THE BIG FAMILY is such a film. The Mob is in charge at the film's beginning, the Mob is in charge at the film's end. Anyone who challenges it is killed or somehow taken out of the picture. A police inspector or prosecutor who is making progress may suddenly get the offer of a significant promotion...to another part of the country. Every branch of the government...and the church...is compromised. American businessman Richard Conte can come to Sicily hoping to do some construction projects and thinking that his friendship with the Don back in New York will help him here and that he doesn't have to play by the local rules. An honest cop works hard and makes countless sacrifices, and many good people die because he keeps on his quest. Eventually, he nabs the top man...and it turns out he has achieved nothing and he is back at square one. Even the top man is expendable to the overall survival of the big family. I was impressed by this film when I saw it fifteen years ago, and I'm still impressed with it today. It has enough action to satisfy any fan of 1970's Italian crime films, one of the most exciting genres in film history, but it also has a sobering message, one that is relevant to anyone watching the film anywhere. Although both CROSS CURRENT and GREAT TREASURE HUNT have their moments, THE BIG FAMILY is probably Tonino Ricci's most successful film as a director (I haven't seen his recent family films, although I especially want to see the Buck film with John Savage, nor have I seen the shark film with Treat Williams). Highly recommended to fans of the genre and those willing to see the value in a dubbed genre film. Hitler: The Last Ten Days is a 1973 film depicting the days leading up to Adolf Hitler's suicide. It stars Alec Guinness and Simon Ward. The original music score was composed by Mischa Spoliansky. In "The Weapon,the Hour and the Motive" the murder victim is a priest.Father Giorgio is stabbed to death in his congregation church.Two police detectives Franco Boito and Moriconi investigate his murder.The main suspects are Giorgio's two lovers Giulia and Orchidea as he wanted to break up with both.There is also an orphaned boy who saw too much from his attic hideout and he will resolve the mystery.Overlooked Italian giallo stylishly made by Francesco Mazzei.There are some silly comedic moments and some effective shocks.The throat slashing scene is fairly graphic and there is a bit of nudity and sexual perversion.Mazzei is capable of building suspense pretty well too."The Weapon,the Hour and the Motive" deserves more 加(👺)拿(🏊)大小(💉)姐(🧑)（Carole Laure 饰(🏫)）(🔀)在(zà(🤽)i )贞(🔫)操带(🌂)基(🎂)金(jī(🌩)n )会(🧢)主办(🍢)的(😧)世界(🎙)小(🖲)姐大(🎛)赛(🎑)(sài )中(zhō(🗃)ng )胜出，得(😾)(dé )以(yǐ(💅) )同基金(🔤)会主席身价五百(bǎi )亿美元的(de )富(fù )翁儿子成婚，新婚当晚(wǎn )，加拿大小(xiǎo )姐惊见对方的阳具闪耀(yào )着(zhe )金属的色(sè )泽(zé )。与此同时，一艘名为(wéi )幸存者的(de )船(chuán )在河面摇曳，一位英俊(jun4 )水手被美艳(🤜)(yàn )的(de )船(⏯)长安娜(🎍)（Anna Prucnal 饰）(🗡)吸引(yǐ(📖)n )，沿(📯)河岸(😥)追(🕘)(zhuī )逐(📝)(zhú(🌜) )；加(🕯)拿(🚬)大小(🎆)姐(🌀)欲终(🦗)止(🤲)婚(hū(🏫)n )姻(✡)，反被(🛃)富(🚾)(fù )翁的(📲)母亲交(🖊)给一名(😘)健硕(shuò(👙) )黑(hēi )人处理，黑(hēi )人把加拿大小姐邮寄到(dào )了埃菲尔(ěr )铁(tiě )塔下。在那里，加拿大(dà )小姐遇到了(le )一位西班牙歌手，两人(rén )发(fā )生了关系(xì )之(zhī )后却一时无法分离；水(shuǐ )手终于登上(shàng )了安(🍠)娜的船(🍮)，安娜称(🆑)他(tā )为(📜)波坦金(🧠)号(🍖)(hào )的(❓)(de )难(💰)民，船(🥗)上(🌗)有数(🔷)不(🍼)清(qī(🤹)ng )的(💡)(de )糖，安(🎋)娜(🔸)(nà )与(💵)(yǔ(🛴) )水手(♒)纵(🔣)情享受(📗)，又引诱(🌨)(yòu )了一(🌍)些儿童(🥇)(tóng )上船；加拿大小姐被一(yī )群(qún )嬉皮士收(shōu )留(liú )，他们疯狂的行为令加(jiā )拿大小姐(jiě )失(shī )魂；最终安娜杀死了水(shuǐ )手，被警察(chá )带(dài )走。加拿大小姐则拍(pāi )摄(shè )了一则色(sè )情(qíng )巧克力(🧓)广告。 讲(😴)述镖师(🤸)(shī )高奇(🛤)英，路(lù(❤) )经(💂)赌坊(📅)拆(🤑)穿了(🗺)范(🤘)森一(💡)伙(💂)(huǒ )骗(🍀)人(🛍)的把(🏩)戏(🙉)(xì )，范(💯)森(👑)事后(🌹)将(🥞)高杀害(🔓)，高(gāo )奇(🦏)英女儿(💱)(ér )高(gā(🎶)o )天凤得(🧠)知其父是被范所(suǒ )害，四处找(zhǎo )范寻仇，万氏兄妹及凤(fèng )一(yī )干人找到(dào )刘(liú )三虎的尸体，必查出范(fàn )现住陈宝(bǎo )川(chuān )处，找到范最终把坏事(shì )做尽的范送(sòng )进(jìn )了官府，等待范的(💍)将(jiāng )是(🚟)(shì )法律(✝)的制(zhì(🕤) )裁(cái )。