猫眼专业版

本片由Paul Morrissey和意大利CULT大(dà )师(shī )Antonio Margheriti(又名Anthony M. Dawson)联(lián )合(hé(♎) )执导，意大利(🌇)制片(🚺)巨头(♌)Carlo Ponti促成(😄)了(le )两(liǎng )位大(🛸)师(shī(🍢) )的(de )合(👎)作，Antonio Margheriti还兼任特(🍽)效工作，当然(rán )还(hái )有监制Andy Warhol，已经无法弄清(🧜)是谁(🤟)赋予(yǔ )这部伟(wě(Ⓜ)i )大(dà(😚) )经典(🚭)CULT电影(yǐng )极品(🏂)惊世(⏳)骇俗的气质。Frankenstein是被(❓)反(fǎn )复(fù )制作的CULT形象，而(🚲)这次更是变本加(🐉)(jiā )厉(☝)(lì )。恋(🔻)尸(shī )癖(pǐ )男(💽)爵、(🔅)疯狂(⏩)的纳粹倾向(💈)科学(😮)家(jiā )Frankenstein博(bó )士要打(dǎ )造(zào )完美无缺的极品(🏜)男女，他收集(🔽)(jí )了(💩)(le )各种(🐣)人(ré(📨)n )体(tǐ )器官来(🦃)拼装(💁)新人(⏫)体，而 Frankenstein博士对(🍷)(duì )于(yú )这些血(xuè )块(kuài )肆意无所谓的态度(🐡)使得(🍖)影片有(yǒu )一(yī )种(😇)Gore Comedy的风(🧑)格(gé(🎆) )，喜剧元素在(🎩)这样(💝)一部(bù )赤裸血(xuè(😹) )肉(ròu )的作品里(lǐ )时常凸(🍦)现，为了赋予极(jí(🕎) )品男(👶)人(ré(🛹)n )超(chāo )级淫荡(🦀)的内(🛀)心灵(🎳)魂以完成极(😐)品男(🐔)(nán )女(nǚ )的终极(jí )交(jiāo )合，Frankenstein博士需要物色一(🥪)个人选然(rá(💄)n )后(hò(🥉)u )砍下(🎡)他(tā(🗣) )的(de )头颅。他误(🤥)认为(🧝)跟随(😷)强壮农夫(fū(🏳) )一(yī )起去嫖(piáo )娼(chāng )的却一心想成为修士(🛃)的同(❄)伴更(gèng )淫(yín )荡更(🌧)善(shà(🍤)n )于(yú(🥂) )男女之事，于(📴)是趁(💭)两人酒醉时(shí )砍(🦔)(kǎn )下那位同(tóng )伴的头颅(🕵)。当再造活人(rén )之(💌)后，他(🎎)(tā )却(🌘)发现极(jí )品(💌)男人(🥄)居然(🚤)内向胆怯，根(🌏)本无(🐍)(wú )法(fǎ )完成交合。影片中几乎每个人都(dō(💩)u )有(yǒu )一颗邪(👁)(xié )恶(🚜)(è )的(🚎)心，除(🖥)了Frankenstein博士之外(🕝)，跟他(🍏)有(yǒ(🎶)u )姐(jiě )弟关系(♍)(xì )并(bìng )近亲结婚的妻子是个虚伪，淫(yín )荡(🐢)(dàng )的(㊙)女子(zǐ )，她表面指(🎿)责强(🐁)壮农(🙅)夫的野合行(🍆)(háng )为(🤜)(wéi )，私下却(què )要他满足自己的欲求，她还提(💼)(tí )出(chū )要“使用(yò(🖖)ng )”新极(🎂)品男(🦍)人，并出卖(mà(🍂)i )强壮(🛺)农(nó(⛴)ng )夫(fū )，最后在(🔦)与力大无比的人造男人(rén )交合时(shí )因(yīn )发错(💾)指令而被死(🐪)死抱(🎞)紧，断(🥟)筋碎(🥢)(suì )骨(gǔ )而丧(♈)命(mì(😼)ng )。博士的助手受他(🔡)影响，会用手(shǒu )撕(sī )开并插(chā )入(rù )女人胸(🦓)腔来(🎆)满足自己的邪念(➗)，最(zuì(🏓) )后却(🛶)使(shǐ )得(dé )人(🏽)造女(🎈)死亡，自己也被盛怒的(de )博(bó )士杀死。最令人(🥀)吃惊的是博士的(🌫)一对(⛷)孩(há(🛢)i )子(zǐ )本想救(📳)出(chū(🐳) )农夫(🧠)，却因看见橱(🏈)柜里(lǐ )的内脏(zāng )血(xuè )块而把他吊得更高。Frankenstein博士(🕟)由还出(chū )演(👩)过《Blood for Dracula》中(📴)Dracula 伯爵(⛏)的Udo Kier饰(🐪)演，绝对经典(😧)！ 故事(🛺)(shì )围(wéi )绕着一(yī(⏺) )男(nán )两女的三角恋爱，一个无业游(yóu )民(mí(📰)n )的知(🧠)识(shí(🍞) )分(fèn )子，却有(🙆)两个(🎽)女郎(🔇)争相爱他，一(🌙)(yī )个(🍗)是年(nián )轻(qīng )护士，以美妙的性技巧和情色(🈲)(sè )笑(xiào )话令他得(〽)(dé )到(♑)感官(🏒)的满足；另(⛰)一个(🚎)是徐(🚼)娘(niáng )半(bàn )老(🅿)的女友(yǒu )，却供应他的食宿。他(tā )们以为(wéi )享(xiǎ(🌄)ng )受齐人之福(📲)，三人(🚦)大被(🦒)同眠(🍘)，结(jié )果搞得(🤥)(dé )大(📲)(dà )家痛苦不堪，最(👣)终一个试图自杀(shā )，另一个(gè )以(yǐ )结婚作(🐄)为回(🚦)心转(🍼)意的条件，筋(✉)(jīn )疲(📗)(pí )力(📇)尽的(de )他(tā )只(🎎)好向(👯)婚姻投降。 一个涉世未(wèi )深(shēn )的年轻(qīng )海(📐)(hǎi )军士兵，因偷窃(📛)被叛(🎄)处重(🤟)刑。二(èr )个面(🛋)露凶(🌌)(xiōng )恶(🚺)但内心善良(🏭)的士官，受命押(yā )解(jiě )。在漫长(zhǎng )的押送路程中(🌯)，他们不(bú )忍(🛴)再让(😝)(ràng )那(🏜)(nà )孩(🚳)子受死板军(😃)规的(📧)折磨，于是，三个人(🤱)(rén )到(dào )处胡天胡地，狂欢纵欲，姿情放(fàng )荡(🎎)(dàng )，结(🥍)果(guǒ(🔈) )小(xiǎo )水兵竟(🌱)起意(🦆)开溜(🌪)。 讲述镖师高(🐾)(gāo )奇(🧛)(qí )英，路(lù )经(jīng )赌坊拆穿了范森一伙骗人(😬)的把(bǎ )戏(xì )，范森(🌳)(sēn )事(🚍)(shì )后(🏄)将高杀害，高(🌌)奇英(🕍)女儿(⛎)高天(tiān )凤(fè(🔧)ng )得知其父(fù )是被范所害，四处找范寻仇，万(wàn )氏(🌋)兄妹及(jí )凤(🤭)一干(🌿)人找(💡)到刘(📏)三虎的(de )尸体(💛)，必(bì(✡) )查出范现住陈宝(🤜)川处，找到范最(zuì )终把坏(huài )事(shì )做尽的范(🛁)送进(👤)了官(🏜)府，等待范的(🆙)(de )将(jiā(⏺)ng )是法(💤)律(lǜ )的(de )制裁(🍨)。 In Victorian London, a beautiful young man is given a portrait of himself by an admiring artist. Soon after this, he treats a young woman cruelly and then notices that his portrait seems to look meaner than it used to. Eventually, he cannot endure the portrait and hides it in the attic. As the years pass, he becomes ever more unscrupulous and dissolute. His friends remark how he is as handsome as ever and never seems to age. But up in the attic, his picture becomes uglier with his sinful ways In Victorian London, a beautiful young man is given a portrait of himself by an admiring artist. Soon after this, he treats a young woman cruelly and then notices that his portrait seems to look meaner than it used to. Eventually, he cannot endure the portrait and hides it in the attic. As the years pass, he becomes ever more unscrupulous and dissolute. His friends remark how he is as handsome as ever and never seems to age. But up in the attic, his picture becomes uglier with his sinful ways Dark, decadent, morbid, passionate - and 34 years later still the strangest memory regarding my very own personal history of watching movies since I was five years old. Despite the fact that this French/Italian production from the early seventies delivers incredibly strong performances by Helmut Berger at the peak of his career, the always excellent Francoise Fabian and the fabulous Paul Meurisse, that it shows you wonderfully filmed locations, and comes up with a solid script including a couple of interesting though perverted characters, the movie itself disappeared totally out of sight. Maybe you need to know Europe or even European or Italian movies to get along with it - I'm not sure about that. But I cannot understand why „Les Voraces" (German title „(📶)Die Gefraessigen") fell into a black hole of total obscurity like hardly any other movie I've ever watched before and since.