德国乌克兰

《宝(bǎo )莲历(lì )险记》（THE PERILS OF PAULINE）是(shì )美(měi )国1947年拍摄的，说的(de )是活泼的制(📬)衣(🤑)(yī(💱) )女(🦍)(nǚ(👖) )工(📁)帕(🦌)尔(🐻)·(🎤)怀(🈷)特(🚘)偶(🤐)然(🎿)(rá(🕢)n )成(📉)为舞台剧演员(yuán )，并暗恋上剧院经(jīng )理和主演迈克尔(ěr )·法(fǎ )林顿。后(👇)来(🉑)帕(📲)(pà(🗞) )尔(🚿)(ě(🐐)r )又(📷)被(🎞)电(😳)影(🍜)公(🧀)司(sī )看中(zhōng )，拍摄了系列(liè )惊(jīng )险影片《宝莲历险(xiǎn )记》等，成了很(hěn )受观众欢迎的电影(yǐng )明星，最后经过(guò )一些(xiē )波折终与法林(lín )顿(dùn )喜结连理。两(liǎng )位主(zhǔ )人公分别由贝(❔)(bè(💅)i )蒂(🌏)(dì(🗣) )·(🌃)赫(💦)顿(🤺)和(🚸)约(😝)翰(🐱)·(📄)伦(🙄)(lú(🥘)n )德(📩)饰(🎯)演。 唐老(lǎo )鸭(yā )和黛丝正在散步，不小心被花盆砸(zá )到了。他开始深信(xì(🔌)n )自(🎅)己(🛩)是(🐄)个(🎢)明(🎹)星(⌚)，并(🕚)且(🍪)(qiě(💠) )不认得黛丝。 在(zài )一次宴会上，余师(shī )长夫人凤鸣重(chóng )遇(yù )失散多年的前夫尹(yǐn )秋涛。原来十年(nián )前，凤鸣本是三流(liú )剧团的一个小角(jiǎo )色，而其夫秋涛则(zé )是(shì )一个倒卖假(🤯)钞(🏙)(chā(🤨)o )的(🍧)小(🏭)(xiǎ(🔧)o )地(🎳)痞(🏄)。后(🏸)来(❤)案(🧐)(à(🚷)n )发(🚅)(fā(🙉) )，两人在逃命的过(guò )程中失散。此(cǐ )后(hòu )，凤鸣假称显宦后(hòu )裔，混身上层社(💾)(shè(📌) )会(🐎)。凤(📶)鸣(🉑)担(😖)心(🤯)身(🤖)份(📳)(fè(👋)n )败露，日夜不安(ān )。秋(qiū )涛开始不停地(dì )敲(qiāo )诈勒索凤鸣。不久(jiǔ )，秋涛 因为再(zài )此(cǐ )犯案，遂胁迫凤鸣(míng )为人质一同逃亡(wáng )。但未出家门，两(liǎng )人即被捕。凤鸣(míng )被保释，但旧日身(🕔)(shē(👛)n )份(⤴)(fè(🎮)n )已(😺)败(🌨)露(✏)，被(🌰)赶(😐)(gǎ(🤣)n )出(🍍)家(🚇)(jiā(🆎) )门(👊)。凤鸣亦厌(yàn )倦(juàn )上层社会社会(huì )地无(wú )聊社会，决意(yì )离(lí )开余师长重(❄)新(🛬)做(🥧)人(🎹)(ré(😗)n )。 柯(📰)尔(🧖)波(🐺)特(✈)是(🦃)早(zǎo )期美国流行乐坛最(zuì )著名的作曲家，从二(èr )十年代后期即(jí )已(yǐ )在娱乐圈崭露(lù )头角(jiǎo )，在三十年代(dài )的(de )"黄金时代"更有不少(shǎo )名曲出自他的手(shǒu )笔。然而波特的祖(zǔ(⚪) )父(🍹)一(😭)直(🎄)不(👴)同(📤)意(🗝)他(💠)(tā(🚌) )走(🚶)作(🤝)曲(🎰)家(🙉)的(🍩)路，甚(shèn )至在波特成名后(hòu )仍加(jiā )以排斥。他在(zài )壮(zhuàng )年的事业高峰(fēng )期(🏳)1937年(🌫)(niá(⤵)n )坠(🐮)马(🤭)受(💎)伤(🎳)，双(🤤)(shuā(🌤)ng )腿(🎟)(tuǐ )不利于行，对他的(de )身心造成甚大影(yǐng )响。幸而波特克服(fú )困扰，继续发挥(huī )其作(zuò )曲才华，并扬(yáng )名(míng )好莱坞。 In this mystery, a private detective is falsely accused of murder by his secretary who wants to protect her little sister who has been formally charged with the crime. The detective must solve the crime before it is too late. To do so, he gathers all the suspects at a radio studio and reenacts the crime. The killer is revealed. During WW II, one of the hits of the London stage is a play about a murderer who strangles his victims. The actor who plays the strangler identifies so strongly with his part that when he receives a blow to the head during a bombing raid, he believes that he actually is the strangler. The stuffy manager of lovely opera singer Vicki Cassel and her uncle, a classical conductor, is determined to close down the noisy nightclub that's next door to the Cassels' home. The club's owners--Steve, a handsome ladies man, Jeff, his clownish sidekick--hatch a plan to keep the club open. Steve arranges to meet--and woo--Vicki and then invite her and her uncle to the club. When Vicki's snobbish aunt and the manager discover that Vicki now favors popular music to the classics, they arrange to get the club closed. But that doesn't keep Steve and Jeff down. Instead they decide to put on a Broadway show if they can get a backer. They find their "angel" in Vicki's uncle who agrees to finance the show only if Vicki is the leading lady. But once again, Vicki's aunt and manager may be the spoiler in everyone's plans.