Alex, a sailor on leave, recovers from a drink-induced blackout with a large sum of money belonging to Edna Bartelli, a b-girl who invited him home to "fix her radio." He tries to return it with the reluctant aid of June Goth, a sweet but oh-so-tired dance hall girl; they find Edna murdered. Not quite sure he didn't do it himself, Alex and June have four hours in the dead of night to find the real killer before his leave ends. Their quest brings them into contact with a sleazy kaleidoscope of minor characters; clues get more and more tangled.
The film's use of color was a landmark breakthrough. It was a process different and superior to technicolor. We can do it today in say, Kodacolor, and "The Red Shoes" did indeed quite approximate it but good as that was, it did not equal SF,
某(mǒu )日(⛹)，虞家茵(yīn )（陈燕(🎐)燕 饰(🕒)(shì )）正在电(🕶)影(yǐng )院门口等朋(🌹)(péng )友(🚙)，哪知道(dào )朋友有(🌇)事不能来(lá(💧)i )了，不愿独(dú )自一人的(🦎)虞家茵将电影(yǐ(😼)ng )票转(zhuǎn )让给(🛄)了(le )偶(🌱)遇的(🏨)男子夏宗(zō(🤛)ng )豫（刘(liú )琼 饰(shì(👚) )）。之后，虞家茵经人(ré(🗒)n )介绍来到了(🚛)(le )亭亭（彭朋 饰）(🧟)家中(🌛)担(dān )任她(tā )的家(🌾)庭教师(shī )，亭(🉐)亭的(✡)父(fù )亲常年在外(👸)(wài )工作聚少离(lí(😇) )多，母亲又(yòu )体弱(🐮)(ruò )多(💳)病缠绵床(chuá(😤)ng )榻，亭亭感(gǎn )到十(🧣)分孤(🏤)单(dān )。
In this gritty film noir, cynical ex-RAF flyer Morgan, bored with civilian life, joins a break-in gang led by Narcy. On his first job, the getaway car crashes after killing a policeman. Morgan is framed as the driver and sent to jail. Seeking revenge, he escapes and heads for London. Along the way he's helped by a woman (Mrs. Fenshaw), who wants him to murder her husband. In London, Morgan is sheltered by Sally, who falls in love with him. He confronts Narcy and the gang in an abandoned warehouse. Brazilian Director Cavalcanti's crime drama should not be confused with the totally unrelated "They Made Me a Criminal" (1939).
少年皮普(pǔ(🚸) )（John Mills，Tony Wager 饰）父(fù(🥇) )母双(shuāng )亡，依(yī )靠姐姐(🤱)与铁匠姐(jiě )夫生(🤒)活，在(zài )闭塞(💝)的英(🧛)国乡(⬆)下，皮普(pǔ )受(🛎)到(dào )的只是(shì )粗(🤜)暴的管教。临(lín )近监狱(🎏)(yù )的两(liǎng )名(🔯)犯人逃脱(tuō )，皮普(💷)出于(🏔)(yú )善良向其中(zhō(👰)ng )一个提供了(👕)食物(🍥)(wù )，尽管(guǎn )犯人(ré(🤖)n )很快归案，但入狱(🌑)前不(bú )忘提皮普(🌕)开(kā(🍑)i )脱。不久附(fù(🥢) )近豪宅内的(de )哈维(🗽)(wéi )森(💍)小姐召皮(pí )普为(⚓)自己服(fú )务(🍬)，皮普一(yī )家视之为出(🤼)头的机会，怎料(lià(🆙)o )哈维森(sēn )小(👉)姐年(🗣)轻时(🦖)被男(nán )人所(🎨)伤，一(yī )心只想培(💆)养养女爱斯泰(tài )纳（(🏔)Valerie Hobson，Jean Simmons 饰）报复男(🔌)人。
在一(yī )次宴会(🥠)(huì )上(🥦)，余师长夫人(rén )凤(🕕)鸣重遇失(shī(🌗) )散多(🔙)年的前(qián )夫尹秋(🐔)涛。原来(lái )十年前(🗓)(qián )，凤(fèng )鸣本是三(😴)流(liú(🦃) )剧团的一个(💠)(gè )小角色，而(ér )其(🏵)夫秋(😱)涛则(zé )是一个倒(🌩)卖(mài )假钞(chā(🎦)o )的小地痞。后来案发，两(🔨)人在逃命(mìng )的过(🥫)程中失散。此(🏥)后，凤(🥕)鸣(mí(💼)ng )假称显(xiǎn )宦(🥗)后裔，混身上(shàng )层(🏊)社会。凤(fèng )鸣担心身份(🏽)败露，日夜(yè(🗺) )不安(ān )。秋涛(tāo )开(🔹)始不(🏆)停地敲诈(zhà )勒索(🎡)凤(fèng )鸣。不久(🍎)，秋涛(🍶)(tāo ) 因为再此犯(fà(😠)n )案，遂胁迫(pò )凤鸣(🕧)为人质一同逃亡(😡)。但未(🗝)(wèi )出家门，两(🎍)(liǎng )人即被捕。凤鸣(👁)被保(❄)释(shì )，但旧日身(shē(🐌)n )份已败露，被(💞)赶(gǎn )出家门。凤鸣亦厌(🥛)倦上(shàng )层社会社(💍)会(huì )地无聊(⬅)社会(🍃)，决意(💩)离开(kāi )余师(💏)(shī )长重新(xīn )做人(🎾)。
少女阿翠(cuì )家境清贫(😮)，跟作画的江(🀄)涛为邻，感(gǎn )情要(🌸)好。江(📂)(jiāng )涛绘下阿翠画(🐇)像(xiàng )，并小(xiǎ(🌞)o )心珍(🧤)(zhēn )藏。江涛有(yǒu )旧(🥒)同学丁其(qí )昌，对(🤳)阿翠(cuì )一见钟情(🎿)。其昌(🕸)实出于(yú )富(🥠)裕(yù )之家，妻子(zǐ(📷) )早年(🐰)病逝，遗下一女小(⏯)(xiǎo )凤。其昌极(⤵)(jí )力追求，阿(ā )翠迫(pò(🤽) )于生活，答应下嫁(🗓)。无(wú )奈阿翠(🍻)出身(🕤)(shēn )清(🎴)贫，婚后饱受(🔖)恃财骄(jiāo )横的(de )丁(😐)父白(bái )眼。丁父更迫使(🕹)(shǐ )其昌携同(📪)小(xiǎo )凤回北平老家，离(➰)开阿(ā )翠.阿翠独(🐨)居(jū )多年，待(💡)她再(💁)访(fǎng )寻江涛(tāo )时(🎆)，只见画像仍(réng )在(⭕)画室架上(shàng )，可是(🚳)江涛(🔣)(tāo )已淡忘昔(🍳)日之情。及至(zhì )丁(🗒)父(fù(🚟) )去世，其昌(chāng )与小(🎳)凤回到(dào )家(⛴)中，其昌(chāng )不独不解别(🖼)(bié )离之痛，更(gèng )怀(😗)疑(yí )阿翠与商人(㊗)王少(🥅)伯有染(rǎn )，对(😲)妻子日(rì )渐冷淡(➕)。此时小凤跟其(qí )昌助(🎈)(zhù )手陆超(chā(🍫)o )恋上，可是旋又(yòu )移情(🏋)少伯，并打算随他(🍌)私奔美国。为(🌧)保女(🐂)儿声(shēng )誉，阿翠刻(💿)意替(tì )小凤隐(yǐ(😭)n )瞒事(shì )实。岂料此(🎁)(cǐ )举(🌅)却令其昌(chā(🎦)ng )误会更深，以为妻(👔)子不(❄)忠，最后更(gèng )与小(🦈)(xiǎo )凤，陆超返(😵)(fǎn )回北平，剩(shèng )下阿翠(📋)孤独(dú )终老。
一位(🏔)(wèi )著名的神经(jī(😖)ng )外科(🕖)(kē )医生向他(🔨)的学生讲述了(le )他(➖)与一位已(yǐ )婚女子的(🎇)风流韵事，以(📹)(yǐ )及在(zài )风流韵(yùn )事(🔀)结束后，这名(míng )女(🏴)子某天从(có(🏩)ng )窗户(🔭)摔下去(qù )而死。外(🗡)科(kē )医生怀疑她(😷)(tā )是被谋杀的，并(bìng )开(😶)始寻(xún )找杀(🕸)(shā )害她的凶手(shǒ(🚴)u )。但是(📭)他并(bìng )不打算把(😨)疑(yí )犯交给(🏖)警察，而是计划(huá )向凶(🧓)(xiōng )手复仇。