Like in the novel of Jules Verne four persons try to get to the centre of the world by entering into a world of caves by a volcano. On their way they discover among other things also prehistoric animals like some dinosaurs.
法(fǎ(🌤) )国名导演(yǎ(🐗)n )勒卢(🏔)许与首席女星德(🍲)纳芙在70年代(🥐)中期合作的亲情伦理(🛏)片。女主角在年轻(📼)时抢(🌱)劫(jié )银(📳)行，被(bèi )囚(🔘)20年，她(tā )在入(🌈)狱前(qián )生产的儿(🚻)(ér )子(🤵)赛门已(yǐ )长大成(🎰)人(rén )，出狱后(🛹)(hòu )想(😍)跟赛门(mén )重(⏰)新建(🎊)立(lì )母子关系(xì(🚻) )，但产生(shēng )一(🖲)些挫折(shé )，直至她(tā )发(🎳)(fā )现儿子竟(jìng )然(📪)爱上(🧖)她(tā )的女友时(shí(🚑) )，事情出(chū )现(🚏)了转(💎)机(jī )。而她自(🏵)(zì )己(🥓)也找到(dào )了新的(😚)爱(ài )侣，就是(💣)(shì )赛门的老师。
萧依云(♐)（林凤娇 饰）自(🏩)幼生(🍼)活在父(📁)母的疼爱(🎛)之中，长大之(🐈)后又嫁(jià )给了深(😐)爱(à(👽)i )的男人高(gāo )浩天(👴)（秦(qín )汉 饰(💕)），生(💠)活十分(fèn )幸(⏮)福美(⚫)满(mǎn )。在做家(jiā )教(👸)的过程(chéng )中(🍖)，萧依(yī )云结识了(le )名为(🔫)俞碧(bì )菡的女孩(🏼)(hái )。俞(😟)碧菡(hàn )的(de )人生和(🎀)萧(xiāo )依云截(👯)然(rá(👗)n )相反，过(guò )着(🕰)寄人(⏭)篱(lí )下的日子(zǐ(👶) )，常年遭(zāo )受(👴)继母的(de )虐待。
While Philipe waits for Johan to come out of jail he starts recreating several moments of their relationship with the help of several friends during the summer of 1975.
郷(xiāng )ひろ(🚛)みの映画初主演(🎬)作。遠(🀄)藤周作(📇)の同名の(🎇)青春小説を(💯)映画化。『愛と誠(💰)』以(✂)来、青春(chūn )映画(🐁)を撮(cuō )り続(👂)けて(✉)きた山根(gē(♿)n )成之(🌁)監督(dū )がメガホ(🅱)ンを取り、(💥)脚本をジ(🗾)ェームス・(🌼)三木(mù )が手がけ(💸)た。郷(🔕)ひろみが主(zhǔ )題(♐)(tí )歌「さら(🍧)ば夏(💀)の光(guāng )」を(🍐)歌っ(😑)ている。共演は、(🎮)女友達のハ(🔠)ンバーガー・ショッ(♉)プ店(diàn )員役に秋(⛹)(qiū )吉(🍗)久美子(🖋)が、大学(🐞)浪人の親友(💥)役に川口厚がキ(🍞)ャス(🍅)ティンされた。地(🚶)方出身の貧(🚗)しい(🗑)青(qīng )年が愛(✳)し始(🍡)めた女(nǚ )友達を(🥨)親(qīn )友に譲(🔧)ったこと(🍢)から、明る(🚮)く生きながらも(🥞)愛(à(⛰)i )に苦しみ、人生(🔸)の厳(yán )しさ(🍧)を知(⛎)(zhī )っていく(👬)姿が(👐)描かれる。
女(nǚ )主(🧙)角为了(le )要迎(📺)接远(yuǎn )道而来的(de )男友(🌇)而在(zài )豪雨中出(🍱)(chū )了(👈)家门。就当女主角(🍚)接到男友时(Ⓜ)，没想到在镇上因(🍃)为高(❕)压电的关系而巨(🦖)大化的蠕虫(👍)开始袭击小镇(zhèn )上的(🏟)所有(yǒu )居民。。。
一个(🐉)记(jì )者正在(🚎)寻(xún )找一(🕯)条独(dú )家新(🐽)闻，会见一位(wèi )部(😻)长的(🍋)女(nǚ )儿，与她(tā )展(🔵)开生意(yì )，损(⛰)害了(🥉)(le )自(zì )己的妻(🦗)(qī )子(📢)(zǐ )。
The niche market DVD label Mondo Macabro has released a little-known 1976 film titled In Hell, known variously as La tortura and Gloria Mundi. The movie is the creation of the late Greek director Nikos Papatakis, who obviously felt he had a significant left-wing political statement to make in this bizarre and unpleasant blending of radicalism and sexual humiliation. The film's one saving grace is an astonishingly brave performance by lead actress Olga Karlatos, who we are introduced to in a provocative, if cringe-inducing sequence in which we observe her sitting in a bathtub and attaching electrical wires to her nipples and genitals then torturing herself by turning on the current. Why is she doing this? It seems that her character, Galai, is an attractive young Algerian immigrant living in Paris. She has fallen under the spell of a mysterious and unseen political anarchist named Hamdias, who wants to wreak havoc against French colonialism in Algeria. This is to be achieved through terrorist acts that he is grooming Galai to carry out via instructions on the phone and cassette tapes. He also fancies himself an important filmmaker and is trying to raise funds for a political thriller starring Galai in the leading role. The film runs into the usual dilemma that real life independent producers must endure: the funding keeps running out but Galai becomes obsessed with ensuring that the movie is completed. Hamidias envisions incorporating perverse sexual abuse into the story line and he finds a willing leading lady in Galai, who enthusiastically submits herself to self-imposed "training sessions" in which she performs torture on her own body, all the better to please her producer/director/lover by giving the most genuine performance possible. The graphic opening sequence of this abuse is difficult to watch but the film quickly delves into a virtually incomprehensible look at the psychological tortures Galai is facing. Seems that Hamdias enjoys playing head games with her psyche and issuing increasingly dangerous demands including carrying out dry runs for terrorist bombings. She constantly vents to herself about her disdain for him, but it becomes clear that not only is she completely submissive to his whims, he is also holding their child as a virtual hostage to ensure she carries out his demands. That's about all I could ascertain from the confusing story line which at times is completely incomprehensible. There are films within films, sarcastic scenes that denounce the French elite and occasional sequences in which Galai is subjected to sexual abuse at the hands of military captor. There is abundant full female nudity but none of it is presented in an erotic manner and in one particularly awful scene one of Galai's would-be lovers vomits on her bare chest.
星州探(tàn )员龙(🔠)健天(tiān )在日(♑)渡假(jiǎ )，忽接急(jí )电获(👩)悉经(jīng )营小店之(👎)(zhī )老(🎯)父遭人(rén )杀害。遗(🚃)(yí )物中有录(🔄)(lù )音带一盒，乃亡(🥣)父预(🏼)先录下的遗言，说(🏉)生前曾与陈(🚷)、 张两友合作走私贩(🍴)毒。龙出世后，其母(🚡)劝父(fù )改邪(😀)归正(zhèng )，但(🚽)為陈(chén )所迫(🔒)，无(wú )法脱离贩(fà(🥟)n )毒集(😅)团。龙长大，父暗充(🐀)线(xiàn )人，供龙(🍭)(lóng )情(🍸)报。龙(lóng )向张(🛍)求助(🌃)(zhù )，张告以(yǐ )欲(yù(💶) )得杀害其(qí(🚇) )父之主谋(móu )，必须先(xiā(✖)n )赴香港，找已化名(🈂)(míng )為(🕺)王大雄(xióng )之杀父(🍥)仇(chóu )人……(🚈)