聪(🚟)(cōng )明漂(🙎)(piāo )亮的(🎂)蒂(dì(💄) )蒂(❤)（恬妞(🌝)(niū ) 饰）从(cóng )小就(jiù )生活在聚光灯之(zhī )下，深得(😾)家人、(🚑)师长和(💙)同学们(🎾)的(de )喜爱(📱)。尽管有(🎂)很(hěn )多(🛤)男生围绕在蒂(dì )蒂的身边(🛷)，但蒂蒂(🧘)却偏偏(🔆)喜欢(♏)上(🥌)了已(🌤)经(🍕)成家立业的老师梁教授（郎雄(xióng ) 饰），然而，随(suí )着时(💪)(shí )间的(📦)推移，当(🌫)梁(liáng )教(🛵)授身上(🔕)的(de )光环(💐)(huán )退却之时，蒂蒂(dì )发现他亦不(bú(🔯) )过是(shì(🕸) )一个(gè(🐱) )普通(☝)的(✌)(de )中年(niá(⏸)n )男人(rén )。
本片(piàn )敘述(shù )一段(duàn )難以處(chù )理的(de )三(🏯)角關係(🗄).
The niche market DVD label Mondo Macabro has released a little-known 1976 film titled In Hell, known variously as La tortura and Gloria Mundi. The movie is the creation of the late Greek director Nikos Papatakis, who obviously felt he had a significant left-wing political statement to make in this bizarre and unpleasant blending of radicalism and sexual humiliation. The film's one saving grace is an astonishingly brave performance by lead actress Olga Karlatos, who we are introduced to in a provocative, if cringe-inducing sequence in which we observe her sitting in a bathtub and attaching electrical wires to her nipples and genitals then torturing herself by turning on the current. Why is she doing this? It seems that her character, Galai, is an attractive young Algerian immigrant living in Paris. She has fallen under the spell of a mysterious and unseen political anarchist named Hamdias, who wants to wreak havoc against French colonialism in Algeria. This is to be achieved through terrorist acts that he is grooming Galai to carry out via instructions on the phone and cassette tapes. He also fancies himself an important filmmaker and is trying to raise funds for a political thriller starring Galai in the leading role. The film runs into the usual dilemma that real life independent producers must endure: the funding keeps running out but Galai becomes obsessed with ensuring that the movie is completed. Hamidias envisions incorporating perverse sexual abuse into the story line and he finds a willing leading lady in Galai, who enthusiastically submits herself to self-imposed "training sessions" in which she performs torture on her own body, all the better to please her producer/director/lover by giving the most genuine performance possible. The graphic opening sequence of this abuse is difficult to watch but the film quickly delves into a virtually incomprehensible look at the psychological tortures Galai is facing. Seems that Hamdias enjoys playing head games with her psyche and issuing increasingly dangerous demands including carrying out dry runs for terrorist bombings. She constantly vents to herself about her disdain for him, but it becomes clear that not only is she completely submissive to his whims, he is also holding their child as a virtual hostage to ensure she carries out his demands. That's about all I could ascertain from the confusing story line which at times is completely incomprehensible. There are films within films, sarcastic scenes that denounce the French elite and occasional sequences in which Galai is subjected to sexual abuse at the hands of military captor. There is abundant full female nudity but none of it is presented in an erotic manner and in one particularly awful scene one of Galai's would-be lovers vomits on her bare chest.
本片是(💯)(shì )“肮脏(📊)的哈利(🔦)”系列的(📌)第三部(🔊)。哈利（克林特·伊斯特伍(🔝)德饰）(👻)又有了(🎫)新搭(🕗)档(📈)——(📰)从(🐂)人事档案科调来的女警官凯特（泰恩·黛莉饰），他(👖)(tā )们俩(🏦)奉命追(📏)(zhuī )查一(🚫)(yī )群胆(💜)敢向旧(🍯)(jiù )金山(shān )市政府勒索(suǒ )两百(bǎi )万(🏅)元的恐(👧)怖(bù )分(🐺)子(zǐ(🌚) )。 然(🚚)而一向(🧢)(xiàng )我行(háng )我素(sù )的哈利(lì )这次(cì )却踢(tī )到了(🐈)铁(tiě )板(📝)，他的(de )新(🕋)伙伴(bà(🏐)n )凯特(tè(🚌) )对他的(🏜)硬汉作(🎩)风(fēng )颇不以为然，这(zhè )两位(🈷)伙伴必(👶)须先(xiā(⌛)n )解决(🚾)彼(✒)此的(🔍)分(🤪)歧(qí )，才能合作捉拿(ná )无法无天的恐怖分子。
In 1910, in the State of Paraíba, Brazil, a man is expelled from his own land by the ruthless colonel who owns the sugar mill. He asks some outlaws to help him retrieve his land.
暴走"シ(🍜)リーズ(🤾)第3作目(😦)で“暴走(🏐)族"と呼(🚴)ばれ世(🌇)の中に反感を持(chí )つ少(shǎo )年たち(🔹)とブル(🔚)ジョワ(👽)の少(🐔)年(🕠)(nián )たち(🔷)との対立を描く。真夏の焼(shāo )けつく太陽の下(xià )を暴(🙀)(bào )走す(🏤)るバイ(👧)クの群(⛎)れ―。暴(🥉)(bào )走族(😶)(zú )グループの一郎(láng )らは(🈸)、金持(🦏)ちの男(📭)女グル(🔻)ープ(🐛)で(🚻)女王として君臨(lín )する夢子にヨットの舵取り役と(🤰)して庸(🔂)われる(🍥)。やがて(👛)一郎の(🤖)金持ち(🦃)グループに対する怒りは頂点に(🎮)達し、(🖍)葉山沖(🛹)の離(🌊)れ(💍)島で決(♍)闘することに。すべてが遊びなのさ ギラつく波間に(♋)命を捨(🦉)てるこ(🥅)とさえ(🏅)!ナナハ(🥐)ン暴(bà(🍮)o )走・グループ抗争・シンナー陶(💺)酔・激(😖)情SEX・ヨ(📴)ット(📬)帆(😜)(fān )走の狂騒の果て―太陽も死んだ。
马达民族是世界(🤢)上最古(🦌)老的民(🤪)族之一(😡)，他们拥(📺)有自己(🗂)的独特的民族文化，生活方式(shì )和(💘)意(yì )义(✡)理念，摩(🔽)(mó )根(😦)教(🙂)(jiāo )授一(🐍)次关于(yú )马达(dá )族的讲座引(yǐn )起人(rén )们对马达族(zú(🎟) )人民(mí(💇)n )的浓厚(📅)兴趣(qù(🌆) )。劳(láo )拉(🏹)，尼古拉(🎢)(lā )斯，摩根(gēn )和妮可(kě )四个(gè )年轻(🕚)(qīng )人由(🚬)于不同(🐕)(tóng )原(🌑)因(🤐)走到一起，他们决定结伴通(tōng )行去考察马达人(rén )，一路(🏿)上由于(💆)此(cǐ )行(🎗)的目的(👞)不尽相(🍴)同，并且(👽)存在意识上的差异，他们看起来快(🌪)快乐乐(🌇)，实则并(💈)不同(🖲)心(🏰)，就在(🐙)(zà(⏸)i )他们到达马(mǎ )达人(rén )内部围绕着(zhe )要不(bú )要深入马达(🚴)(dá )人内(♐)(nèi )部考(😈)察的问(📀)(wèn )题，四(⏲)人的观(🔕)念(niàn )的差(chà )异终(zhōng )于暴发(fā )…