A woman falls in love with a man nicknamed 'The Bohemian'. Her family and friends warn her that he is not the marrying kind. When he does eventually leave her, she makes up her mind to wait for the unlikely day when he will return.
When a very old African woman offers an ambitious endocrinologist the secret of eternal youth, he decides to take his estranged and no-longer-young-and-beautiful wife along with him on the safari. But then she finds out the true reason for their sudden reconciliation is so that she can serve as his guinea pig. Hell hath no fury like a woman scorned, especially one with a stolen pineal gland tapper. But once you try Nipe, there's no going back.
Sorry but despite the fact that the 1931 version of this novel was the only western film to win an Academy Award for Best Picture it does not compare to the entertainment value of this version. True this is perhaps not the best adaptation of Ms. Ferber's novel, but then how many films are perfect adaptations of their source material. There are wonderful scenes missing from this adaptation, but then there are wonderful scenes missing from the adaptation of GWTW. No, I am not comparing this to a classic like GWTW. But the '31 version is not in the same class as GWTW either. This film should be taken for what it actually is, a good solid epic entertainment with spectacular scenes and good performances. Glenn Ford is perfect casting for Yancy. His performance is far superior to that of the overripe, stilted scenery chewing one delivered by Richard Dix in the original. Ford's boyish manner easily captures the charming immature nature of the character. Maria Schell is on a par with Irene Dunne. It is a pity her character was rewritten from the novel to be weaker than Ferber intended. This was obviously done to make the film Ford's but she's still gives a performance that is on the money. As so do the myriad supporting players in the film. Back in 1960, MGM obviously needed a big movie to move into the theaters that had been playing "Ben-Hur" for over a year. So this production was rushed to completion to fit the bill. The fact that it was shot in Cinemascope instead of a "Big" 70 mm process is evidence of this. It has been written that the production was shut down before the scripted ending could be filmed. This explains the rather abrupt and somewhat awkward end to the film. Perhaps a regular non "Roadshow" release might have fared better both with the critics and at the box-office. It often seems that those who praise the older version over this film have seldom actually seen the former. For many years the 1931 version was not available for viewing. During that period many film historians gushed in their praise of it. When it finally reappeared on screens most of them found it very creaky and revised their opinions but the older opinions are still in print, available and read. True, they didn't change their opinion of this version, but the older fell into proper perspective...Cinema History and rather dry history at that. While this version is not a classic it remains good entertainment. Compare it to "How The West Was Won" made by the same studio just a few years later.
电影剧情：(🕍)
本片(pià(🏀)n )根据意大(🤐)利(lì )小说(shuō )改编(biān )而(🥟)成，叙述(shù )一个(🔧)(gè )年轻(🌭)女孩在无意中(🕷)发现一(🏇)座女吸(😢)血鬼的(💝)坟墓(mù )，却(🍲)被附身，并(bì(🔗)ng )且到(dào )处(🎉)杀人(ré(⚓)n )性命(mìng )，造(zào )成(〰)当(dāng )地居民恐(💦)慌(huāng )。这(✂)一切到底是她(🗨)的想象(😎)，或是她真的被(⏭)古老吸(xī )血鬼所(🎊)控制(zhì )？
元(yuá(🤤)n )和九(jiǔ(🌙) )年の元(yuán )旦。江(❌)戸(hù )城に大事(🌕)件が起(👢)(qǐ )った。秀忠の(🤱)嫡子、(🍗)次代将軍(👧)の家光が毒殺(shā )され(🌱)かかったので(👞)ある。家(💬)光の弟忠(zhōng )長(😅)を偏愛(🔯)する北(😞)の方が(💂)本多上野(❣)介らと組み(⬛)、家(jiā )光(🈴)を亡き(🎡)ものにしよう(🚎)としているの(😴)だ。家光(👯)の乳母(mǔ )春日(♟)局、大(🆙)久保彦左衛門(🥏)らはこれを憂慮(💨)した。彦左は将(⏪)軍(jun1 )剣術(🛴)(shù )指南(nán )柳生(💠)(shēng )宗(zōng )矩と対(🏹)策(cè )を(🏆)ねった。彦左(zuǒ(🏹) )の一の(📀)子分魚屋(🌮)の一心太助が新年の(😟)挨拶に来た。正(📰)装した(🐤)太助(zhù )は、家(🐤)光と瓜(🚊)二(èr )つ(🌊)だった(🐶)。彦左にア(🥔)イデアが浮(📅)んだ。家光(🏮)と彦(yà(📣)n )左の身分を入(🗯)れかえるとい(⛱)うわけ(🌹)である。太助は(🕒)気(qì )狂(🏉)いに化けた。家(😝)光も高熱のあま(🥩)り頭がおかし(🗳)くなっ(🤡)たというので(🔸)、太(tài )助(zhù )と(♒)家(jiā )光(🐅)は姿を入れか(🦁)えるこ(〰)とに成功(💗)した。家光の太助は、(🗾)魚河岸に行っ(🔙)て太助(🍊)の人(rén )気を知(🛏)った。本(🙊)(běn )多上(💨)(shàng )野介(😠)(jiè )につな(🏢)がるゴロツ(📆)キどもが(🦒)魚河岸(🌓)の差配権(quán )を(🔲)手に入れよう(💏)として(🌫)暴れたが家光(👤)(guāng )と十(📡)(shí )兵衛が彼ら(🕰)をノシた(🙇)。江戸城(🥑)に入りこんだ(🈳)太助は(🌃)トンチンカン(🤱)ぶりを発揮(huī(🧘) )した。家(🐸)(jiā )光(guāng )が気(qì(🎙) )狂いに(🔣)なったと(🕒)思いこんだ本多一味(👁)は、秀忠の代(🏽)りに経(🙌)書御講(jiǎng )釈事(🍋)(shì )始を(🈹)家光が(⛪)するよ(🎨)う願い出(🐨)た。しかし、(🥛)太助と家(🎅)光の早(👯)がわりによっ(📈)て事なきをえ(👟)た。長屋(✏)に戻った家光(🐺)(guāng )はい(⚡)じめられる巳(🕘)之吉を後(⬅)妻の子(💼)供の次郎松が(📁)必死に(⏲)かばっている(🈯)のを見、弟の(🥪)忠(zhōng )長(🕒)に冷たかった(🔂)わが身(📏)を反省し(🏚)た。その頃、太助の家(🚶)光は忠長によ(🏳)び出さ(🍛)れ、逆心(xīn )の(🚇)ないこ(🚶)とを訴(💚)(sù )えら(🌝)れた。忠長(🚬)が本(běn )多一(❕)(yī )派の陰(🤹)謀を表(🏁)沙汰にできな(⛺)いのは、一味(🥠)の中に(🛥)母北の方がい(😇)るから(🛒)なのだ。太(tài )助(🎈)は身分を(❇)うちあ(💘)け、忠長を連(🌄)れて彦(🌃)左邸に行き、(🔱)家光と会わせ(🤮)た。家光(🐻)(guāng )、忠(zhōng )長は(🙁)初めて(👤)お互(hù )い(🤗)の気持を知った。その(🏹)時、鳥居土佐(🙇)の暗殺(👺)団が邸内にな(🕥)だれこ(♿)んだ。魚(🔌)河岸(à(🎤)n )の連(lián )中(🐻)や長屋の住(🐪)人(rén )が助(🚂)(zhù )勢に(🙉)駈けつけ、忠(🐝)長は鳥居土佐(🥌)を斬っ(🕺)た。元和年六月(🍠)、将(jiā(🏍)ng )軍秀(xiù )忠は家(🌮)(jiā )光に将(🎚)軍(jun1 )職を(🔪)譲るため上(shà(🌪)ng )洛した(🔸)
1958年大跃进时期(🛎)，北京的某街道(🐚)积极分(😁)子刘(liú )桂英和(🚂)其他(tā(🚣) )家庭(tíng )妇女(nǚ )，听(tīng )完(wán )街道(dà(🖕)o )办事(shì )处洪书(🙂)记动员(❄)妇(fù )女参加社(🎿)会劳动(🖍)的报告(🍊)，在街道(📥)卫生委员鲁(lǔ )大嫂(sǎ(🚯)o )的建议下(🗑)，大家(jiā )决定(dìng )生产老(🌙)鼠夹(jiá )来配(pè(🆚)i )合正在(🌮)开展的除四害(📨)爱国卫(🐕)生运动。在生产(🔢)(chǎn )初期，她(🐝)们碰到(dào )了各(gè )种各(⛑)(gè )样(yà(💂)ng )的困(kùn )难。她们(📢)(men )不懂技术、缺(🐖)乏原料(🐽)，又受保守思想(👿)的阻碍(👛)，各种家务事不(bú )断打扰她们(men )。鲁(🦊)(lǔ )大嫂(sǎo )批评(🥡)(píng )因(yī(🅰)n )家务(wù )事离(lí(🥫) )开生产组的人(♓)。小业主(🌨)王金才的老婆何彩霞(🆙)在组里搬(♍)弄是非(fēi )，使(shǐ )组里有(💭)的人(rén )要求(qiú(🛡) )退出(chū(🕳) )生产组，刘(liú )桂(🧘)英(yīng )也(🎢)发生动摇。洪书(🎵)记及时帮(🌻)助解决问题，刘(liú )桂英(💮)得到党(🏹)的支(zhī )持，坚定(♑)(dìng )了(le )信心(xīn )。当(🐫)(dāng )夜，下(😇)起大雨，生产组(🐩)的人都(🤠)不约而同地赶来抢收工具和器(🚳)材，这种一心为(🍫)(wéi )公的(🤸)(de )精神(shén )启发(fā(🕑) )了(le )每一(yī )个人(🍊)(rén )。办事(🎤)处要生产(chǎn )组试制一(🎮)批弹簧，王(🕟)金才是私营弹簧生产(👍)者(zhě )，他(tā )也参(⛑)加了生(🦁)(shēng )产组(zǔ )。一(yī(🈶) )天，某农(🐆)业(yè )机械(xiè )学(🎋)校前来订(🥀)制为支援农业生产的(🛍)四根拉(🚂)簧，王金才以技(🎵)术困(kùn )难为(wé(🐊)i )借口(kǒ(🎩)u )，反对(duì )接受(shò(🙋)u )这一(yī(👁) )任务，刁难(nán )刘桂英，当他的阴谋(📃)被揭穿后，又装(😬)病不参(🌸)加试(shì )制。刘桂(🐦)英(yīng )等经(jīng )过(💤)一(yī )夜(♑)的(de )苦(kǔ )战，终于(yú )试制(🕥)成功。由于(🍣)(yú )他们的成绩优良和(⛪)生产建设的需(🛋)要，生产(🅾)组(zǔ )发展(zhǎn )扩(🏆)大建成(🍘)弹(dàn )簧厂(chǎng )，刘(🍓)(liú )桂英担(🚴)任厂(chǎng )长。1959年，洪书记把(📫)人民大(♌)会堂需要24万个(🍏)沙发弹簧(huáng )的(🏂)任务交(🌓)给了刘(liú )桂英(🐖)(yīng )，限(xià(🦁)n )期(qī )只有(yǒu )一个(gè )月。这一光荣(🧥)任(rèn )务大大鼓(👉)舞了全(🕠)厂女工。正在搞(💨)地下工厂的王(🛺)金(jīn )才(🛎)却百般阻(zǔ )挠。在全(quá(🤤)n )厂的(de )辩(bià(🐕)n )论大(dà )会上(shàng )，他的行(😃)径被彻(chè )底揭(🔔)穿。全厂(🌜)进入紧张的战(😍)斗。在党(🏠)的支持(chí )和大(📚)(dà )厂的援(🔙)助下(xià )，她(tā )们只(zhī )用(🔥)了25天就(😨)完(wán )成了(le )24万个(🤦)沙发簧的任务(🌎)。宏伟的(❔)人民大会堂矗(🏧)立(lì )在(🥫)天安门广场西(xī )侧，刘桂(guì )英(yī(👨)ng )和姐(jiě )妹们(men )站(😨)在大会(😀)堂门口(kǒu )，展望(🏒)自己工厂更壮(🎛)丽的远(🚳)景。