泰坦尼克号未删减版

老夫子（(🈂)王沙）一觉醒(💪)(xǐng )来，见已是日(💨)(rì )上三竿(gān )，急(🥟)忙(máng )催(🚃)醒仍熟(👍)睡的大(🏨)蕃薯(shǔ )（矮冬(🤰)(dōng )瓜）。二人忙(🔣)乱一番(fān )，便去(🎛)(qù )做晨运(yùn )。 This is an interesting movie. It is a tendency of Italian exploitation movies in general to eschew logical plotting and character development to focus on elaborate cinematic "set pieces". While this usually works with gialli (and some would say cannibal and zombie films)it is often problem in the Italian crime films where the set pieces usually involve shoot-outs and overlong car chases, two areas where the Italians had NO chance of outdoing bigger-budget Hollywood films (although they often did their damnedest). This film is interesting therefore because it DOES have a lot of character development especially among the villains, three privileged youths that become desperate criminals after their clean-cut but increasingly psychotic leader, "Blondie", starts a gun battle during a botched gas station robbery. One of the other youths is a more obviously deranged thrill seeker, while the third youth, the "wheel-man" is decidedly non-violent but loyal to a fault to his two friends. Rounding out the cast is the girlfriend of the wheel-man (Eleanora Giorgi) who ironically sets the whole thing in motion by reporting the robbery plans to the police (and mistakenly telling them that the trio only have toy guns). The head cop meanwhile is played by Tomas Milan, usually the psychotic heavy in these type of films. Milan lends an iconic presence and is an interesting character in that he is not unsympathetic but is also not the usual borderline-fascist "rebel with a badge" often seen in these movies. Mostly he just proves tragically incompetent at stopping the rampaging youths. The plot is mostly pretty believable except for a scene where they hook up with another group of youths and shoot-up and rob a grocery store, even killing their own accomplices for no good reason. There's some pretty gratuitous nudity including a pretty sorry excuse to get Giorgi topless (but who's gonna complain about that too much?). The ending is typically cynical, but that's one thing I admire about these films over the violence-glorifying Hollywood versions. A rich playboy has a large house in the countryside. One weekend he invites a fashion model. On his way to the house, he drives past a gang of crazy young men. They find out where he lives, enter the house and kill him. Eventually the model arrives... 老(🌅)夫子（王沙）(🦁)一(yī )觉(🌒)醒来(lá(🎳)i )，见已(yǐ(😣) )是日上三竿，急(💚)忙催(cuī )醒仍熟(🥁)(shú )睡的大蕃薯(👩)（矮冬瓜(guā )）(🀄)。二(èr )人忙乱(luà(🕓)n )一番，便(🙋)去做晨(🌋)运。 在故(🔛)事(shì )上，这只黑(🆚)猩猩和原(yuán )版(🖨)的如(rú )出一辙(🐿)(zhé )，只是他是个(〽)彻头彻(chè )尾的(⛳)坏(huài )家伙，在银(📕)幕上的(🕯)破(pò )坏(🤨)力实(shí(😡) )在让人(rén )无法(🕡)消受。 The film tells a story of a young chambermaid from Venice who is a fan of Italian "Telefoni bianchi" cinema of the fascist era. She decides to follow her dream and goes to Rome, hoping to become an actress.