四平青年之狂暴之路

There certainly are elements in this film that could have been left out, and the film would have been better off for it; why the cheap monster/demon makeup?(The increasing blisters are great though..) Why having that obnoxious fatso-brother appear in the film at all? And let's face it, the special effects in places were not exactly state of the art either, neither were the editing. So why give it an 8 then? Well my rating couldn't have been any lower, and this is based solely on the fact that the film positively reeks of unique and creepy atmosphere, atmosphere so dark that I put it up there with the Kane-scenes in "Poltergeist 2", and the atmosphere in "Exorcist 3". There truly are some psychotic and memorable scenes. Two that stands out are when the mother of the family tries to " connect the dots" on Cyrus's back, the other is when she sits quietly in the living-room sowing, and then starts to jam the needle and thread into her hands! Excellent! Not to mention the infested fruit and vegetables! All in all,there is in this film a disturbed and unsettling tension that you seldom get to witness in other horror flicks of the same decade, and certainly not in contemporary and crappy Hollywood blockbusters, that's for sure. If you are just curious, rent! If you are a true horror-fan, buy! Maxime, un jeune homme de 25 ans, débarque à Paris, mais souhaite rejoindre Justine, la femme qu'il aime, en Inde. Au bar de l'hôtel Raphaël, il fait la connaissance de Jack Lesterhoof, un riche homme d'affaires qui lui propose de devenir son interprè(👳)te pour un rendez-vous important. Maxime accepte. 由(yóu )蕾切尔（杰西卡·查斯(🌖)(sī )坦 Jessica Chastain 饰）、(🌆)斯蒂芬（马(🙌)尔顿(dùn )·索(😭)克斯 Marton Csokas 饰）和(🍷)大卫（萨姆(♒)·沃(🏋)辛顿 Sam Worthington 饰(♎)）组(🌓)成的(de )以色列(🐄)秘密特工小(👒)组曾(céng )经在(🌯)效(xiào )命年间叱咤(zhà )风云，如今(🛵)虽已全部退(🐘)休，却(què )仍然(🚬)是(shì )特工(gō(🐛)ng )后辈们(men )的偶(📘)像(xiàng )。然而功(🎐)成身退的蕾(🐀)切(qiē(🍤) )尔（海(🤝)(hǎi )伦(🌠)·米伦 Helen Mirren 饰(shì(⌚) )）却始(shǐ )终(🚆)放不下一个(📱)心(xīn )结，那(nà )就是30年前小(xiǎo )组(🏌)千辛(xīn )万苦(🕦)追查的一名(👝)纳粹战(zhàn )犯(😊)沃格(gé )尔（(😤)加斯帕(pà )·(⏪)克里(💸)(lǐ )斯滕(🤰)森 Jesper Christensen 饰(🧥)）在关键时(🥁)刻(kè )突然神(🐤)(shén )秘失踪了(👯)，使得任(rèn )务无疾而终。令人意想(xiǎng )不到的(⏺)(de )是，如今小(xiǎ(🛤)o )组成员(yuán )竟(🛐)然同时得到(🦇)讯息说沃(wò(🚵) )格尔又(yòu )重(🍚)现江(✉)湖，三人(🍄)再(zà(🗞)i )次聚首，然而(🎩)蕾切尔却(què(🚛) )在秘密(mì )调(🍴)查(chá )中意外(wài )发现当(dāng )年的(🌭)追查报告存(🙃)(cún )在造假(jiǎ(🍚) )嫌疑，这使(shǐ(👛) )她开始(shǐ )无(🍦)法信任两位(🤗)同事(🥕)，而(ér )各(⛔)自背(🌔)(bèi )后深藏的(📋)惊(jīng )天秘密(📕)(mì )也如剥茧(😢)般渐渐浮出(🌱)水(shuǐ )面…… Abel croule sous les numéros de téléphone de ses conquêtes, Rémi se pose des questions métaphysiques sur son look, Lucie est fan de ciné(📟)ma d'auteurs obscurs tandis que son Fab, lui, c'est la boxe qu'il aime. Entre fête, lavomatique, et petit café au soleil la chronique de leur amitié et de leur complicité. 一(🧚)个夜晚，Michel Gerfaut发现(🤬)(xiàn )了一起(qǐ(🗃) )自称医院建(😱)(jiàn )筑事故(gù(🚒) )的事(👷)情。然而(🌵)在现(💦)场，一切发(fā(💇) )生变化地太(👰)(tài )快了，于是(📫)，本着彻查到底的(de )精神，Michel Gerfaut开始(shǐ(🚚) )调查，但是他(🌪)(tā )越深入了(🥔)解，越发现，原(🚎)来真相并(bì(🕍)ng )不是很(hěn )简(🖐)单的(🤩)…… Carles Asensio Monrabá(⌛), Spain, 2007; 21mins 张家(🛅)出与(yǔ )李凤(😛)择(zé )日成亲(👕)之事(shì )，为经(⛑)(jīng )济问题伤(💝)透脑筋。初时(shí )，家出(chū )姑姑之(🔰)妙计(jì )－－(🐕)让(ràng )他们假(🕐)私奔真结婚(😦)，却(què )不料假(📥)(jiǎ )戏真做，亲(🚎)(qīn )家(🙈)变冤(yuā(😔)n )家。双(🕍)方父亲刊登(💋)寻人(rén )启事(🦋)，但双方母亲(🗑)(qīn )仍是敌(dí )对。最后，姑姑再施(🌜)妙(miào )计，演(yǎ(🤾)n )出一(yī )出戏(👖)外(wài )戏，在(zà(🍃)i )囍字中终结(💶)。 A row between keen birdwatchers in Midsomer-in-the-Marsh turns nasty when their president is killed. Patrick Morgan met his death while hoping to sight a rare bird, but is his obsession with ornithology to blame - or something more sinister? Delicate and surreal. "A hora mágica" is a mix between a noir movie and a fantastic, surreal movie, dealing with the contrasts between reality as it is and reality as we want it to be. Life imitates art, but what life? What art? Is any of it worth it? The acting, the scenario, the timing, all promote an air of falsehood, and for a good reason: this is the land of fantasy, of desire, a place to try (and fail) to escape the roughness of real life and join the paradisiac land of the movies (or, as it is, of radio soap-operas). And this is why it also explicitly resembles a noir movie, the kind of movie that epitomizes the glamour of Hollywood. This game between reality and fantasy is paralleled to the shock originated with the arrival of TV in Brazil, rivaling radio, as TV virtually destroyed the radio soap-operas (the main character is a radio soap-opera actor). All in all, a delicate film, beautiful to the eyes and the soul, well-done technically, and with a good soundtrack. In particular, the final sequence is simply perfect, maybe among the most beautiful in the history of cinema; that sequence alone justifies recommending this film. じゆうを(🤩)我等(🛒)に（実(📶)写映(🤐)(yìng )画、1982年）(💊)自主制作作(👼)品(pǐn )。16ミリ60分(🛁)。