抗日战(zhàn )争(⛎)爆(bào )发，徐坚白(🤱) (张扬(⏮)(yáng )) 仍沉(chén )醉(😙)儿女(🔵)私情， 史亚(yà )南(nán ) (叶枫) 下嫁给他(😀)(tā )， 南(📒)(nán )离(lí )开坚(📦)白前(🔫)往投军。 那边(biā(🌚)n )厢， 兰 (尢敏) 加入(rù(🍿) )战地(🍻)(dì )救护队， 秋(👮)明则加入(rù )劳军歌(🌲)舞团。 兰在战(zhàn )地(🌂)上(shà(🤽)ng )救回差点被(🦓)当成(chéng )阵(zhèn )亡(wáng )士(🆓)兵的坚白。 兰(🍕)知(zhī(📉) )道(dào )坚白心系于(🔏)亚南， 竟往访后者， 要(✈)求她(tā )探望(🖖)(wàng )坚(😱)白， 与此同时(shí )， 她(🗑)(tā )自己的病情(🆗)也急(🆓)转直(zhí )下…(🚖)…
铁(🤖)路小学的黄(huáng )幼东(dōng )、张耀星(🍭)、杨(😑)明等(děng )同(tó(🏓)ng )学宣(🦀)誓加入少(shǎo )先(🤵)队(duì )了(le )，他们高兴(🕧)极了(🕒)。幼东(dōng )的爸(🎤)爸是个模范(fàn )司机(👁)(jī )，幼东在他的影(💁)响下(⛩)(xià )，也特别喜(🔖)爱火车头(tóu )。学(xué )校(🌼)少先队在“六(🎑)(liù )一(👖)(yī )”举行各种活动(🌤)，第(dì )十(shí )中队要在(🐇)这天去乘(ché(📚)ng )儿童(😯)列车。一早，幼(yòu )东(🕶)、杨明在校园(🏭)浇花(💏)(huā )，听(tīng )见耀(🌩)星叫(😩)他们，就故(gù )意躲(duǒ )起来开玩笑(🙁)，谁(shuí(🍐) )知这(zhè )一耽(⛷)误，队(😴)伍出发(fā )了(le )。他(🌪)们好不容(róng )易才(⭐)(cái )找(🈺)(zhǎo )到儿童列(⏭)车，这时(shí )火车(chē )就(🎣)要开了。大队(duì )长(🚖)幼(yò(✊)u )君是幼东的(🏆)姐姐，觉(jiào )得弟弟刚(🏟)入队就不遵(🍢)(zūn )守(🚖)纪(jì )律，不同意他(🥂)们(men )参(cān )加(jiā )列车员(🈳)的工作，老(lǎ(🆔)o )师(shī(🗓) )也批评了他们，但(💛)(dàn )最后还是给(🗽)他们(📗)穿上(shàng )列车(🎁)(chē )员(💵)的制服，让他(tā )们有(yǒu )机会学习(🚠)为大(🈹)家服务(wù )。中(🐢)(zhōng )队(💧)在绿江车站下(🚌)(xià )车，他们要在这(🗻)里活(🐬)动(dòng )。幼东、(🗜)耀星在(zài )游泳(yǒng )池(🈷)(chí )里玩得十分高(🏴)兴，杨(💄)明(míng )不会游(🙁)泳(🥍)，就蹲(dūn )在一(yī )旁(🔷)观看。两个朋(👈)友逗(🤜)(dòu )他下水，杨明一(🚾)生气(qì )，把(bǎ )岸边两(🥣)人的衣服(fú(🚗) )拿(ná(🤚) )跑(pǎo )了。两人追到(🤟)车站(zhàn )，也不见(👙)杨明(🗓)的人影(yǐng )。幼(🌃)东沿(💣)着车身寻找(zhǎo )。一(yī )列货车停在(🤐)那里(😆)(lǐ )，火(huǒ )车头(🕺)把幼(🌖)东吸引住了(le )，他(💠)(tā )爬上铁梯走近(🚲)司(sī(🍋) )机座(zuò )前细(🍇)看，正想去拉(lā )喇(lǎ(🏖) )叭的绳子，忽(hū )听(📤)有(yǒ(🔀)u )人(rén )过来，转(🐝)身(😘)躲进煤(méi )车。这列(🍋)车正好是幼(⬛)(yòu )东(🕉)爸(bà )爸开的，货车(🐛)把幼东(dōng )一起载往(😡)广州。司炉(lú(👚) )小孙(🌵)(sūn )在铲煤时发现(🌄)了(le )幼(yòu )东(dōng )。幼(😚)东在(🥀)爸爸面前(qiá(🧕)n )很(hě(🛩)n )难为情。在父亲的(de )教育下，幼东决(😀)定在(💻)(zài )下一(yī )站(📤)下车(💈)，回到集(jí )体中(🥋)(zhōng )去。同学们对幼(🎖)东自(🔷)(zì )由行(háng )动(✂)的错误进行了(le )善意(😵)(yì )的批评，幼东觉(🦂)得(dé(👈) )很(hěn )羞愧。中(🤛)队(🎛)到(dào )红旗(qí )公(gō(😐)ng )社参观，公社(✖)少先(🏫)(xiān )队热(rè )情地做(🌦)他们的向(xiàng )导。在参(👾)观“少年之家(🏗)”时，看(👕)到公社少先队(duì(😃) )员自(zì )造的火(🕝)车模(⛪)型中缺(quē )少(⭐)(shǎo )一(🅰)个火车头模型，幼(yòu )东决定把自(👬)己心(🕤)爱(ài )的火车(🍚)头模(💓)型装上喇(lǎ )叭(🌍)后(hòu )送给公社少(🧙)先队(🚛)。晚(wǎn )上，幼东(🚬)专心地给火(huǒ )车头(💮)(tóu )模型装喇叭，但(🧛)(dàn )喇(😙)叭(bā )总是不(👅)响(😒)，原来少(shǎo )了(le )线圈(🚷)，他起身去找(🧔)(zhǎo )。这(📩)时躲在一旁的同(🐭)(tóng )学们(men )帮助装上线(🎈)圈，等幼(yòu )东(🔓)回来(🍦)时，喇叭响了(le )。中队(🐹)把到公社送模(🤒)(mó )型(🐃)的(de )任务交给(🕌)幼东(🔺)和耀(yào )星(xīng )，并要他们当天搭(dā(🚪) )下(xià(📐) )午三时的火(🚞)车赶(🚳)回(huí )广州。路上(👥)，他们看(kàn )到从(có(🦌)ng )一辆(🔑)汽车上掉下(🧠)一包(bāo )良种，他们想(♟)尽办法(fǎ )把良(liá(📐)ng )种及(👿)时送到车站(🉑)(zhà(🏄)n )。离(lí )开车站他们(😰)又赶到(dào )公(📠)(gōng )社(🤾)，把火车头模型(xí(👳)ng )送到公社少先队员(🌾)手(shǒu )中。这时(🤛)已经(🏜)是下午(wǔ )两点(diǎ(🤤)n )多了，当公社少(🚪)先队(📥)(duì )员知道他(✡)们要(🚩)赶回去(qù )的情(qíng )况后，划小船抄(🎶)近(jì(🔍)n )路(lù )送他们(💼)，在大(⛽)家的(de )协(xié )助下(🏥)，幼东、耀星(xīng )终(🥕)于搭(🤲)上火车，准时(🈺)(shí )回到(dào )老师和同(😖)学们的身边(biān )。
石(🖐)の中(🕕)から生まれ(🐓)た(🚋)石(shí )猿、もちま(💩)えの勇敢(gǎ(🦍)n )さを(✈)発揮して猿のボ(🌎)スになった。が、何(🎻)か物足りな(🔥)い。こ(🖕)の世(shì )の中には(😝)猿よりえらい(🌐)人間(🔻)というのが(🎷)いる(🎮)という。よし、それならという(🕎)ので(🤳)一念(niàn )発(fā(✋) )起、(🖕)仙術の修(xiū )業(🕰)に出(chū )た。首尾よ(🛴)く仙(😁)人(rén )に弟子(🐌)入りして修業(yè )に(🥄)はげみ極意書を(🛴)さず(⛹)けられて、(📟)孫(🙎)悟空と名(míng )のる(🥥)。
电影剧情：(📇)
ニュ(🕺)ー東京舞踏学校(🍡)の白(bái )井(jǐng )藤子と(📥)玉木里枝・(🤠)篠原(📪)英子・滝内喜代(🗃)(dài )子・光武早苗は(🔦)仲の良い友(🤽)達だ(🌉)った。
Sorry but despite the fact that the 1931 version of this novel was the only western film to win an Academy Award for Best Picture it does not compare to the entertainment value of this version. True this is perhaps not the best adaptation of Ms. Ferber's novel, but then how many films are perfect adaptations of their source material. There are wonderful scenes missing from this adaptation, but then there are wonderful scenes missing from the adaptation of GWTW. No, I am not comparing this to a classic like GWTW. But the '31 version is not in the same class as GWTW either. This film should be taken for what it actually is, a good solid epic entertainment with spectacular scenes and good performances. Glenn Ford is perfect casting for Yancy. His performance is far superior to that of the overripe, stilted scenery chewing one delivered by Richard Dix in the original. Ford's boyish manner easily captures the charming immature nature of the character. Maria Schell is on a par with Irene Dunne. It is a pity her character was rewritten from the novel to be weaker than Ferber intended. This was obviously done to make the film Ford's but she's still gives a performance that is on the money. As so do the myriad supporting players in the film. Back in 1960, MGM obviously needed a big movie to move into the theaters that had been playing "Ben-Hur" for over a year. So this production was rushed to completion to fit the bill. The fact that it was shot in Cinemascope instead of a "Big" 70 mm process is evidence of this. It has been written that the production was shut down before the scripted ending could be filmed. This explains the rather abrupt and somewhat awkward end to the film. Perhaps a regular non "Roadshow" release might have fared better both with the critics and at the box-office. It often seems that those who praise the older version over this film have seldom actually seen the former. For many years the 1931 version was not available for viewing. During that period many film historians gushed in their praise of it. When it finally reappeared on screens most of them found it very creaky and revised their opinions but the older opinions are still in print, available and read. True, they didn't change their opinion of this version, but the older fell into proper perspective...Cinema History and rather dry history at that. While this version is not a classic it remains good entertainment. Compare it to "How The West Was Won" made by the same studio just a few years later.