一位个性拘谨(🛶)且有(yǒu )教(jiā(⤵)o )养的王子(🗳)，邂逅(🖍)一(yī )位(wè(🦇)i )性感且浑身散(🥚)发魅(mèi )力(lì(💅) )的歌舞女郎，她(💀)的(de )一(yī )举(〽)手一(🕖)投足，都充(🌞)(chōng )满(mǎn )著致命(🚦)的吸引力，礼(Ⓜ)(lǐ )教的束缚让(👤)这位木讷(🏽)(nè )的王子极力(🔡)抵(dǐ )抗她的(de )诱惑，最后却(què(🌩) )还是拜倒(🍋)在她(💧)的石榴(liú(🚃) )裙下……
富士(👌)山下(xià )的(de )小(🍻)村庄正在进行(💴)热(rè )闹(nà(😎)o )的祭典，突如其(🈸)来(lái )的(de )山火却(📊)让人们陷入(👻)(rù )恐(kǒng )慌(🎆)之中(🙈)，而天文学(⏪)(xué )家(jiā )白石良(❔)一（平田昭(🌑)(zhāo )彦(yàn ) 饰）则(🍐)在混乱中(🚕)失(shī(🐬) )踪(zōng )。不久(🔕)，当地发生(shēng )滑(🔰)(huá )坡、天坑(🚉)等离奇事(shì )件(👇)(jiàn )，更有一(🤩)个巨大、恐(kǒ(🥠)ng )怖的机器人出现，对(duì )周遭(🌆)城镇进行(🍅)(háng )大(🌤)肆破(pò )坏(👁)。白石的朋(péng )友(🈚)渥美让治（(🏁)佐原健(jiàn )二 饰(😚)）和安达(📄)谦治(zhì )郎(láng )博(🔦)士（志村喬 饰(🔀)）随(suí )同军(🎊)队前往当(🚍)地调(🛤)(diào )查(chá )，意(🚸)外遭遇外星人(🐳)(rén )的(de )球形基(🏣)地，并受到(dào )对(❤)(duì )方的邀(🦆)请。外(🧐)星人(rén )声(🥇)(shēng )称很久以前(🎲)他们的(de )星(xī(🧓)ng )球因核战而毁(🥛)灭，幸(xìng )存(🛶)者在宇宙间流(🐡)浪(làng )寻(xún )找合(👽)适的栖息地(🏮)。他(tā )们希(🆔)望地(🏏)球人开辟(🤨)半(bàn )径为3公里(🐪)的土(tǔ )地给(🎴)外(wài )星人居住(🏊)，并(bìng )准许(🥤)他(tā )们和地球(🗜)的女(nǚ )性通婚(📐)。人类对此(cǐ(⛄) )表(biǎo )示拒绝，并(➿)组成地(dì(🌠) )球(qiú )防卫军和(⛺)星外来客(kè )展(zhǎn )开对抗…(🍂)…
The city is rounding up all unlicensed dogs. Spike has a license. So does Tyke. An unlicensed stray steals Tyke's license; Tyke gets collared and the chase is on.
The marital difficulties of four couples living in a southern California housing development become intertwined. Among the unhappy couples are ne'er-do-well Jerry Flagg and his long-suffering wife Isabelle, flirtatious Leola Boone and her sadistic husband Troy, hard working Herman Kreitzer and his understanding wife Betty, and newlyweds Jean and David Martin.
理查德(🈳)(dé )．(🖥)萨里执导(🧙)的一部海(hǎi )难(🚺)(nán )电影。故事(👖)描述一(yī )艘(sō(🕠)u )豪华邮轮(📙)遭遇海难(nán )，二(⬆)十六名乘客挤(🗳)上(shàng )一(yī )艘(🕟)只能容纳(⛸)十二(🧘)人(rén )的(de )救(👼)生艇。在这险难(🍡)时(shí )刻，负责(🥔)安全的救生(shē(🗒)ng )艇主只得(🚸)作出(chū )生与死(🥘)(sǐ )的决定。气氛(🎰)(fēn )紧凑，生动(🏢)地反映了(le )人海(❣)众生相。蒂(🤚)龙(lóng )．鲍尔扮(🦕)演艇主表现(xiàn )不(bú )俗，梅伊(🤐)．塞特灵(🍿)(líng )的(🍡)(de )表演也极(🦇)为精彩，她(tā )自(👟)1962年后成为瑞(⏰)典著(zhe )名(míng )的导(🔵)演。
一个在(🧐)贫(pín )民(mín )窟长(🤶)大的18岁少年因(🚿)(yīn )为(wéi )涉嫌(🥊)杀害自己(🎡)的父(💿)(fù )亲(qīn )被(💯)告上法庭，证人(😝)(rén )言(yán )之凿(🌝)凿，各方面的证(💸)(zhèng )据都对(⏬)他极为不利。十(🎚)二个不同职(zhí(📕) )业的人(rén )组(⏹)成了这个案(à(♉)n )件的陪(pé(🎻)i )审团，他们要(yà(🥋)o )在休息室达成一致(zhì )的(de )意(⛷)见，裁定少(🐸)年是(✅)(shì )否(fǒu )有(😉)罪，如果罪名成(📚)(chéng )立(lì )，少年(📟)将会被判处(chù(🔁) )死(sǐ )刑。
更(💑)多外文名：Flying Swordsman's Raid on Criminal Monastery Part 2
Pierre Marsac, a French engineer working for the Nagasaki shipbuilding yards, has fallen in love both with Japan and a charming Japanese girl named Noriko. But Franç(🥊)oise Fabre, a French journalist and Pierre's former lover, contacts him while visiting the Land of the Rising Sun. They meet again, find out their love might not be dead. Meanwhile, Pierre gradually becomes estranged from sweet, humble Noriko. One day, a typhoon strikes Nagasaki...
In the 1950s Neo-realism style was given a boost, in part by what was happening in Italy. The films of Rossellini, Antonioni and De Sica made a powerful impression on Brazil's nascent film community. A series of pivotal pictures were made in the 1950s that responded to the wake-up call of the new Italian masters. Needle in a Haystack (1953) by Alex Viany, The Road (1957) by Oswaldo Sampaio and The Great Moment (1958) by Roberto Santos are a few of the better titles. The energy of these films was felt far north of Rio in the state of Bahia, where several pictures were made. (History of Brazilian Cinema)